10 Dead in Fire at Brazilian Soccer Club

(RIO DE JANEIRO) — A fire tore through the sleeping quarters of a development league for one of Brazil’s most popular professional soccer clubs on Friday, killing 10 people who were most likely players and injuring three others, authorities said.

Firefighters were called in just after 5 a.m. local time to battle a blaze at the sprawling Ninho de Urubu training ground of the Flamengo soccer club in Rio de Janeiro’s western region, a fire official told The Associated Press.

Beatriz Busch, the public health secretary for the state of Rio de Janeiro, said two of the injured were in stable condition and one was in critical condition.

“Those who died were athletes,” she said, adding that their identities had not been released and the cause of the fire was unknown.

“Flamengo is in mourning” the team posted on its Twitter account.

Messages to Flamengo officials were not immediately answered.

The three injured were 14, 15 and 16 years old, said the fire official, who asked his name not be used due to his agency’s rules.

Overhead images captured by an AP drone showed a charred area with smoke emerging.

Outside the complex, an AP reporter saw two ambulances and a fire truck enter. The facility was closed, and no officials had come out to address media.

Family members, friends and neighbors were gathering outside in hopes of getting information. Several gathered in a circle to pray.

Jefferson Rodrigues, who runs a small inn near the club, said he had reached a 15-year-old player he had befriended.

“I am very happy. I just spoke to Caix Suarez and he is alive,” said Rodrigues, adding that the youth told him he ran when he saw the flames in the morning. “He lost his phone, and all of his things, but the important thing is he is alive.”

Joao Pedro da Cruz, a 16-year-old player in the Flamengo youth league, told G1 news portal that he decided not to stay the night at the facility Thursday because the team wasn’t going to train on Friday. Instead, he went to a friend’s house.

“The majority of them (the team) stayed, my friends stayed (at the facility),” he said. “Today I woke up and heard this terrible news.”

Like many professional clubs in soccer-crazed Brazil, Flamengo has a youth development program for promising young players in their early teens. Many players, particularly those who live outside of Rio de Janeiro, stay at the facilities while training.

The dream of many youths in Latin America’s largest nation, winner of five World Cup titles, is to make it into the ranks of professional soccer. The development leagues identify promising players at a young age, working with them as they grow through their teenage years.

The best of those eventually play for Flamengo and several other teams across Brazil.

Flamengo is arguably Brazil’s most famous club, with an estimated 40 million fans nationwide. Supporters are so attached to their academy team that players have a motto for them: “Flamengo makes legends at home.”

Among the most famous to come through the club are Zico, a former No. 10 on Brazil’s national team; top goal-scorer Adriano, who rose to fame at Inter Milan; and current Real Madrid star Vinicius, Jr., who not long ago was living in the structure destroyed by the fire.

As news of the fire broke, several teams and players expressed their condolences on Twitter.

“We are extremely sad and shaken by the news of the fire,” tweeted Chapecoense, a team in southern Brazil that lost 22 players in a plane crash in 2016.

Sports – TIME

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Meet Clive Sefton, the Brighton based artist hosting November’s artrepublic Kids Club

We asked the local creative to puzzle out a few of our questions.

The first crossword puzzle was designed by Arthur Wynne and printed in the New York World in 1913, the earliest word search is credited to Spanish puzzle maker Pedro Ocon de Oro in the first half of the 20th century and Sudoku… well that’s got a non-Japanese heritage that goes back far further than the early Noughties brain-training craze. Graphic artist Clive Sefton has created his own play on the soup of letters – the original name for a word search – and it’s one that has the ability to ignite a similar warm, glowy feeling to the one you get after completing an energising workout. We’ll let the artist himself explain that one. As he prepares to host the November artrepublic Kids Club, we caught up with Sefton to talk typography, noticing hidden details, the challenges of long words and all things puzzle-based.

Brighton Word Search by Clive Sefton

 

Word searches, mazes, diamond hunts – all of your artworks are highly structured finished pieces, but also playful starting points. Is there a hidden life lesson in here for us?!

With a background in graphic design, I like clean, minimal design and good use of white space. I also enjoy artwork that people can interact with and that brings a smile to their faces. In creating my work I’ve discovered that finding a word or the correct path through a maze releases dopamine, the reward chemical, so people actually feel better for looking at my work!

With ‘One In A Million’, I love how people can view it so differently. Some people spend ages looking for the diamond, some people almost don’t care where the diamond is, and some people are more interested in the process or how much the diamond cost…!

Speaking of ‘One in a Million’ – how do you decide where to place each diamond? Is it random or incredibly specific?

I place the diamond in a random place in each one, though can position it in a specific place in a commissioned piece. This might be the coordinates of a geographic location or relate to a specific date. Only the person who owns the piece has the coordinates of where the diamond is hidden.

While we’re on the topic of pathways and finding things, can you talk us through your route to becoming a full-time artist?

I did a silkscreen printing course with Jane Sampson. Initially I was printing pictures of prawns and crabs but in exploring what I am interested in, specifically typography and ‘accessible’ artwork, the first ‘Brighton Word Search’ came about.

I did the course just after reading ‘Rich Dad, Poor Dad’ by Robert Kiyosaki and Sharon Lechter so, as well as really enjoying doing the course, I did have this thought in the back of my mind about how good it would be to be able to make back the money that I had spent on it. The difficulty is taking the step to show your work to people you don’t know, as it’s only then that you can tell if people want to buy it.

We’re lucky in Brighton: we have so many opportunities to show our work with little cost up front, and there are so many artists and art buyers around. I first exhibited the Brighton Word Search in an Artists Open House and as well as selling all of the edition, I received my first commission.

Since then I’ve learnt so much and created different work, but I’m still creating Word Search pieces for people of all ages, and across the world.

Your images encourage people to deeply engage with the artwork – to hunt out the details or hidden pieces. What do you find yourself focusing on or looking at closely in art or life?

I love finding faces and animals in everyday life, apparently a phenomenon known as pareidolia. I had an idea a few years ago based on creating images from discarded chewing gum but that hasn’t quite seen the light of day… I also love repeating patterns and grids, whether it be lines on shutters, flyers posted on a wall or even just a sheet of labels!

On the flipside of that, are there any things you avoid focusing on at all costs?

I’m a bit of a perfectionist so many ideas get parked if it’s not quite right.

The longest word in the dictionary is 45 letters long (and a bit of a misery, as it goes) – how big would one of your word searches have to be to hide that monster?! And would you want to work on that scale?

I must admit I had to look up what the word is! A square piece with Pneumonoultramicroscopicsilicovolcanoconiosis it would require over 2000 letters in the complete piece – not too much of a problem for a print, but quite a bit of time to make using fridge magnets.

What is the most complex piece you’ve worked on to date? And can you give us any hints at upcoming projects we might want to look out for?

I’ve just created another word search commission using fridge magnets, which I really enjoyed making. I’m also working on another edition of ‘One In A Million’ as the original was so well received.

Finally, you’re hosting the artrepublic Kids Club in November. As a kid, what was your favourite activity and has it ever come into play in your work as an adult?

I used to really enjoy making small FIMO models that I sold to craft shops for window displays, usually in return for free FIMO!

 

Find out how your little ones can join in with the artrepublic Kids Club.

 

For more news stories and events visit our Brighton Gallery page.

The post Meet Clive Sefton, the Brighton based artist hosting November’s artrepublic Kids Club appeared first on artrepublic blog.

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