Trump mocks #MeToo movement in riff on Elizabeth Warren’s heritage during Montana rally

President Donald Trump is set to speak in Montana on Thursday evening to tout the state’s slate of Republican candidates ahead of November’s elections. – RSS Channel – Politics

SPECIAL NEWS BULLETIN: -As millions of Americans strive to deal with the economic downturn,loss of jobs,foreclosures,high cost of gas,and the rising cost of prescription drug cost. Charles Myrick ,the President of American Consultants Rx, announced the re-release of the American Consultants Rx community service project which consist of millions of free discount prescription cards being donated to thousands of not for profits,hospitals,schools,churches,etc. in an effort to assist the uninsured,under insured,and seniors deal with the high cost of prescription drugs.-American Consultants Rx -Pharmacy Discount Network News


Click today to request your free ACRX discount prescription card and save up to 80% off of your medicine!


Please help American Consultants Rx achieve it’s biggest goal yet of donating over 30 million discount prescription cards to over 50k organizations in an effort to assist millions of Americans in need. Please click here to donate today!

How Fashion Failed to Confront Its #MeToo Moments

Photo Illustration by Lyne Lucien/The Daily Beast

The #MeToo movement has seen the careers of several notable figures torn to shreds. With the ever-growing list spanning Hollywood, politics, and the media, the fashion industry, too, has bore witness to sexual misconduct allegations against a number of renowned photographers.

Bruce Weber, Mario Testino, Patrick Demarchelier, and Terry Richardson have all been accused of sexually exploiting models throughout their careers; allegations that each man has denied.

Although the fashion world is still run by men, conglomerates like LVMH (which owns Louis Vuitton, Dior, Céline, Givenchy, and more) have pledged to fight gender inequality and prevent any further #MeToo-related incidents following damning reports by The New York Times and The Boston Globe in which several models—both male and female—made allegations against more than 20 fashion photographers, agents, stylists, and casting directors.

Read more at The Daily Beast.

The Daily Beast — Fashion


Trump’s #MeToo swipe updates his 2016 playbook

President Donald Trump understands what got him elected — a willingness to throw caution and decorum to the wind and to assail what his supporters see as rampant political correctness. – RSS Channel – Politics

SPECIAL NEWS BULLETIN: -As millions of Americans strive to deal with the economic downturn,loss of jobs,foreclosures,high cost of gas,and the rising cost of prescription drug cost. Charles Myrick ,the President of American Consultants Rx, announced the re-release of the American Consultants Rx community service project which consist of millions of free discount prescription cards being donated to thousands of not for profits,hospitals,schools,churches,etc. in an effort to assist the uninsured,under insured,and seniors deal with the high cost of prescription drugs.-American Consultants Rx -Pharmacy Discount Network News


Click today to request your free ACRX discount prescription card and save up to 80% off of your medicine!


Please help American Consultants Rx achieve it’s biggest goal yet of donating over 30 million discount prescription cards to over 50k organizations in an effort to assist millions of Americans in need. Please click here to donate today!

Alison Brie on the all-too-real #MeToo experiences behind that ‘GLOW’ Season 2 scene


The Gorgeous Ladies of Wrestling are back. And despite the era it’s set in, the recently released Season 2 tells a story centered around women that — for better and worse — feels utterly timeless in its relatability.

Yet oddly, the events that have taken place between Season 1 and Season 2 make it almost feel like GLOW is returning to a different world than the one it premiered in. 

#MeToo and Time’s Up have transformed the way we talk about women’s inequality and sexual harassment, especially when it comes to trying to make it in Hollywood. One GLOW Season 2 scene in particular, from an episode titled “Perverts are People, Too,” feels like the show’s deliberate response to that seismic shift in cultural conversation.  Read more…

More about Entertainment, Netflix, Sexual Harassment, Glow, and Alison Brie



Jessica Knoll talks the explosion of #MeToo, the dangers of performed girl power, and her page-turning new book The Favorite Sister

Jessica Knoll talks the explosion of #MeToo, the dangers of performed girl power, and her page-turning new book The Favorite Sister

Jessica Knoll talks the explosion of #MeToo, the dangers of performed girl power, and her page-turning new book <em>The Favorite Sister</em>

It would be tempting to call The Favorite Sister by Jessica Knoll a beach read. After all, it’s about a group of five women — Brett, Stephanie, Kelly, Lauren, and Jen — who are the stars of Goal Diggers, a reality TV show about young female entrepreneurs. It certainly has all the makings of a great beach read; the book opens with a murder and alternates between the past and the present, switching narrators as you slowly gather information and put the pieces together of what really happened. There are juicy secrets, dramatic catfights, and unexpected twists galore.

But while The Favorite Sister IS an A+ book to read on the beach, it provides so much more than just a few hours of entertainment. It’s a necessary commentary on the ways women can be emotionally abusive to each other. It will make you think twice about those people who rush to claim they support women in public, but act so differently in private. And that’s not to mention how it’ll make you rethink everything you thought you knew about reality TV.

In under 400 pages, Knoll tackles everything from money and ambition to race and sexuality. It’s a tall order, but she’s written an addicting novel about what happens when we want to celebrate women for being go-getters, yet punish them when they actually try to go and get.

I spoke with Knoll about The Favorite Sister and what it was like telling this story during the height of the #MeToo era. Don’t worry, there aren’t any spoilers ahead!

HelloGiggles: I’m sure you get this question a lot, but I have to ask: What’s your relationship with reality TV? Love it? Hate it? Fascinated by it? Somewhere in between?

Jessia Knoll: It’s a strong relationship. I’m not one of those people who thinks that reality TV is the death of intellectual culture, high art, or anything like that. [laughs] I think that we need to balance the light with the dark, and I don’t think anyone, particularly women, should ever feel guilty about consuming something that is maybe not the most thought-provoking material out there. I think we should feel free to enjoy what we enjoy and not feel like we have to apologize for that or make excuses for ourselves.

I’m a big fan of [reality TV], and I have been for some time. When I started working on my second book, I felt really tapped out in terms of material, because I had used so much of my own life in my first book. They were rerunning the first season of The Real Housewives of New York City, and I was watching it, and I was like, This is so rife with drama and tension. It occurred to me that this would be a great setting for my next novel, and that I know these women so well, and I know their relationships so well, that I could borrow a little bit from them.

HG: Reality TV is such a different viewing experience.

JK: I think it’s very interesting that it’s so manipulated, and yet we still call it reality TV. That turned out to be a very prescient medium given where we find ourselves today with the first reality TV president; the way people are simply able to say, That’s not true, it’s fake news. Like if you say it, it just becomes true. Facts don’t matter. To me, that is very much playing off the reality TV culture.

HG: It’s a culture where every little thing, whether us viewers realize it or not, comes from a place of manipulation.

JK: Right. Yes. These are people’s real reactions to being put in these very highly-orchestrated and manipulated scenarios.

HG: The five Goal Diggers each see the world very differently. They have such different approaches to business and ambition and success and being a strong woman. Can you talk a little bit about forming their world views, and how you balanced such distinct opinions?

JK: The whole trick of it was, the show itself is purporting to be this new model of reality TV that’s the new guard of millennial women. It’s going to portray strong women, empowered women, women who support each other and build each other up. And it’s supposed to be the fresh take on reality TV that we’ve never seen before. Because mostly we’re seeing women who maybe have fabulous lives, but the only reason they have those fabulous lives is because they’re funded by men, and they’re conniving and backstabbing and all of these things. So Goal Diggers is like, We are gonna set the new tone for reality TV. The intentions are pure, and it turns out that people don’t want to consume that kind of content; it’s not interesting to the viewer. So they — when I say “they,” I mean Jesse the creator, the producers, the editors, everybody involved — start to go against the ideals they espouse at the beginning of the show.

For me, Brett represented the show in what it is on the surface, and Stephanie represented what was actually going on behind the scenes. Brett was the one who was drinking the Kool-aid, who was buying what Jesse was selling. So at first, you’re like, Okay, I’m on Brett’s side, this is great, she’s supportive of other women, she’s cool, she’s body positive. Stephanie is the one who is problematic here. I liked the idea that your perspective on each of them would shift midway through the book, and that you would start to see that Brett and the model of the show are really just a facade, and that Stephanie is the one who is the truth cannon and really shining a light on what’s going on, which is the complete opposite of what the show is espousing.

First finished copy has landed. Anyone who comments gets the chance to win it 😘

A post shared by Jessica Knoll (@jessicaknollauthor) on

HG: Do you think America actually wants to see women succeed and support each other?

JK: I don’t know. You know, we’ve never done it. [laughs] It could be like an experiment. Let’s air a show about women who really like each other and support each other! I mean, listen: Conflict is interesting. No matter who is behind the conflict, conflict is interesting on screen. You need it on scripted shows; you need it on unscripted shows. It provides that drama that you need. I don’t know. [Goal Diggers] is my response to seeing people that I know and that I’ve worked with in the past really glom onto the explosion of #MeToo. And knowing that behind the scenes, how they are in their private lives does not align with this public persona that they’re putting out there as someone who is supportive of women. That hypocrisy drives me crazy. The show is kind of like my invention that gets into that disconnect between the way people present themselves in their public lives vs. what’s really going on in their private lives.

HG: At the end of the book, Kelly makes a comment about how she’s pushing a narrative that serves her and the show better than the truth does. Do you think people are stuck in this area between what we present vs. what life is really like?

JK: Yeah, I do. I think that’s true in not just the performance of feminism. I think that’s a very timely disease of the social media generation. We’re all guilty of presenting this image of ourselves on Instagram or Twitter. And often times, what’s really going on that we’re not captioning, that we’re not taking pictures of, is less glamorous, less funny, less exciting. Everybody has these boring and excruciating Tuesdays where you just can’t bring yourself to do the work that you need to do to get through the day. You’re dragging, you got in a fight with your significant other — you’re not going to put any of that stuff on social media. I think we know the dangers of fully buying into the hype that people put out there, because then it makes you feel worse about your own life. That’s all well-documented.

I do think that something that has emerged over the last year that I noticed, that I respond to in this book that seems like a subculture of that — I was blown away by some of the women I saw posting these inspirational memes about sisterhood and feminism, knowing how they treat other women. It really blew me away. I’m like, Do they know they’re being hypocritical? Or do they not realize that they mistreat other women? I don’t know. Obviously, in the book, Jesse is somewhat aware of the fact that she’s mistreating these women and underpaying them and letting them hang out to dry when they reach their expiration date. But I do think on some level, she buys into her own hype. And I do think that’s what’s going on with some of the real life examples I can think of. I think people do start to buy into their own hype.

HG: Your dedication at the very beginning of the book is intriguing: “For women who know that feeling.” Who are those women?

JK: That is a nod to the section where Stephanie’s talking about why she even signed up for this reality show, and how Jesse seduced her into it. She was sucked in and didn’t know how to get out of it alive. She didn’t know how to get out of it without really hurting her brand, really hurting the identity she created on the show. She starts talking about how when Jesse is unhappy with you, or when Jesse makes up her mind about someone and she’s not shining her light on you anymore, it’s this awful feeling.

That was born from a conversation I was having with someone about the book and being like, I’m writing a book about the way women can be really emotionally abusive to other women, and I’m scared to publish it in this era. We started sharing war stories about our respective female bosses. She was describing a scenario where she was left out of a really key social gathering that happened after work, and she was like, You know that feeling, when a woman has turned her back on you? And I was like, Yes, it is the worst. Your stomach just drops. And the way she said it, I was like, Women know this feeling. So that’s where the dedication came from.

HG: Ugh. Yes. I know that feeling.

JK: I’ve known the feeling for a long time. I’ve known it since middle school. You know, when girls decide they’re going to ostracize you. I think it’s a more painful feeling than being broken up with, than a guy breaking your heart. There’s something so specific about feeling betrayed by another woman that just cuts me to the core.

HG: You mentioned you were nervous about publishing The Favorite Sister in this era. What has the reaction been like?

JK: I was worried about it, and then I started thinking about it more. I started thinking about how I was gonna position the book when it came out. Something that occurred to me, that I think has occurred to other people as well, is the culture that breeds these men who violate women in all of these abhorrent ways also breeds this mistrust and competition and posturing among women. I don’t think that is something we are born with, I don’t think it’s a question of nature. I think we are nurtured to be like that. I think men pit women against each other. I think the culture pits women against each other.

After I made that connection, I started seeing it everywhere. I started seeing it on my TV, I started seeing it in conversations I had with other men. And I realized this is something that if we want to change, we have to recognize it. Because now, when I recognize it, whenever that starts happening, I’m like, Oh, hell no, and I change the channel. If it’s happening in a conversation with a guy, I refuse to rise to it, or I call it out. So I’m glad I did a little soul searching about that and worked that out for myself. I always want to be part of the solution, not the problem.

HG: How can we own being ambitious women?

JK: During one of the awards shows this past winter, there was an actress who got up and gave a speech about the #TimesUp movement, saying all of these necessary and really raw truths. And I got a text message from a guy friend, commenting negatively on her appearance. In the past, even though it would have made me uncomfortable, I wouldn’t want to have made this guy feel uncomfortable, so I would have engaged with it. And I looked at [the text], and I’m like, She’s up here talking about all the fucking women in this room who have been sexually assaulted and harassed and belittled and undermined and underpaid by these rich white dudes, and all you have to say is that she doesn’t look good?

That is so fucked up! No! So I didn’t say anything. And 24 hours later, he followed up and was like, I guess you didn’t like that. And I was like, Well, actually, I don’t like talking about women’s appearances when they’re saying something important and thoughtful. The focus shouldn’t be on their appearance, good or bad. I hate that so much. Writing this book made me more aware of how much of a focus there is on women’s appearances and how it does play into ambition. It really is a distraction to think about all the energy we waste worrying about how we look, what we eat. Men don’t feel like they have to look a certain way in order to get everything they want out of life. I just want the same for women.

Now, the new pressure — Stephanie obviously takes issue with this — is to look like you’re not wearing makeup. To look like you haven’t had your hair done. To look like you haven’t put any effort into your outfit. And it’s so exhausting, because all of that takes so much work, so much money, so much time. Or, if you’re not born with those genes, if you want to try and achieve that effect, it does require all of those things. Again, it’s a distraction. It’s like, Why do I want to waste my brain power and my energy on my appearance, when it could be on something that’s so much bigger and more meaningful?

HG: You write bravely about sensitive topics in both The Favorite Sister and your first novel, Luckiest Girl Alive. How do you find the courage to write so openly?

JK: There’s so much solitude involved in the act of writing. It’s a long, drawn-out process. So when you’re working on it, there’s a part of you that intellectually and logically knows that people are actually going to read this. [laughs] People who know you, and people who might suspect you’re writing about them — all of that is present in the back of your mind. But when you’re by yourself for hours and hours on end, day in and day out, the focus is not on that. You’re alone with yourself, you’re able to be honest with yourself.

It’s only after you’ve written it where I feel like the bravery comes in. To be like, Okay, I’m actually going to allow this to be published. Okay, I’m actually going to allow this to go out. When you’re actually doing it, you don’t really need to be brave. You need to give yourself permission to just write. Because otherwise, you’ll never get it done. It’s so hard to do anyway, and if you’re putting extra shackles on yourself, forget it. It’s just impossible. But the fear of exposure and feeling very vulnerable and having to go through with it anyway, that comes in later. That comes in when you’re closer to the actual publish date.

Andy Cohen called me this morning to tell me he loved the book and ima need a vitals check 💀 💀 💀

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HG: What are you reading right now? And what’s your favorite book that you’ve read this year?

JK: Right now I’m reading The Outsider by Stephen King. But my favorite book I’ve read this year is Michelle McNamara’s I’ll Be Gone in the Dark. I just loved that. It was the first time in a while that I had read something about a horrific crime, but there was still so much compassion in how she wrote. I found that to be such a refreshing combination. It really made me think, as a writer, about the kind of writer that I want to be. I love books that simultaneously entertain me and inspire me to be better.

The Favorite Sister is now available wherever books are sold.

The post Jessica Knoll talks the explosion of #MeToo, the dangers of performed girl power, and her page-turning new book <em>The Favorite Sister</em> appeared first on HelloGiggles.



Kering Foundation Awards Reflect #MeToo Moment

PARIS — Among topics addressed by this year’s round of Kering Foundation awards is one of the crucial issues laid bare by the #MeToo movement: What can be done to prevent male perpetrators from harming women?
Reaching across three continents, and sifting through 180 applicants, the Kering Foundation has chosen seven winners for its biannual awards for social entrepreneurs fighting violence against women, to be handed out at a ceremony here on Tuesday evening.
Now in its 10th year, the foundation is adding a two-year mentorship program to the financial awards, which range from 5,000 euros to 10,000 euros. Winners also enter a six-month incubation program with a social innovation specialist.
Mauro Antonio Vargas Urías, who founded Mexico-based non-governmental organization Gendes, is the first example of a Kering foundation winner working with men on the topic of “healthy masculinity.”
“We use the magic of listening and understanding to confront men, so they can acknowledge their mistakes, get in touch with their feelings and change their behaviors,” he said in a statement.
Céline Bonnaire, executive director of the Kering Foundation, said it was key to work on the origins of violence.
“The approach is to work with male perpetrators and to deconstruct what Americans are calling toxic masculinity

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Sophie Turner has drawn parallels between Game of Thrones and the #MeToo movement

‘[My storyline] is kind of mirroring what’s happening in real life, in every industry right now.’

game of thrones metoo
©2017 Home Box Office, Inc. All

The women of Game of Thrones battle no end of horror in the fantasy epic, fighting sexual harassment, sexism and political machinations to find their place in Westeros. Sound familiar? Well, you’re not the only one who’s noticed as cast member Sophie Turner has drawn parallels between Game of Thrones and the #MeToo movement.

In an interview with Screen Daily, the actress delved into her character Sansa Stark’s harrowing and sometimes difficult-to-watch storyline which includes her rape at the hands of Ramsay Bolton, frequent imprisonment and political relationships. While she started as one of the show’s weakest characters, she’s now become a fully fledged avenging angel ready to take her place on the world’s stage.

game of thrones

Credit: HBO

‘It’s funny the way [my storyline] is kind of mirroring what’s happening in real life, in every industry right now,’ Sophie said. ‘It’s really interesting how all of these women who were subjected to a lot of horror and oppression are taking a stand against the people who have done this to them. I think that’s why I connected with the #MeToo movement so much. Not just because of being a woman and obviously being a feminist, but also that character.’

Sophie Turner is a staunch supporter of the TIMES UP and #MeToo movement, as she previously helped fundraise for TIMES UP’s legal defense fund on Instagram and posted a message ahead of the all-black Golden Globes to show her solidarity with those affected. (She wasn’t actually in attendance, however.)

Sophie reflected on her character’s arc, saying, ‘It’s a really powerful message, the fact that she went through all of those things and she’s come out the other side. She’s used everything she’s learnt up until now to her benefit. She endured so much horror and really was a prisoner season-by-season. She took all of that, and now she has become stronger for it.’

The #MeToo movement has fiercely raged on, with this year’s recent Cannes festival led by Cate Blanchett becoming one of the most political yet and actors like Frances McDormand and Brie Larson calling for greater diversity in the industry. As women and their allies shine a light on the dark parts of Hollywood, Sophie also feels that entertainment needs to both respond to and also be a getaway from reality.

game of thrones metoo movement

Startraks Photo/REX/Shutterstock

She said, ‘Our role as filmmakers is to hold a mirror up to society. At the same time, I think it’s very important to have that escapism. That’s why Game Of Thrones is such a wonderful show. It provides both of those things.’

The next series of Game of Thrones will be its final run, with just six episodes to wrap up the mammoth story. While a release date hasn’t been formally been announced, the series has finished filming and will be screened at some point next year.

The post Sophie Turner has drawn parallels between Game of Thrones and the #MeToo movement appeared first on Marie Claire.

Marie Claire


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#MeToo Founder Tarana Burke Says Harvey Weinstein Arrest Is A Big Win For Survivors

Before fallen movie mogul Harvey Weinstein rolled up to the New York City Police Department Friday morning to turn himself in, Tarana Burke, the founder of the #Me Too movement, said his arrest on sexual assault charges represents a shift in the movement to change how sexual violence is handled.

“This moves from the court of public opinion into an actual courtroom,” Burke told Variety. “That is super cathartic for a bunch of the survivors, or even survivors who are not necessarily victimized by him.”

Weinstein was charged with rape and a criminal sex act on two women after surrendering to authorities on Friday at about 7:30 a.m.

The rape charge involves a woman not previously named publicly, while the sex abuse charge stems from a complaint made by actress Lucia Evans. In an interview with The New Yorker, Evans alleged that in 2004, the producer made her engage in oral sex.

“I said, over and over, ‘I don’t want to do this, stop, don’t,’” she told the outlet. “I tried to get away, but maybe I didn’t try hard enough. I didn’t want to kick him or fight him.”

She didn’t report the incident to the police at the time, telling The New Yorker that she blamed herself for not fighting back.

“It was always my fault for not stopping him,” she said.

Weinstein rolled up to the NYPD precinct in a black SUV and said nothing as paps and news crews swarmed around him. He was wearing a blue V-neck sweater with a blazer and dress pants for his fingerprinting and mug shot.

Weinstein carried several books with him inside, one of which was “Something Wonderful: Rodgers and Hammerstein’s Broadway Revolution” by Todd S. Purdum.

Multiple women have accused Weinstein of sexual harassment, sexual assault or rape, while more than 50 women have accused him of misconduct.

To see him face charges, Burke said, is almost unbelievable.

“I was surprised,” she said, adding that she’s happy for victims of Weinstein, with whom she said she has been in touch.





Entertainment – Black America Web


Unbreakable Kimmy Schmidt Season 4 Trailer Tackles #MeToo, White Privilege and Even More Zany Situations

Unbreakable Kimmy SchmidtKimmy Schmidt is more of a Pooh than an Eeyore. She’s a big ole Pooh in the and tackling Rebecca Black’s now-classic song “Friday” in the Unbreakable Kimmy Schmidt season four…

E! Online (US) – TV News


Excuse This Disruption: #MeToo Must Not Neglect Race

Attorney General Eric Schneiderman’s political fire turned into smoldering ruins last week as allegations by his former partners of emotional, physical, verbal and sexual abuse came to light in an article in The New Yorker. It is now clear that the former head of law enforcement for New York state strategically assumed the rhetoric of the gender equity and justice movements for political gain—while in private, according to the allegations, his behavior consisted of intimate partner violence that derived from exercising unequal power and control to the point of physical assault and emotional abuse.

Since the news has broken, the analysis of his alleged behavior has rightfully been framed within the lens of domestic and sexual violence—but it is important that we do not ignore the racial elements in the allegations against Scheniderman.

Tanya Selvaratnam, a Sri Lankan artist and activist, claims that he called her a “brown slave,” forced her to say that she was his property and hit her until she complied. This behavior hearkens back to the painful colonial past that many South Asians carry with them, and reflects the belief that white people are racially superior to brown and black people.

This moment is a pivotal one for our movement: Schneiderman’s racism should provoke just as much disgust and demand for accountability as his misogyny.

Undoubtedly, the cosmic shift occurring in our national socio-political landscape by way of #MeToo and #TimesUp is refreshing. Collectively, we are exhuming and ripping open the fastened coffins of abuse and sexual violence. But in spite of the presence of and need for active participation in these social movements, they do not offer an identifiable space for a significant segment of survivors. For women who do not occupy positions of power or privilege, much of this has been a conversation that is unrelated to their lives.

The experiences of women of color in situations of abuse do not occur in gender silos—and our movements for social change must not treat race and gender separately. It is not a far stretch to wonder whether Selvaratnam would have been believed without additional narratives by a white woman against the same powerful man. For women of color, speaking up and coming forward can be extremely dangerous—we are often not believed, and we face a brunt of victim-blaming.

During this moment of reflection, it is necessary to hold a mirror to our unified face to share the complexity of the allegations against Schneiderman. The experiences of survivors cannot be sanitized in a gendered construct; in fact, overtly being viewed as “other” is yet another thread in the narrative of sexual violence. Limited frameworks for these revelations and conversations only perpetuate the racism, sexism and classism that has deeply saturated the fabric of our culture and divides our collective experiences.

The very nature of a survivor is to be resilient; to face adversity in spite of challenge. We can stand with them by putting structures in place that stop them from experiencing any additional abuse. In order to do so in this moment, we must support survivors beyond listening to their stories—and acknowledge the racial impact of violence.

Kavita Mehra is Executive Director of Sakhi for South Asian Women.

The post Excuse This Disruption: #MeToo Must Not Neglect Race appeared first on Ms. Magazine Blog.

Ms. Magazine Blog


#MeToo Invades Cannes, One of Harvey Weinstein’s Favorite Hunting Grounds

Andreas Rentz/Getty

CANNES, France – Harvey Weinstein was too arrogant to realize the women of cinema would one day symbolically slay him and bar him from the mythic gates of the Croisette.

Even if Weinstein had tried to crash the Palais Saturday night, he’d have been blocked—literally. Eighty-two actresses and female directors, led by Cannes jury head Cate Blanchett, massed on the famous red-carpeted steps, linking arms in a fiery protest for equal pay, equal opportunity, and an end to the sexual exploitation of women.

The women marched in solidarity with writer-director Eva Husson, 41, the only female French director with a film in competition at Cannes, just before her premiere. And the number 82 represented the total number of films by female directors that have screened in competition at Cannes since 1946, compared to 1,645 films directed by men.

Read more at The Daily Beast.

The Daily Beast — Entertainment


‘Revenge’ Is an Ultraviolent Rape-Revenge Saga for the #MeToo Era


There’s an oh-so-fine-line between empowerment and exploitation, and Revenge navigates it thrillingly—and bloodily, as its male and female characters gush so much crimson fluid during the course of this B-movie that it’s amazing they don’t wind up outright desiccated.

Forty years after the premiere of notorious “video nasty” I Spit On Your Grave, French writer/director Coralie Fargeat channels its vengeful spirit for another tale of a woman (also named Jen!) striking back at her male sexual abusers—albeit in this case, with far more legitimate feminist gusto than her predecessor. Grim and gruesome, and boasting a style that’s as unsubtle as it is scintillating, it’s a blast of merciless malevolence tailor-made for the #MeToo era.

Fargeat sets her scene, and her story’s initial power dynamics, with her first two images: a panorama of an unnamed desert over which a helicopter zooms, and then that same sight reflected in the sunglasses of Richard (Kevin Janssens), whose stern face occupies the foreground of a pull-back shot that reveals, in its background, Jen (Matilda Lutz) sucking on a lollipop between her ruby-red lips. Courtesy of their own personal chopper ride, they arrive at a remote, luxurious house where Jen, having already turned both Richard and his pilot’s heads just by exiting the vehicle, takes up residence on Richard’s bed in order to show him some oral affection. Later that night, he fields a call from his wife, thus informing us that Jen is his mistress—a situation that displeases her, though not enough to keep her from giving in to his subsequent sweet talk about her “little peachy ass.”

Read more at The Daily Beast.

The Daily Beast — Entertainment


This Week in Women: #MeToo Moments Around the World

This Week in Women is part of a series produced in partnership between Ms. and the Fuller Project for International Reporting. This column is also part of a newsletter; sign up here to receive it regularly.

A 2016 #NiUnaMenos march in Peru. (Lorena Flores Agüero / Creative Commons)

From #MeToo to “We Believe You”

This week, New York Gov. Andrew Cuomo signed legislation to bar convicted domestic abusers from purchasing firearms. The hope, he said, is that the legislation would help save lives and “sever the undeniable connection between domestic abuse and deadly gun violence.”

And at long last, the U.S. this week also allowed dozens of men, women and children to enter the US and apply for asylum from the caravan of people (mainly from Honduras, El Salvador and Guatemala) who trekked some 2,000 miles from southern Mexico. The caravan is predominantly made up of women and children fleeing violence. Fuller Project contributing photographer Meghan Dhaliwal, based in Mexico City, has been following the caravan for the New York Times. Check out some of her photos here.

Last weekend, more than 30,000 people protested in Pamplona, Spain against the acquittal of five men accused of gang raping a woman during the 2016 running of the bulls festival. Some protesters chanted, “Yo te creo”—”I believe you.” Spain’s government said it would consider changing rape laws. And for the first time since World War II, the Swedish Academy will not award the Nobel Prize in literature this year; the academy is currently embroiled in a very public sex abuse scandal in which Jean-Claude Arnault, a photographer with close ties to the academy, sexually assaulted at least 18 women.

As Saudi Arabia’s war in Yemen rages into its third year, women are starving themselves in an attempt to save their children, The Associated Press’s Maggie Michael reported this week. Two months ago, Trump happily touted a $ 670 million deal to sell U.S. weapons to Saudi Arabia, and we learned today that U.S. troops are secretly on the border.  This conflict is spiraling down—aid groups had predicted 50,000 children would die by the end of 2017. Already nearly 2 million are out of school due to this tragic conflict.   

Women’s voices are needed more than ever in that region. Not far from Yemen, Fuller Project reporter Neha Wadekar travelled to Somalia to tell the story of a 28-year-old female police officer who defends Somalia’s #MeToo women—victims of rape and assault who want justice. Read her reporting in British ELLEStay tuned in the coming weeks for more Fuller Project reporting from Chiapas, Mexico, the Hebron Hills in the West Bank and Knox County, Ohio.

Other Stories from The Week

On Wednesday, Iowa’s legislature passed a “heartbeat bill” making it illegal for women to get an abortion after a fetal heartbeat is detectable. This normally happens around the six-week mark, when many women do not yet know they are pregnant. If it’s signed into law by Iowa Governor Kim Reynolds, an outspoken opponent of abortion, most abortions would effectively be banned, except in cases of rape or incest. Less than ten percent of abortions performed by medical professionals in 2016 occurred before a woman’s sixth week of pregnancy. Meanwhile, South Carolina senators met early this morning to pass a bill to ban all abortions, except when a mother’s life is threatened, or in cases of incest or rape. They failed—but only just.

In Ireland, abortion is largely illegal, but that will be challenged in a late May 25th referendum in which voters will decide whether to repeal the constitution’s 8th amendment, which states that a fetus has the same rights as its mother. Such a repeal would allow parliament to draft a law permitting abortions in hospitals up to 12 weeks. Many Irish women now travel to the UK and elsewhere to seek out abortions.

Stormy Daniels continues to be one of Washington’s most powerful women: On Wednesday night, the Trump team accidentally admitted on Fox News that Trump reimbursed $ 130k to his lawyer, Michael Cohen, effectively paying off an adult film star for her silence. The payment could violate campaign finance laws.

Take a moment to read this Ms. Magazine Q&A with Nikole Hannah-Jones, an intrepid reporter with the New York Times covering race relations in America, MacArthur fellow, and co-founder of the Ida B Wells Society, an organization supporting reporters of color in the pursuit of investigative journalism. It’s named after pioneering investigative journalist Ida B.Wells, who battled rampant sexism and racism to report the truth about discrimination and racism.

In Pacific Standard, Elizabeth Weingarten, the director of the Global Gender Parity Initiative at New America, argues that gender is crucial to understanding national security and that it must be taught in international relations classrooms. In the New York Times, Claire Cain Miller writes about how a common interview question about salary history fuels the gender pay gap.

If you’re a woman or non-binary photographer seeking funding for a project, apply by May 15 for a grant up to $ 5,000 from our friends over at Women Photograph.

Sophia Jones is a senior editor and journalist at the Fuller Project.

The post This Week in Women: #MeToo Moments Around the World appeared first on Ms. Magazine Blog.

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Russell Simmons Expresses Support for #MeToo, Isn’t ”Angry” About Rape Allegations

Russell SimmonsRussell Simmons is speaking up about Hollywood’s fight against sexual assault.
Days ago, the hip-hop mogul and the woman accusing him of rape agreed to dismiss the $ 5 million lawsuit…

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The Cosby Verdict: Heathcliff Huxtable Would Have Cheered for #MeToo [Opinion]

The Cosby Show premiered on Thursday, September 20, 1984 at 8PM. I remember it well because I had commandeered the television in the common room of my Smith College dorm to watch it. That meant that anyone else intent on watching TV (most of us didn’t have our own then, kids) was going to have to watch it too.

Only a few of my dorm-mates joined me that night, but our numbers steadily grew until the show became a weekly destination, complete with freshly popped popcorn and dozens of women piling in to watch. For the record, I was one of only three black women in a dorm of 67, many of whom didn’t know any other black people – at least not personally. Although we lived and ate together, many of them barely even knew us.

To this day, it’s hard for me to adequately convey the enormous pride, the joy, the RELIEF I felt as this beautiful showcase of black family life, black love, and black success introduced my fellow Smithies to the world I came from – a different world from theirs, to be sure.

I was just back from a year on exchange at Spelman College (model for The Cosby Show’s Hillman) where I’d traded my mostly white women’s college environment in largely white New England for the unmatched sisterhood of the premiere women’s HBCU in the ATL. Maynard Jackson was mayor then, Jesse Jackson was running for president, and Vanessa Williams was crowned Miss America shortly after I arrived on campus. There was no shortage of budding women of power there with me either, including philanthropist Lovette Russell, AJ Johnson, wellness expert and founder of The AJ Zone, and Starbucks COO Rosalind Brewer.

From The Cosby Show’s first episode, there was so much to love about the Huxtables, not the least of which was that they were unapologetically affluent and black. From the stately Brooklyn brownstone they owned (so like my aunt’s on Carroll Street), to the black music they listened to, the black art on their walls, the distinctive clothes and hairstyles they wore, and the loving, playful way they had with one another.

At the center of it all was Dr. Heathcliff Huxtable, the endearing father/husband/physician/son/son-in-law/neighbor we all wanted to have/know/marry/be. The good doctor was a man of character and conviction, unfailingly playful and respectful at the same time. The show was many things, but above all it was an ode to Heathcliff’s devotion to his family, his community, and his patients (all of whom were female, by the way). Perhaps because it was called The Cosby Show and not The Huxtables, we equated Cosby, the man, with the lovable guy he portrayed, morphing them into one and the same.

We now know that Bill Cosby is no Heathcliff Huxtable. Far from it. After a legal battle that spans two criminal trials, and multiple civil procedures dating back 18 years, Cosby has finally been convicted on three counts of aggravated indecent assault against a former employee of his alma mater, Temple University. At 80, he is facing potential jail time.

Cosby Verdict Is Another Unprecedented Victory for #MeToo

Cosby’s conviction in one of the longest and most compelling such cases ever brought to trial is being touted as an enormous victory for the #MeToo movement. Most of all though, it is a victory for all 62 of his accusers – including five who testified — many of whom lived in silence, shame, and a profound sense of powerlessness for years, and in some cases decades.

According to an article posted by NBC News, Lili Bernard, an accuser who was once a guest on The Cosby Show, wailed so loudly as the verdict was read, she had to be escorted out.

“I feel like my faith in humanity is restored,” she reportedly said through her tears.

Andrea Constand, the 45-year-old woman at the center of the trial’s allegations, has maintained throughout two trials (the first of which ended in a mistrial) that Cosby drugged and sexually assaulted her in his home in January 2004. Constand was widely reported to have remained stoic as the verdict was read.

I have tried to imagine what she must have been feeling beneath her mask of composure. I won’t presume to guess at her full mix of emotions, but among them was no doubt a sense of tremendous relief, and long withheld validation.

Constand and other Cosby accusers, who began surfacing in the public years before the recent (and ongoing) firestorm of accusations against other sexual harrassers and predators in positions of power and prominence, have been largely vilified for years.

Even during this trial, Cosby’s lawyer, Kathleen Bliss, harped on Constand’s 2006 civil settlement payout of nearly $ 3.4 million and portrayed his accusers as pathetic, scorned, delusional, greedy liars. Bernard told NBC News that even the defense’s closing argument “was based solely on rape myths, on victim blaming, on victim shaming and on character assassination of …witnesses that were clearly telling the truth.”

Cosby, who is free on bail while he awaits sentencing, faces a maximum jail time of 10 years and a fine of up to $ 25,000 on each count. He’s an old man now. Self-righteous, seemingly arrogant, angry, and unrepentant, he bears no resemblance to the beloved idol he once created for the small screen. (Just the thought of his having chosen to portray a gynecologist and obstetrician, as opposed to any other kind of doctor, makes me shudder.)

Like most women, I’m relieved, satisfied – encouraged even – that his accusers have prevailed. And yet, its worth noting that their win in no way restores or compensates them for what they’ve lost.

In introducing Tarana Burke, mother of the #MeToo movement, at Variety’s Power of Women luncheon a few weeks ago, actress and passionate women’s rights advocate Viola Davis reminded the enrapt audience of what it means to be a victim of a sexual predator.

“I don’t think people really understand that when sexual assault happens to a woman she describes it like a death,” Davis said. “More than likely, she’s suffering from post traumatic stress disorder, dissociative disorder, she has flashbacks, she has eating disorders, suicidal thoughts, depression. It is traumatic.

“More than likely,” Davis added, “they’re not going to seek therapy, because they’re going to be stigmatized. Stigmatized as being dirty, stigmatized as being overly strong, stigmatized as not being worthy — at all.”

In accepting her award that day, Burke – a survivor herself — clarified what #MeToo really is: “Folks think that this is about blaming and shaming, they think it’s about taking down powerful men, but they’re wrong. Even the women who came forward around Harvey Weinstein didn’t ask for what happened to him. They didn’t even think it was possible. They were simply trying to be heard, trying to be seen and believed. That’s all most survivors want – to not be the only ones holding on to their truths.”

Amidst the Devastation: Renewed Resolve

Finally affirmed by a jury, Cosby’s accusers have been empowered. I am flooded with gratitude for their courage, hope for their healing, and deep admiration for their perseverance and resilience. But there is little to be happy about here.

These women’s lives were indelibly changed by Cosby’s criminal actions, which he continues to deny. And we – not just black Americans, but onetime Cosby fans worldwide, have officially lost another black male hero. That loss is devastating, and one we can ill afford.

But as I begin to contemplate the wreckage of all this on another Thursday evening 26 years after The Cosby Show finale, I am also sifting for the gifts, and here is what I know: First, the court’s affirmation of the women who testified against Cosby, affirms all women – especially those who have been afraid to expose the aggregious acts of those they fear are unduly protected. Those unjust scales are now tipping once and for all.

Second, while Cosby is clearly no Heathcliff Huxtable, plenty of our men are. The loyal husbands and partners; the devoted fathers and grandfathers, and endearing uncles and brothers; the caring neighbors and hardworking earners and dedicated coaches and teachers and role models and leaders who know and show what true manhood is all about – daily — they are all around us. We cannot allow Cosby’s exposure in any way diminish or distract us from the lesser known heroes among us. In fact, we need to celebrate and encourage them even more. (Consider this your personal invitation to BE BMX, next Labor Day Weekend.)

Plenty of men understand that treating women, and all of humanity, with utmost care and respect is a core principal of true manhood. Thanks to these women, and this jury, this verdict reinforces that essential societal and cultural value. It also reminds us of how critically important it is to call out those who abuse and harass, no matter how wealthy or powerful or prominent they may be – and even if they are the president of the free world. Because that’s what freedom is all about.

The outcome of this trial has further fueled the momentum of a movement that will not stop until a much larger victory is won. “We are a constituency, a power base, and we are no longer hiding in the shadows,” Tarana Burke said in a recent speech. “What started as a simple exchange of empathy between survivors has become a rallying cry, a movement builder and a clarion call.”

Editor’s Note: Opinion pieces are solely the opinions of the author and not representative of Black Enterprise.



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Cowardice in Publishing Won’t Silence My #MeToo Story

This is the story I was told not to tell. This is the story publishers wouldn’t touch.

This isn’t about the Larry Nassar trial or the Harvey Weinstein scandal, about a monstrous man and his hundreds of victims showcased in the media. This isn’t a sexy celebrity face. This is the face of an ordinary woman—millions of us. This is the story of a father preying on his daughter. This is about a societal system of suppression, fear and denial.

Sexual abuse memoirs were popular sells in the late 1980s and early 1990s, after the McMartin day care sexual abuse case made them titillating. Then Peter Freyd coined “false memory syndrome” after his adult daughter accused him of childhood sexual abuse, and abuse memories began to be challenged in court cases. (False memory syndrome was later debunked by scientific research on traumatic memory.)

For publishers, abuse memoirs became risky—unless the portrayal was salacious, as in The Kiss, packaged as a story about the narrator’s “relationship” with her father. Recently, abuse stories have surfaced only sporadically: a true crime (The Fact of a Body) and a prurient, graphic account written by an anonymous author (The Incest Diary).

When I began writing a memoir about overcoming the effects of incest, I set out to master craft and business. Over many years, I was accepted into prestigious writing workshops, including Bread Loaf. Workshop faculty responses to my work ranged from “I’d advise you to remove any mention of sexual abuse” to “I don’t understand why people vilify pedophiles” to “choose another topic, don’t write about this anymore.” A renowned memoirist told me that her friend’s grown daughter accused him of abusing her as a girl, and “of course it wasn’t true, and lives were ruined.”

One well-known author saw beyond the apprehension—“this is dark but it has levity and power”—and gave my manuscript to her bigwig literary agent, who phoned me, expressing high praise for my writing before her tone turned angry. “Put this story in a drawer,” she told me. “Better yet, get rid of it. Write about something else. Anything else.” Before she hung up, her voice broke: she revealed she’d been a stalking victim.

This is the story I was told not to tell, and yet, I persisted.

Magazines were more accepting. At the advice of agents and editors, I published parts of my story in Salon, the Huffington Post and Glamour. My writing caught the attention of The Steve Harvey Show producers, who featured me on a double-episode series.

I queried a multitude of agents. Over half requested my manuscript. Several phoned but then declined to represent me, citing my lack of a byline in the New York Times. When I pointed out that they knew that before they called, they explained that publishers are “skittish” about abuse stories. I can publish a story about murder, or cancer, or cutting off my arm to save my life, but I can’t publish about how I metaphorically cut off parts of myself in order to survive sexual abuse.

The novel form is acceptable: The Lovely Bones and The Perks of Being a Wallflower were bestsellers adapted into movies. Why haven’t I spun my story as fiction? It isn’t fiction. But there’s a problem with my story being real.

I’ve packaged my story as a pet memoir, a mother-daughter memoir and a dating memoir, and each time received passes with recurring paradoxical remarks: “the market is saturated with abuse stories” but “there’s no readership,” I have “such a compelling voice and writer’s platform” yet “the writer’s platform is problematic.”

My most recent agent gave up on my fifth manuscript, a love letter to my future life partner, after a handful of editors declined. Despite the #MeToo and #TimesUp movements, she’d asked me to remove all traces of my abuse history. I toned down some details but refused to cut the portions setting up the book’s premise, which is to narrate my (hopeful) journey of overcoming major life obstacles.

Literary gatekeepers believe the truth disables rather than empowers. This enables our abuse culture. This is about the choice to be cowardly or revolutionary.

I keep searching for the publisher who’ll be brave. This is the story I’ve—we’ve—been told not to tell. And yet the truth is, sharing that deep dark secret with the world is a transformative act that can set us all free.

This post originally appeared in Publisher’s WeeklyRepublished with permission.

Tracy Strauss is former essays editor for The Rumpus. Named by Bustle as one of eight women writers with advice to follow, she served as the 2013-2014 Vice-President of the Women’s National Book Association’s Boston chapter and was the 2015 Writers Room of Boston Nonfiction Fellow. She currently teaches writing and liberal arts at The New England Conservatory. Follow her on Twitter @TracyLStrauss.

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#MeToo casts long shadow over Cosby’s sexual assault retrial

(Reuters) – When Bill Cosby’s retrial on sexual assault charges begins on Monday, the man once known as “America’s Dad” will face the same judge and district attorney in the same Pennsylvania courtroom as he did last June when a hung jury failed to reach a verdict.
Reuters: People News


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Sean Penn Talks His Debut Novel and His Fears for #MeToo

On March 27, Sean Penn will make his debut as an author with his satirical novel, Bob Honey Who Just Do Stuff. To mark the occasion, the philanthropist and two-time Academy Award–winning actor famous for his roles ranging from Fast Times at Ridgemont High to Milk to Mystic River spoke with TIME about the themes of the book, the #MeToo movement, President Donald Trump and Haiti.

The main character of your book is a mercenary who opposes a Trumpian figure. Do you share Bob Honey’s worldview? I wrote this book to get myself away from my own worldviews. And that doesn’t mean that they are or are not expressed in the book. It’s up to the reader to decide.

Bob drafts a letter to the Trumpian character saying, “We are a nation in need of an assassin.” Are you worried that will be read as you advocating for the assassination of President Trump? No, I’m not worried about that. I think if anybody believes by reading this that I am advocating for something like that, then they are really not getting that right. This is satire.

Bob targets the elderly. Do you fear getting old? No, I am in a hurry to get old. I’ve always had it in my head that I’m 77 years old. Now I don’t know that I’ll make it to that. I’ve done a little too much smoking. But I do feel more at ease with the world the older I get, despite the fact that the world itself is becoming increasingly challenging.

When you picture your life as a 77-year-old, what do you see? I think I run a bed and breakfast, and I keep a good bottle of Haitian rum under a blanket over my legs, in a wheelchair. I am not committed to the wheelchair, but I use it because I could get away with it. And I’m very selective about who can stay at the bed and breakfast.

What can books do that movies can’t? Put the vision in the hands of the reader. Film has often been called the director’s medium. And a writer kind of gets lost in that, often. With a book, you’ve got a writer and a director — and the director is the reader.

What did you think when the President described Haiti as a “sh-thole”? I just know so many people who would have been hurt by it, who have lived a hardship that that man’s never known. The indignity of his indulgence in his own flamboyance and minor brain is cheapening the air we breathe. And the fact that this Congress is tolerating him, the fact that anchors on news stations aren’t pulling the fire alarm. We passed the Paddy Chayefsky moment about a year ago, when the screaming “I’m mad as hell, and I’m not going to take it anymore” should have been. I used the book to keep myself from [falling into] the worst thoughts that Bob expresses. When it comes to Sean Penn talking for Sean Penn these days, I even feel that I want to use less flamboyant language than I have, and I’m not a politician.

You write in the novel “words are as lethal as any weapon” and “public yearning” has “now become an insatiable hunger bent on having one’s own insecurity empowered.” Is there a cure to that? Well, I think we’ve got to hit quite a challenging restart button if we’re going to cure that in this culture. I think that we are seeing people in great pain be dubbed heroes. There’s goddamn nothing to criticize about someone being a victim. On the contrary, there’s something to hug and to cure. But I don’t know if throwing the word hero around should apply in some of these circumstances. And I try to write about that a little bit also. Heroism is a funny thing, in that it’s often circumstantial and we see the best of humankind respond in ways that can make us weak with courage. I don’t know that we’re in a conversation that these flamboyant terms of reverence are helping very much.

In the poem that makes up the epilogue of the book, the phrase “#MeToo” is described as “infantilizing.” And it says that the “toddlers’ crusade” might end up “reducing rape, slut-shaming, and suffrage to reckless child’s play.” Could you explain that further? Well, I think that as a writer expressing myself freely, allowing myself to freely write within the brain of Bob, that there is an argument to be made that Bob would find familiar, those two words put together, “me too,” the three-year-old who wants a toy because his brother got one is “me too, me too.” And so I think that’s what that is. That’s Bob singing.

The lines that follow-up that section of the poem ask if “Due process has lost its sheen?” After Steve Wynn resigned from his hotel and casino company over sexual-harassment allegations, Trump asked a similar question. What do you make of that overlap? A broken watch has perfect time once a day. There will always be alignments to be found. I think it’s really, like most things, in the personality where the difference lies. So why things are said and in what context they’re said. Certainly there is, in all of us, contradiction.

Do you personally have criticism of how #MeToo has taken shape? I personally have hopes that it moves more into baby steps, simply because I want it to win. I fear that when groupthink becomes a media legislation of free speech, and a social media jury to convict anyone, it is no longer an American process, which is a due process. I think the greater issue here is that there are very serious changes that society needs to make to improve life for women, for homosexuals, for immigrants.

In 2016, you settled a defamation suit with director and producer Lee Daniels, who insinuated that you had been violent toward Madonna during your marriage. Has that experience affected your impression of #MeToo? Yeah. Listen, it wasn’t only that. As militant as anybody chooses to be on any subject, so shall I be on my right to healthy skepticism. Skepticism is more necessary and valuable than any blind belief anybody has about anything. No matter what issue we’re talking about, I believe every black person can have a point of view on a white person that is legitimate to express. Every man who has a point of view on women’s issues, it is legitimate to express, and vice versa. We’ve got to be a “we” at some point. Once good intentions start forcing everybody into camps, the strategy is off. And then things get worse. We talk about trauma so quickly, and then all of a sudden you see what these 15-, 16- and 17-year-olds go through down there in Parkland. And then you think about what these kids are experiencing in Yemen. And if we get all one-issue about this sh-t and divide each other over it or the way we’re allowed to talk about it, and people take some kind of high ground like only Danish princes can play Hamlet, then we’ve lost the joy of life.

This interview has been edited and condensed.

Entertainment – TIME


Monty Python star says #MeToo has ‘got silly’

Hollywood director and Monty Python member Terry Gilliam has hit out at the #MeToo movement, arguing that while some women have suffered sexual harassment, others have used perpetrators to further their careers.
Entertainment News – Latest Celebrity & Showbiz News | Sky News


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Cosby lawyers want other accusers barred at retrial as #MeToo looms

NORRISTOWN, Pa. (Reuters) – Allowing 19 other women who have accused comedian Bill Cosby of sexual assault to testify at his retrial would unfairly prejudice jurors, especially against the backdrop of the #MeToo movement, his lawyers told a judge on Tuesday.

Reuters: Entertainment News


In the Midst of #MeToo, Alice Glass Scored a Legal Victory Against Her Alleged Abuser and Former Bandmate

Ethan Kath of the band Crystal Castles sued former bandmate Alice Glass for defamation in October after she released a disturbing account alleging he had physically and emotionally abused her. Late last month, the defamation lawsuit was dismissed in court.

“This is a victory for survivors of abuse and sexual misconduct in countries where abusers use the court system to further victimize and keep people silent,” Glass wrote on Twitter after the ruling. In all caps, the Canadian singer added: “WE WILL NOT BE SILENCED.”

Mark Runyon / Creative Commons

Glass had charged Kath with “almost a decade of abuse, manipulation and psychological control,” starting from when she was just 15 years-old. “Claudio was very manipulative towards me,” she wrote. “Over a period of many months, he gave me drugs and alcohol and had sex with me in an abandoned room at an apartment he managed. It wasn’t always consensual.” At least one other woman has also accused Kath of sexual assault.

After Glass wrote about the alleged abuse, Kath responded by dismissing her claims as the words of a mentally unstable drug addict, labeling them “extortion, false claims and accusations” and insinuating that Glass accused him of abuse because she was upset that the band had achieved success since her departure. He went on to sue Glass for defamation—but on Feb. 23, the Los Angeles Superior Court held that her “motion to strike” was granted, effectively dismissing Kath’s complaint in its entirety.

Glass’ victory in court is particularly important because of how often women and survivors are disenfranchised within the legal system. Women and survivors have nothing to gain—and often everything to lose—from speaking up about harassment, abuse and assault. They can lose jobs and important relationships in their industries, as well as ridicule, slut-shaming and victim-blaming. Even worse, they can face retaliation, threats and violence for coming forward.

Glass first accused Kath of misconduct around the onset of the #MeToo movement, as women and survivors of sexual abuse across the country—and the world—began speaking out about their experiences with sexual abuse and harassment. #MeToo and the use of social media to raise awareness about abuse, hold powerful men accountable and demand justice began largely because of the limited options women have in workplaces and the legal system to defend themselves.

While those who defend men accused of abuse frequently argue that #MeToo and believing women undermine due process, what’s rarely considered is that due to a wide range of circumstances, survivors’ testimonies are often the only evidence they are able to provide. The insistence within institutional and cultural power structures that those testimonies alone aren’t enough to justify consequences for alleged perpetrators denies survivors credibility—and has also denied many victims justice for generations.

Kylie Cheung is an editorial intern at Ms. She writes about feminism in politics and pop culture with a focus on reproductive justice. Her work appeared in Rewire, Teen Vogue, The Mary Sue and Mediaite, among others.

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#MeToo won’t change Hollywood — but money will

Will he or won’t he? Oscar watchers are wondering whether professional toady Ryan Seacrest will host the annual red-carpet pageantry for E! tonight after his former stylist accused him of sexual misconduct. Seacrest claims innocence and his employers at E!, NBC and ABC are all backing him, but the Hollywood community — always concerned with…
Entertainment | New York Post


What the Numbers Behind the #MeToo Movement Show Us


When the #MeToo stories began pouring out a few months ago, I thought about data.

There is limited data to track the full scope of sexual harassment and assault across all locations. In fact, much of the existing research on these topics has been segmented by location—like research on street harassment or research specific to schools. And the Centers for Disease Control and Prevention’s (CDC) comprehensive National Intimate Partner and Sexual Violence Survey (NISVS) focuses heavily on physical forms of violence, and, among other limitations, does not distinguish respondents’ experiences by locations.

I appreciate the power of numbers as well as personal stories, and I knew that it was long past time to procure the national data we are lacking on this issue. That’s why, in partnership with GfK, Raliance and the UC San Diego Center on Gender Equity and Health, and with the help of a dozen advisory committee members, my organization Stop Street Harassment spearheaded a 2,000-person, nationally representative study on sexual harassment and assault. 

The survey was administered in January 2018. The report was released today.

According to our findings, 81 percent of women and 43 percent of men reported experiencing some form of sexual harassment and/or assault in their lifetime, and over one-quarter of women (27 percent) and one in 14 men (7 percent) reported that they have survived sexual assault.

Over three-quarters of women (77 percent) and one-third of men (34 percent) reported experiencing verbal sexual harassment. Over half of women (51 percent) and one of six men (17 percent) said they had been sexually touched in an unwelcome way. More than one-third of women (34 percent) and one in 10 men (12 percent) had been physically followed by someone else, and close to the same share of women (30 percent) and the same share of men (12 percent) had faced unwanted genital flashing. Around four in 10 women (41 percent) and one-quarter of men (22 percent) told us that they had experienced cyber sexual harassment.

88 percent of women and 86 percent of men who reported experiencing sexual harassment or assault said it had occurred in more than one place; most people indicated it had occurred in at least four to five places. While our respondents reported that sexual harassment takes place across a range of locations, the most frequently cited being a public space, they also reported that sexual assault most frequently occurred in a private residence. Women most frequently reported sexual harassment in a public space (66 percent), at their workplace (38 percent) and at their residence (35 percent). Men’s most frequently reported locations were a public space (19 percent), their school (14 percent) and, for 13 percent of men, their workplace, own residence and by phone/text, each respectively. For sexual assault, women listed someone else’s residence (15 percent) and their own residence (11 percent) as the top locations. Men listed someone else’s residence (2 percent) and a public space (2 percent).

Regardless of the survivor’s gender, our survey found that sexual harassment and assault are most frequently perpetrated by men. When asked about the perceived gender of the perpetrator/s in their most recent incident, 85 percent of women and 44 percent of men reported either one male or two or more males. In contrast, 30 percent of men and 3 percent of women reported one female or two or more females. Our data also showed that sexual harassment and assault begin at a young age; 57 percent of women and 42 percent of men who reported experiencing harassment or assault said it had happened by age 17, and 30 percent of women and 22 percent of men had experienced it by age 13.

Tabitha Hawk / Creative Commons

I was five years old the first time I experienced sexual harassment. As I walked a few blocks to school in Iowa City, older boys taunted me, pinched my cheeks and tried to lure me to their home. The father of one of my friends saw me standing frozen, surrounded by them, crying, and he intervened. That night, my parents talked to me about my rights and how boys shouldn’t touch girls without permission.

Nearly 30 years later, perhaps because too many parents/guardians of boys did not have talks with them about not harassing others, I’ve experienced hundreds more instances of sexual harassment. Most often, it is men I do not know who harass me in public spaces, and usually their behavior entails whistling and relatively mild verbal harassment. Some men, however, have uttered upsetting sexually explicit comments or called me sexist slurs. One man groped me, and three different men followed or chased me, scaring me badly. When was 18, working at the Smithsonian Natural History Museum gift shop, the manager—a man who was at least 35 years older than me—asked me out to dinner three times in a manner I found creepy and predatory. I always said no, and I dreaded the days when our shifts coincided.

From talking to friends and family, volunteering for domestic violence shelters and rape crisis lines and working on issues like sexual harassment in schools, rape in the military and street harassment, I knew the types of experiences I’d had were sadly the norm for most women and some men. Our study reinforced that the #MeToo movement was long overdue—and shows that experiences like mine are still far too common.

If you are upset by these findings and want to do something, you can visit organizations like National Sexual Violence Resource Center (NSVRC), PreventConnect, RAINN, 1 in 6, Feminist Campus and the CDC to find resources and ideas. Notably, NSVRC released a bystander intervention tips and strategies factsheet today to coincide with the report release.

Holly Kearl is the founder of Stop Street Harassment and the author of multiple books, reports and articles about sexual harassment. She works as a community manager for the Aspen Institute.

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The post What the Numbers Behind the #MeToo Movement Show Us appeared first on Ms. Magazine Blog.

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Why Trump better be mindful of his handling of #MeToo movement

Could the Rob Porter scandal do lasting damage to the Trump presidency? To follow mainstream media coverage: yes. To follow Trump’s Black Swan candidacy and victory: probably not. One would think disavowing an alleged wife-beater is a low bar to clear. That the president and his chief of staff, John Kelly, have not done so…
Opinion | New York Post


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SAG Awards get ready for #MeToo close-up

Following a Golden Globes that made headlines with its Time’s Up theme, the Screen Actors Guild is leaning into that discussion with its annual presentation Sunday. Yet with several more star-studded ceremonies to come, questions linger as to how well Hollywood’s awards apparatus can juggle serving as a rallying point for that movement with its more prosaic, self-congratulatory business. – RSS Channel – Entertainment


James Franco Called Out Over Golden Globes Win By Actress Ally Sheedy With #MeToo

During Sunday night’s Golden Globes, women in Hollywood predictably raised the bar and men continued to disappoint.

Read more at The Daily Beast.

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‘A New Day Is on the Horizon.’ Oprah’s Powerful Golden Globes Speech Honors Women of #MeToo Movement

On Sunday night, Oprah joined the long list of venerable Hollywood figures awarded the Golden Globes’ Cecil B. DeMille Award. Named for the pioneering director, the award honors outstanding contributions to entertainment. Past recipients include Walt Disney, Lucille Ball, Morgan Freeman and, last year, Meryl Streep. Oprah is the first black woman to receive the award since it was first given out, to DeMille himself, in 1952.

It’s been a busy year for Oprah. She became a correspondent for 60 Minutes, continued her work as a spokesperson for Weight Watchers, continued producing Greenleaf (in which she also acts) and Queen Sugar, and starred in the HBO movie The Immortal Life of Henrietta Lacks — not to mention swatted away rumors about a potential presidential run.

In presenting the award, Reese Witherspoon, who stars alongside Oprah in Ava DuVernay’s forthcoming adaptation of the 1962 classic A Wrinkle in Time, reminisced about spending four hours a day with Oprah in the film’s makeup trailer: “It’s like going to Wharton Business School combined with a spiritual retreat.”

In a montage leading up to Oprah’s speech, Witherspoon outlined her remarkable career, including helming 25 years of the highest rated talk show in history and her moving performances in movies like The Color Purple, for which she was nominated for an Oscar and a Golden Globe. When Oprah took the stage, the entire audience remained on its feet until she, in her gently commanding manner, hinted that it was time for her speech to begin.

“In 1964, I was a little girl sitting on the linoleum floor of my mother’s house in Milwaukee watching Anne Bancroft present the Oscar for Best Actor at the 36th Academy Awards,” she began. “She opened the envelope and said five words that literally made history: “The winner is Sidney Poitier.”

Oprah went on to say that she’d never seen a black man celebrated like in that way. “What a moment like that means to a little girl watching from the cheap seats as my mom came through the door bone tired from cleaning other people’s houses…At this moment there are some little girls watching as I become the first black woman to be given the same award.”

She went on to thank Dennis Swanson, who gave her the opportunity that led to her talk show; Quincy Jones, who suggested her to Steven Spielberg for The Color Purple; best friend Gayle King and longtime partner Stedman Graham.

Oprah then took a moment to acknowledge the Hollywood Foreign Press Association and, more generally, the press, which she said is “under siege these days.”

Finally, she thanked “all of the women who have felt strong enough and empowered enough to speak up and share their personal stories” of harassment and abuse, making special mention of the women whose stories we will never hear: domestic workers, farm workers, workers in factories, restaurants and academia, women in sports and technology and engineering, athletes and soldiers. Women, she said, like her mother, with “children to feed and bills to pay and dreams to pursue.”

She ended her speech by acknowledging Recy Taylor, a young wife and mother who was raped by six white men while walking home from church in Alabama in 1944 and left blindfolded by the side of the road. The spirit of Taylor, who died less than two weeks ago, she said, lives on “with every woman who chooses to say ‘me too’ and every man who chooses to listen.”

“I want all the girls watching here now to know that a new day is on the horizon and when that new day finally dawns, it will be because of a lot of magnificent women, many of whom are right here in this room tonight, and some pretty phenomenal men, fighting hard to make sure that they become the leaders who take us to the time when nobody ever has to say ‘me too’ again.”

Entertainment – TIME


Why Hollywood chose the color black to represent the #MeToo movement

When stars announced their plan to wear black for the Golden Globes, fashion fans couldn’t help but wonder: Why the somber shade? According to the Time’s Up Legal Defense Fund, which spearheaded the Globes blackout and aims to combat gender inequality in all industries, pretty much everyone owns something black. It’s not only serious, but…
Fashion | New York Post


How the #MeToo Movement Is About to Change Pro Sports

It took awhile, but the reckoning over sexual harassment and assault has finally reached the business of pro sports.

Jerry Richardson, the owner of the NFL’s Carolina Panthers, said on Sunday that he would sell the team following damning allegations about his behavior. In a searing report, Sports Illustrated found that at least four former Panthers employees have received “significant” monetary settlements due to inappropriate comments and conduct by Richardson, who is one of the most influential owners in the league. The news came days after a court filing from Jami Cantor, a former wardrobe stylist at the NFL network, that accused executives and analysts at the network, many of whom are former NFL stars, of lewd and disturbing conduct.

Is this the beginning of a long-overdue shake-up in the male-dominated boardrooms and back offices of pro sports? “They’re coming,” says Michael Kimmel, founder of the Center for The Study of Men and Masculinities at Stony Brook University, who predicts that a wave of accusations against sports figures will emerge. “One big difference in 2017 is that women are being believed. Women are not on trial. Their credibility is not the issue. Men’s behavior is the issue. That is the biggest change right now.”

Read More: Person of the Year: The Silence Breakers

If Kimmel’s right, the nation’s sports leagues would be a fat target. Men dominate the top leagues, in both locker rooms and front officers. No woman has ever been hired as a general manager or head coach in the NFL, NBA, Major League Baseball or NHL. “The more men relative to female employees, the more harassment there tends to be,” says Louise Fitzgerald, emeritus professor of gender and women’s studies at the University of Illinois and an expert on sexual harassment. “Sports is one of the most masculinized industries in the country.”

Julie Foudy played on the US women’s national soccer team from 1987-2004, and has worked at ESPN for more than a decade. She’s says she’s never been harassed, but she has heard disturbing stories from other women in the industry and she expects more women to come forward. “This is a very male dominated platform,” says Foudy. “You have these power dynamics that come into play on a daily basis.”

In her four decades as a pioneering sportswriter and sportscaster, Lesley Visser says she’s never been sexually harassed by the male bosses who helped her succeed. The players she covered, however, were a different story. They’d proposition her in the locker rooms and on the sidelines. She says she tried to deflect the incidents with humor. After a game in Green Bay a few years back, a player asked her what she was doing after the game. She told him her age—56 at the time. “He was mortified,” says Visser, author of the forthcoming book, Sometimes You Have to Cross When It Says Don’t Walk: A Memoir of Breaking Barriers. “He ran away across the field faster than Usain Bolt.”

Improper sexual conduct has persisted in sports for years. There have been countless cases of athletes accused and convicted of sexual assault, as well as horrendous examples of coaches, doctors and others sexually abusing athletes in their care. But the athletes and executives behind the teams have been relatively protected. One reason is that many employ agents, publicists and lawyers who work to suppress allegations of misbehavior.

“There’s a wall of protection thrown up around players, “says Kimmel. “When bad things happen, all kinds of people are covering for them. But these walls will soon come down.”

Foudy is hopeful that the broader movement will improve the culture in all industries, hers included. “There’s finally a feeling among women that it’s OK to talk about it,” she says. “Watching the movement, the bravery of women coming forward, it emboldens others. The whole point is that the new generations shouldn’t have to deal with this.”

Sports – TIME


NYC New Year’s Eve Ceremony To Feature #MeToo Founder

NEW YORK (AP) — An activist who started a “Me Too” campaign a decade ago to raise awareness about sexual violence will start this year’s ceremonial ball drop at Times Square on New Year’s Eve.

The Times Square Alliance and Countdown Entertainment say Tarana Burke will push the crystal button that officially begins the 60-second countdown to the new year.

Numerous women have spoken out publicly since October about sexual misconduct by dozens of high-profile men in entertainment, media, business and sports.

A flurry of tweets, Instagram and Facebook posts ensued after actress-activist Alyssa Milano urged victims to respond with the phrase “me too.” Milano initially wasn’t aware of Burke’s earlier campaign and has since publicly credited her.

Burke says in a statement that 2018 will bring new momentum to the movement.

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Entertainment – Black America Web


Vanderpump Rules Star Stassi Schroeder Apologizes for #MeToo Comments

Vanderpump Rules‘ Stassi Schroeder has issued a formal apology after making controversial comments about the #MeToo movement on her podcast, Straight Up with Stassi.

More: Here’s What Would Make Stassi Schroeder Actually Quit VPR

Schroeder found herself in hot water over the weekend after the 29-year-old reality TV star tackled the troubling topic of sexual misconduct in Hollywood. The episode, titled “Are we on a male witch hunt?”, has since been deleted but not before inciting outrage for its perceived insensitivity to victims.

One Twitter user pointed out the hypocrisy in Schroeder claiming she didn’t bash victims after essentially accusing victims of lying.

“You: I’m sorry no one could make me suck a dick. I’m sorry it sounds like he thought you liked it because you were making out with him. And now that it’s a trend and it’s #metoo you’re going to come out and accuse him because you regret it. Also you: there’s no victim bashing!”

Another shared her own harrowing experience with sexual assault before tagging Schroeder with the advice, “Don’t even bother apologizing this time.”

“If you think a guy can’t make you suck a dick.. wait till he is ripping out your hair because he’s shoving your mouth up and down on his dick while tears are streaming down your face. I’ve agreed with all of your PC arguments until now. I’m one of those attention seeking #metoo girls as you like to say. But since i didn’t handle my rape the way you wanted me to it can’t be true, right?”

More: The New Vanderpump Rules Trailers Is Here!

Schroeder at first defended the podcast, tweeting, “About 5 ppl heard this podcast & everyone else read ONE quote without the backstory or context of a TWO hour episode.”

Stassi Schroeder 1

Stassi Schroeder 1

However, after advertisers including Rent the Runway, Simple Contacts and Framebridge dropped Schroeder’s podcast, the 29-year-old reality TV star issued an apology via Twitter.

Stassi Schroeder 2

Stassi Schroeder 2

It read: “My podcast is an outlet for me to share my unfiltered opinion with my listeners; but on my latest episode I crossed a line. It was irresponsible for me to make generalized statements about a very serious topic, such as sexual harassment, as it is not my place to speak out anyone else’s experiences. I apologize. I will continue to speak my mind on my podcast, but will put more thought behind my dialogue moving forward.”

More: VPR‘s Stassi Schroeder Defends Brittany’s Mom Against Homophobia Rumors

Schroeder then called the time since the podcast went live “sobering” and asked both those who have been victimized and those who have (in their opinion) been falsely accused to share their stories with her.

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