Good Call! Claire Foy Brought Her Passport to Get Into Parties

Not This Time! Claire Foy Reveals All the Ways She Prepared to Not Get Rejected to Golden Globes 2019 After Parties
Claire Foy attends the 76th Annual Golden Globe Awards at The Beverly Hilton Hotel on January 6, 2019 in Beverly Hills, California. Steve Granitz/WireImage/Getty Images

Claire Foy isn’t taking any chances! The Crown star wasn’t going to risk not getting into 2019 Golden Globes afterparties and revealed the measures she was taking to ensure it didn’t happen … again.

“I brought my passport, I’ve got everything I can possibly bring,” Foy, 34, quipped to E!’s Ryan Seacrest on the red carpet at the Beverly Hilton, referring to the slip-up at an 2018 Emmys afterparty following her win for playing Queen Elizabeth in the Netflix series.

The U.K.-born actress also joked that she has someone with her to vouch for her authenticity. “I brought my sister with me,” she said. Foy is nominated for the Golden Globe for Best Performance by an Actress in a Supporting Role in any Motion Picture for her role in First Man, in which she plays Neil Armstrong’s wife Janet Shearon.

As for the mix-up at last year’s Emmys, Foy told Seacrest she “couldn’t” get in and explained, “I had the Emmy in my hand and they still wouldn’t let me in.”

Foy opened up about the mishap during an interview with Jimmy Fallon in October 2018. “I didn’t have trouble, I didn’t get in,” she said. “I was mortified. I was like, ‘Oh god!’ I was [holding my Emmy] and even then [they didn’t let me in].”

The Wolf Hall actress also dished that it was thanks to Queer Eye’s Jonathan Van Ness that she was able to eventually pass security. “He was my knight in a white suit,” she explained. “When he got me in, I made it a point of principle. I was like, ‘Thank you, Jonathan, but I’m waiting until I’ve got the tickets and I’m going to do this properly,’ which is ridiculous.”

Foy looked gorgeous in a champagne-colored spaghetti strap gown with silver sparkles at the 2019 Golden Globes. She’s up against Amy Adams (Vice), Regina King (If Beale Street Could Talk), Emma Stone (The Favourite) and Rachel Weisz (The Favourite) in the Best Performance by an Actress in a Supporting Role in any Motion Picture category.

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Claire Foy has a secret talent that the Queen probably wouldn’t care for

Watch the queen conquer.

claire foy back pay

The day we found out Claire Foy wouldn’t be returning for Netflix’s The Crown was a dark day in our offices, however it’s been amazing to watch how she’s really let her hair down since then. Ever since hanging up her tiara and cloak, she’s taken a role that couldn’t further from the Queen if she tried as Lisbeth Salander in The Girl in the Spider’s Web and she’s now showed off a secret skill never before seen in Buckingham Palace. So if you’ve ever wanted to imagine a younger Queen Elizabeth laying down a sick beat and rapping flawlessly…Claire Foy’s got your back.

The Girl in the Spider’s Web star recently visited the set of The Tonight Show Starring Jimmy Fallon, where she chatted about her new projects and what life was like post-Netflix. While on the show, Fallon and the show’s resident band ambushed her.

‘I’ve heard some weird rumour on the internet,’ Jimmy Fallon began.

She instantly did what any sensible person would do and advised him, ‘Never trust the internet.’

Regardless, Fallon charged on and told her, ‘I heard that you know all the lyrics to Rapper’s Delight.’

If you’re not entirely sure what Rapper’s Delight is, it’s an iconic Sugarhill Gang song which starts ‘I said a hip hop’. (You know the one.) The moment Jimmy Fallon outed her love of the Sugarhill Gang however, she burst into laughter immediately and put her head in her hands.

Fallon told her, ‘You can always say no.’

However, he slyly looked over at the audience who cheered her on as the band started to play. And all props to her, Claire Foy took the microphone and proceeded to raise the roof.

You’re going to want to see the video, which is absolutely amazing to watch above. She somehow manages to nail the song while retaining a distinct posh Britishness about her, which is both endearing and hilarious at the same time.

TBH, we’re just annoyed Jimmy Fallon cut her off early as we could have easily watched an hour of her doing rap covers. Please, Claire Foy – drop a rap album. We’re begging you.

The post Claire Foy has a secret talent that the Queen probably wouldn’t care for appeared first on Marie Claire.

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Glamour Women of the Year Awards 2018 Red Carpet Fashion: See Claire Danes, Lili Reinhart and More Stars Arrive

Claire Danes, Glamour Women Of The Year AwardsThe 2018 Glamour Women of the Year Awards returns to New York City tonight with an extra inspirational dose of girl power.
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Claire Foy Doesn’t Want ‘The Girl in the Spider’s Web’ to Diminish #MeToo

Much has been said about both The Girl in the Spider’s Web and Claire Foy, the film’s star. The movie — Fede Alvarez’s adaptation of the first book in the Millennium series not written by Stieg Larsson — has seen its main protagonist, Lisbeth Salander, tagged ‘Lady Batman’ and labelled a poster girl for #MeToo. Meanwhile, Foy has been vocal about her dislike of the term ‘strong women’.

The Crown actress, it seems, doesn’t like labels – and though she’s reticent to attach the #MeToo tag to The Girl in the Spider’s Web, Foy does acknowledge the film’s relevance and importance to the cause. Lisbeth’s first #MeToo moment is addressed in the film – the abuse she endured at the hands of her father as a young girl. Lisbeth would also go on to suffer at the hands of her guardian – as seen in The Girl With the Dragon Tattoo – against whom she would eventually retaliate. Brutally. Salander, Foy admits, reacts to abuse like so many real-life women who’ve embraced #MeToo, only speaking out about their story, or taking action, some time after the event.

The Best Thing is to Not Fight

Claire Foy as Lisbeth Salander, complete with avenging hero make-up.

“I think that’s the point of why Lisbeth is moved to action,” says Foy of the impotence felt by women when it comes to speaking out. “I think she never felt when she was being abused by the guy that was supposed to be in charge of her — you know, he’s supposed to be a ward of the state, he was supposed to be taking care of her, was her caregiver, I suppose… she’s been so trained by the predator-victim dynamic that she knows there’s very little she can do and that there’s very little… she’s powerless. She knows that the best thing is to not fight, in a way.”

Foy explains that Salander chooses to act the way she does in order to take back control, to seize the power, to transcend victimhood – because she knows she’ll be let down if she goes the accepted route. A route established by a society that routinely shifts the blame or onus onto women when it comes to rape or sexual assault, and one that makes them feel ashamed and victimised. In the original film, Salander waits for the right moment to mete out her carefully plotted revenge on her abuser. In The Girl in the Spider’s Web, she is an avenging hero, taking revenge on abusive men on behalf of other women, but is only able to fully understand and confront the far-reaching effects of her father’s abuse in the film’s closing moments.

Women Are Made to Feel Shame

“But that’s the story of Lisbeth; that then she bides her time,” says Foy. “She waits, she’s like a spider, and she waits and then she will make him pay. And then she will make him feel more humiliated than he made her. Her moral compass is so strong, she knows that that is wrong and that shouldn’t be allowed, but she knows that the place where women seek protection is often the place where they’re most judged and most made to feel like a victim as opposed to a survivor.

“And so her lack of trust in authority is something I think is probably what a lot of women feel. And a lot of women feel that there isn’t a safe space for it because the shame often… we’re so ashamed of things like that in our society. The shame often lies with the woman or the ‘victim’ — for want of a better word, because I don’t really like that phrase — being made to feel shame. We’re so ashamed. And that’s wrong. I think that’s why people are able to come out more now because there are more voices. As long as there are more voices saying: ‘This also happened to me, this is also what I’ve been through’, as long there are more representations of women like Lisbeth on screen [demonstrating that it’s] not something that people need to be ashamed of, and we can allow people to speak and express themselves in that way, [all] the better. I think #MeToo is very much a catchphrase for a lot of the media. I can’t tell you how many interviews I’ve done where people have said: “It’s #MeToo, this film” and I’m like, I don’t want this film to diminish the MeToo movement. By attaching it to a movie [that’s a danger].”

Weakness Is Also Part of What It Is to Be a Woman

Claire Foy rejects the idea that Lisbeth is merely ‘strong’.

A term that often gets attached to characters like Lisbeth Salander is “strong woman”. Foy recently spoke out against this overused pairing of words, and explains why she dislikes it so much.

“I think strength and power is something that’s very much deemed to be masculine,” she says. “I think they’re trying to make women being strong [seem like] a positive; it’s something that someone is like: ‘That’s what you want to see. You don’t want to see weak women. Why do you want to see a weak woman?’ And you sort of think weakness isn’t part of it, [the ‘strong woman’ character represented on screen].

“[In fact,] we all have weaknesses and that can make us ‘stronger’. We all have so many different facets to our character and I just find that the ‘strong’ thing makes it seem like a woman is more acceptable in what has always been… that as the protagonist of a film, it makes her seem allowed to be there because she’s ‘strong’. And I just find that really reductive and slightly embarrassing. And I think that a lot of the time, we haven’t been given the opportunity to explore female protagonists who have that depth. Who are as complicated as, you know, the guy in Breaking Bad, or The Weather Man, [in which] Nicolas Cage is playing an incredibly complex person. [Women] haven’t been given that range, we haven’t had that opportunity. And therefore to try and say that we have to be strong, it’s just: ‘Oh god, how boring — just to play strong women all the time.’”

Lady Batman She Ain’t

By extension, Foy also rejects comparisons to Batman and James Bond, prefixed by the word ‘lady’.

“I’m just, like, she doesn’t have a batcave, I know that she had an apartment that could be seen as that, and this could be seen as that, and blah blah blah. It’s always going to be recognisable, and it’s a genre film in the sense that it’s a thriller — there are elements of it that look like those sorts of films,” says Foy. “Of course, they do. Because you can’t get away from it, because that’s the way that Fede shot it. It is noir, kind of — even the tone that Pedro [Luque] the DOP uses, lots of greys and things like that — so that is how it’s going to look. But I’m like, just piss off.”

Why does Foy think we have an impulse to make those comparisons then?

“Because, like you say, you want to label something,” she says. “You want to make it understandable. And also you want to attract an audience to it, I guess. I completely get that. It’s not like I’m talking down about Batman or James Bond. I think they’re both amazing. But also, we’ve got to leave room for Lisbeth to find her own space in that. She deserves to. Yes, she’s going into a genre, into a realm, which no real female complex characters have been before, so obviously that [comparison] has to be drawn. But at the same time, I’m just like, I think we can just let her be for a minute. I don’t think we have to decide she’s Batman just yet.”

The Girl in the Spider’s Web is out now in the US and Australia, and hits UK screens on November 21.

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Interview: Claire Foy on Finding Lisbeth Salander and How Long It Takes to Actually Put on That Dragon Tattoo

Interview: Claire Foy on Finding Lisbeth Salander and How Long It Takes to Actually Put on That Dragon Tattoo


It’s been eight years since Lisbeth Salander last surfaced on the big screen as part of a big English-language adaptation of The Girl with the Dragon Tattoo. Now she’s back in The Girl in the Spider’s Web (in theaters November 9; tickets now on sale) – this time portrayed by The Crown actress Claire Foy – in a more explosive story that centers on Salander and the complicated history she has with her own family.

Lisbeth is…

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