Today in Movie Culture: ‘Dumbo’ Director Commentary, Animated ‘Shazam!’ Promo and More

Today in Movie Culture: ‘Dumbo’ Director Commentary, Animated ‘Shazam!’ Promo and More

Here are a bunch of little bites to satisfy your hunger for movie culture:

 

Director Commentary of the Day:

With Dumbo hitting theaters tonight, Vanity Fair got director Tim Burton to discuss one of the big moments of Disney’s live-action reimagining of their animated classic. Burton is joined by legendary costume designer Colleen Atwood as they comment on the look of the movie’s Dreamland parade sequence:

 

Filmmaker in Focus:

Critics are…

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Today in Movie Culture: ‘Captain Marvel’ as an Animated Feature, Alternate ‘Spider-Man: Into the Spider-Verse’ Ending and More

Today in Movie Culture: ‘Captain Marvel’ as an Animated Feature, Alternate ‘Spider-Man: Into the Spider-Verse’ Ending and More

Here are a bunch of little bites to satisfy your hunger for movie culture:

 

Remade Trailer of the Day:

What if Captain Marvel was an animated feature? Darth Blender cut together bits from old Avengers and Spider-Man cartoons featuring Captain Marvel and Nick Fury to remake the new live-action superhero movie’s original trailer in a new format:

 

Fan Art of the Day:

Speaking of different interpretations of Captain Marvel, there’s a lot of fan…

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Oscars 2019: ‘Spider-man: Into the Spider-Verse’ leads the animated pack

The 91st Academy Awards are just over a week away. In our continuing look at the race to Oscars glory, this week we delve into one of the more colorful categories: Best Animated Feature. Spider-man: Into the Spider-Verse (Way Up) “Spider-Verse” came out of nowhere in December, receiving rave reviews and picking up a slew…
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Fun fact: It took 24 frames to create a single second of filmed animation for the 1964 TV special Rudolph the Red-Nosed Reindeer. Great bouncing icebergs, indeed. 

A far cry from the stop-motion projects of yesteryear, modern animated works are created using (much more efficient) tools such as Adobe After-Effects, Illustrator, and Premiere Pro. The development of those tools and other technologies — such as augmented and virtual reality — have made animation one of the fastest-growing divisions of the global media and entertainment markets, according to one research firm.

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Ranking Every Adult Animated Netflix Series from Worst to Best

Netflix is home to some of the most raunchy, gut-busting, hard-hitting adult animation out there. That’s old news. But which one of Netflix’s original animated offerings is the most popular amongst animation fans? More importantly, which series should you be bingeing right now?

Luckily, here at FANDOM, we have the largest collection of fan data in the entire world. So, we can definitively tell you which series is truly the best of the best, based on cold hard data. Looking at the total number of wiki page views, here are all of Netflix’s original adult animated series ranked from least to most popular.

#7 – Super Drags

With a whopping 266 wiki page views comes a brand new series fresh from Brazil — Super Drags. This quirky cartoon follows the lives of three gay co-workers who moonlight as superhero drag queens fighting the terrible forces of shade.

Netflix released this fierce series earlier this month to mixed reviews. It’s relatively new on the scene, so that could explain it’s shockingly low ranking. Super Drags deserves better than last place.

This fabulous cartoon is stuffed with sassy queer commentary and we are here for it. If you like Drag Race or Queer Eye, you should definitely try this show on for size. (Drag Race fans might even recognize the familiar voices of Shangela and Trixie Mattel.) Super Drags has some pretty great Powerpuff Girls vibes, but don’t let that fool you. It’s 100% not suitable for children.

#6 – Pacific Heat

Pacific Heat, an Australian animated cop show, garnered a pitiful 1,486 wiki page views. This series centers on an undercover and underqualified police unit, tasked with toppling drug dealers and international terrorists. It’s basically an unfunny version of Archer from down under.

Pacific Heat has been on the beat for a couple of years now, so it’s safe to assume it ranks so low because it’s just not good. There’s no way of sugar-coating it. Pacific Heat is riddled with thin plots, inconsequential characters, and flat humor. No #FOMO here. Skip over this one. Or better yet, watch Archer instead.

#5 – Paradise PD

Brickleberry fans will appreciate this next one. Coming in fifth place, with a modest 25,092 wiki page views, is another animated cop show, Paradise PD. It’s almost as if Netflix ordered this series to make up for the preceding pick because everything Pacific Heat does wrong Paradise PD does oh, so right.

Paradise PD’s stellar voice cast sets this series apart from the competition.  Performances by Scrubs alum Sarah Chalke, Reno 911 alum Cedric Yarbrough, and SpongeBob SquarePants himself, Tom Kenny really stand out. They will make you laugh until you cry, and groan and scream.

This series is also fairly new, so maybe after a couple of seasons, its ranking will reflect its sheer brilliance. This show is equal parts absurd and hilarious, a recipe for great comedy. If you were a fan of Reno 911 or The State or Superjail, then this show is definitely for you.

#4 – F Is For Family

F is for Family secures its spot in the middle of the pack at 215,203 wiki page views. This dark comedy turns the middle-American sitcom genre on its head. We dare you not to laugh at this beautifully crude portrayal of a remarkably dysfunctional family.

Perhaps it would be more popular if it were more unique. F is for Family almost feels like an off-color King of the Hill or Family Guy without its iconic non sequitur moments. That being said, it goes much further than these network shows. We’re talking Newgrounds level vulgarity.

#3 – Disenchantment

We’re not shocked that the newest series to come from animation royalty, Matt Groening, is so far down the totem pole at third place with 747,226 wiki page views. Disenchantment premiered a few months back and received polarizing reviews. Like marmite, you either love it or hate it.

Disenchantment has been described as Futurama set in fantasy land, but it’s so much more than that. However, it’s hard to ignore the striking similarities between the two shows. They both use a lot of the same tropes, gags, and voice actors. We should also note that this series is tame compared to the other selections on this list. If you were a huge fan of The Simpsons and Futurama, then you should probably give this one a watch.

#2 – Big Mouth

Coming in second place with 900,563 wiki page views is Big Mouth. Nick Kroll and John Mulaney, the same comedic duo that brought us Oh Hello Broadway, take us back to the awkward, sweaty, shame-filled years of puberty in this hilariously raunchy show.

We highly recommend watching Big Mouth with subtitles because you will not be able to hear everything over the sound of your unending laughter. Comedy legends Jordan Peele, Maya Rudolph, and Will Arnett, to name a few, lend their voices to a star-studded cast. It’s currently in its sophomore season on Netflix, which earned the series a coveted 100% fresh rating on Rotten Tomatoes. If you haven’t already seen Big Mouth, watch it immediately.

#1 – Bojack Horseman

It’s no surprise that Netflix’s flagship adult animated series comes in first place with 3,556,620 wiki page views. Bojack Horseman is currently in its fifth season, and like fine wine, the show keeps getting better over the years. Bojack Horseman chronicles the life of a washed-up Hollywood celebrity who goes through a personal renaissance while battling addiction and a myriad of mental health issues.  You wouldn’t immediately peg that plot description as comedy, but Bojack is so funny it hurts.

Bojack Horseman is more than one of the best animated series out there, it is one of the best pieces of television, period. The absolutely brilliant creative risks taken by the creative team completely pay off time and time again.  This show is disrupting modern storytelling as we know it.  One could argue that Bojack‘s tenure on Netflix puts the series at the top of this list, over other very deserving shows. However, in this writer’s opinion, Bojack Horseman truly is the best of the best.

Why ‘Disenchantment’ Was a Disappointment for Matt Groening’s Fanbase

‘Bojack Horseman’ S5 Proves Representation Matters

The post Ranking Every Adult Animated Netflix Series from Worst to Best appeared first on FANDOM.

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Selena Gomez Gets Animated in Latest Coach Campaign

Coach is showcasing a lighter side of Selena Gomez, its women’s ambassador, for its holiday campaign.
In the latest interaction, the actress is joined by a cast of animated animals as they audition to be featured in the Coach holiday windows.
The campaign, entitled: “Lights, Camera, Holiday,” breaks today and includes both print and video components.
There will be a series of short animated films written and directed by Henry and Rel of Supermarché, that will post on Coach’s social media channels. The films were shot in a raw, irreverent style and reveal the audition tapes of Gomez and her animal friends as they compete for a role to star in the windows.
The print component was shot in New York City and features Gomez stepping out of a vintage car holding the Parker bag in metallic leather.
The brand will also bring the campaign to life in its stores in North America through the use of augmented reality technology from CameraIQ while its Japanese customers will be able to play a party animals game in that country.
The campaign was created by photographer Steven Meisel, art director Fabien Baron, makeup artist Pat McGrath and hair stylist Guido Palau.

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Disappointed By Big-Screen DC? Their Animated Movies Pack the Biggest Punch

Oh, what a frustrating time it is to be a DC Extended Universe fan. Or Worlds of DC to use the newly coined title. Just when it seems like all the pieces are finally in place for our heroes to push forward into a brave new era of screen adventures following the conclusion of 2017’s Justice League, we’re hit with the news that the solo Flash outing is indefinitely delayed. Not to mention the fact that discussions for Henry Cavill’s next appearance as Superman have broken down. If there’s one thing the DC movies have been lacking, it’s consistency — something the MCU has championed for so long. And it doesn’t look to be arriving any time soon.

While the live-action universe’s overall trajectory remains uncertain, there is an avenue where DC fans can get a reliable, respectful fix of the comic-book giant’s most beloved characters. And that’s the DC Animated Universe. A continuing series of direct-to-video film projects originally intended for mature audiences, these animated features are well-directed, often standalone, and are generally more aligned with the comic book stories readers will be familiar with – all while pushing them in new directions.

Some of the most notable comic arcs translated so far include: Flashpoint ParadoxGotham by Gaslight, and even The Dark Knight Returns in a fully fledged two-part epic. These stories, and some new ones, are treated with the love and care they deserve, free of the need to waste time setting up undercooked plot threads that will likely never happen. Forget the universe formerly known as the DCEU, here’s why DC’s animated movies pack the biggest punch.

Intelligent Stories For Well-Travelled Comic Book Fans


Gods and Monsters shook up the origins of DC’s holy trinity.

Quite understandably, blockbuster interpretations like Batman v Superman and Suicide Squad aren’t likely to take any real creative risks. Especially in the latter’s case; even in a film fronted by a ragtag team of supervillains we’re expected to believe that they’re merely misunderstood – rather than seriously disturbed – individuals sure to see the value of good before eventually fighting off ‘true evil’. They’re written and filmed to appeal to a broad audience of cinema-goers, after all, thus making any big-screen representation of DC’s strong character slate pretty cut and dried. Or worse, watered down.

The DC Animated Universe stories are the opposite of this, by comparison, going so far as to explore characters like Green Lantern, Wonder Woman, and The Flash in much more depth than their straight-laced, silver-screen versions. Take Justice League: Gods and Monsters, for example. It’s an entirely original and unique storyline that riffs off the origin stories of Superman and the gang, presenting a universe where Batman is a pseudo-vampire, Wonder Woman is a god willing to kill, and Son of Zod, rather than Kal-El, was the baby exiled to Earth following the destruction of Krypton.

Even when universe lore is kept classic, very rarely do these animated features waste time explaining characters’ backstory or origins, unless it’s crucial to the central story about to unfold. Remaining confident that viewers will have a basic understanding of these heroes that have been ingrained in pop culture for 70+ years now, DC animated movies like Batman: Assault on Arkham – in which the Dark Knight largely takes a backseat – can be the perfect jumping in point for newcomers as well as die-hard DC fans not wanting to be pandered to.

Exploration of DC Characters We Wouldn’t Typically See


Only DC’s mystical cast of outsiders can fight a magical threat.

Whereas the Marvel Cinematic Universe has shown bravery in letting its lesser-known characters come to the fore in eponymous movies such as Ant-Man, Guardians of the Galaxy, Doctor Strange, the Worlds of DC probably hasn’t established itself well enough yet to get quite as wacky. The DC animated films, however, have done a great job at highlighting the stranger side of superheroes. Released with little fanfare on store shelves last year, Justice League Dark is the perfect example of this.

In it, we follow Batman as he recruits the DC universe’s supernatural slate of characters, with John Constantine, Swamp Thing, Deadman, and more coming to the fore in order to stop a mystical force threatening the world. These characters make sense in a story that is noticeably darker than what the light and bright members of the Justice League world normally face – in a world where mythology and mystery are woven together. Hollywood director Doug Liman was allegedly developing a live-action version of Justice League Dark, but as with most Worlds of DC projects announced these days, it wouldn’t see the light of day.

Unexpected Twists on Familiar DC Arcs


It’s nice to see certain beloved comic book arcs given the animation treatment.

So far, we’ve explained how the DC Animated Universe does right by comic-book fans looking for something slightly off-kilter and new. However, every so often, the folks spearheading this animation arm of DC Entertainment see fit to adapt an established comic book arc – with a welcome twist. The animated interpretation of Gotham by Gaslight, for example, dreams up an entirely different identity for the Jack the Ripper that Batman has been chasing. Batman vs Robin, on the other hand, takes elements from Scott Snyder’s celebrated Court of Owls storyline before choosing to delve deeper into the relationship between Bruce and his estranged son Damian Wayne.

In lifting these much-beloved DC one-shots off the page though, the risk is that they aren’t always done justice. Take 2015’s animated adaptation of The Killing Joke. The original Alan Moore graphic novel works out at a perfectly paced 50-or-so pages. This wasn’t enough material for a 100-minute home video feature, meaning that creative liberty was taken by way of a new prologue. Many took against this change – proving that, despite best intentions, in animated form, it’s still possible to get things wrong.

Occasional hiccups like this don’t take away from the runaway success of so many of the entries in the DC Animated Universe, which for the most part explore far more interesting territory than DC’s big-screen offerings likely ever will. While seeing our favourite characters and stories done right on the big screen can be a thrilling experience, it’s in the DC Animated Universe where the truly great stuff is happening.

8 DC Villains We’d Love To See Show Up In Arrowverse’s ‘Batwoman’

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Book ‘I’m A Brilliant Little Black Boy!’ Turns Into an Animated Series

In 2016, first-time author Joshua Drummond and his mom Betty K. Bynum co-wrote I’m A Brilliant Little Black Boy, an illustrated children’s book that aims to address the void in animated network programming targeted to African American children ages 6-11 years old. Now media heavyweight Reginald Hudlin of Hudlin Entertainment has commissioned the illustrated children’s book I’m A Brilliant Little Black Boy! for a new animation series entitled Brilliant Boys. “There are no animated series for our boys right now,” says Drummond. “It’s time to address that. I grew up seeing limited reflections of myself, especially in animation form. Today, there aren’t any animated series starring ordinary black boys just being cool and doing fun things. It’s my intention to help remedy that with Brilliant Boys!

With praise from ESPN’s The Undefeated and the Steve Harvey Show, the book garnered support from Academy Award-winning actor Denzel Washington, Samuel L. Jackson, as well as Academy Award-nominated filmmaker John Singleton—all of whom provided quotes for the book’s cover. To turn the book’s message into a movement, the book included a viral video featuring appearances by actor Vin Diesel, Michael Ealy, Blair Underwood, and Omari Hardwick to name a few.

black boy

Joshua Drummond

 

In the midst of Hudlin fielding network interest for the vibrant series, we caught up with Drummond to learn more about his commitment to positive representation for black boys as well as how he landed A-list celebrity support.

After noticing the scarcity of books with positive messages available for young black boys, how long did it take you to turn your ideas into a book series?

This book series process took over a year. I wrote during my spare time after school hours for college. I had to make sacrifices. I had to replace partying with friends with staying indoors and writing as well as balancing class and studying schedule so I was able to complete the writing in two months’ time. My family company, Dreamtitle Publishing contacted illustrator Brian McGee and he was all aboard for the illustrations.

The creative phase was the easy part, while the business phase was a learning experience for me. It’s a three-tier process: developing, creating, and marketing. And it’s a lot to each step. I was thankful to have a creative and business-savvy mom, Betty K. Bynum, to mentor me through the process.

How did you gain support from A-list celebrities such as Denzel Washington?

Celebrities in the industry who have an entrepreneurial mindset really understood the purpose of my book I’m a Brilliant Little Black Boy! They felt the message of the book and gravitated toward it. Being born into black Hollywood was a blessing that comes with many perks. Long before I was a writer, my father, Warren Drummond, brought me over to John Singleton’s house to hang out with him and his son. Our families always had a genuine bond, so John was all for it when he heard about the book series. I met Denzel Washington and Samuel L. Jackson during my childhood on projects my parents worked with them on. I always looked up to them as hardworking black actors. My dad mentioned the book to Denzel while working together on Fences, and he and his wife Pauletta gave us support!  I mean, that’s like getting Barack AND Michelle!

You wrote the show bible for Brilliant Boys! along with the 13-episode summaries in tandem with your dad—celebrated film & TV storyboard artist Warren Drummond. What key messages would you like young boys to take away from your book as well as the animated series? 

First, giving credit to my mom, Betty as a producer on this project for having the initial original idea and pushing us forward to create a series based on this book—a lot of inspiration came from Reginald Hudlin’s past and current works. Bebe’s Kids was a well-written and produced show and the same goes for the Proud FamilyThe Boondocks is probably one of my favorite animations of all time, and his work on the Black Panther graphic novel series is some pretty epic stuff. My children’s book focused on one character and his friends were his “boys” for the most part. So the goal now for the Brilliant Boys animation is to focus on a whole group of fun kids with a bit of parental-shouldering in a format similar to those works I just mentioned. Many black children out there come from single-parent households, no parents, and many other frustrating circumstances. I want this show to be fun for them as something they can turn on to see themselves in a fun positive way doing things that they may be thinking of doing or things they can get inspired to do, or just seeing kids that look like them and their friends or family. But still providing simple and clear stories kids can relate to. Just some real fun with jokes and stories—and I learned that from Reggie Hudlin!

The post Book ‘I’m A Brilliant Little Black Boy!’ Turns Into an Animated Series appeared first on Black Enterprise.

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