First Lady Melania Trump Again Dons Dior

After commemorating the 75th anniversary of D-Day in Portsmouth on Wednesday, President Donald Trump and First Lady Melania made their way to France for today’s ceremony marking the Normandy landings. Joining French President Emmanuel Macron and his wife Brigitte, the President and First Lady paid tribute to service members from both countries who battled against Nazi soldiers in World War II. After the commemorative ceremony, including speeches by both of the presidents, and a viewing at the Normandy American Cemetery, there was a military fly-over at Omaha Beach. POTUS was then off to Calvados for a working lunch and bilateral meeting with Macron.
Given the pageantry that has been integral to the Trumps’ European trip, it is not surprising that FLOTUS suited up in primarily refined looks in subtle colors. For the second time this week, she chose Dior – in this case a black coat dress worn with Roger Vivier shoes with signature buckles for today’s tribute. FLOTUS is such as fan of Dior’s artistic director for women’s Maria Grazia Chiuri that she also wore custom Dior to Monday’s white tie dinner at Buckingham Palace.
Read More: FLOTUS Wears The Row for D-Day Celebration

President Donald Trump and First Lady Melania are

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Dior Men’s Kim Jones Edits Issue of A Magazine Curated By

GUEST CURATOR: Kim Jones, creative director of Dior Men, has edited the new issue of fashion publication A Magazine Curated By.
Launching in London on May 29, the magazine’s 19th issue, named A Magazine Curated By Kim Jones, was entirely overseen by Jones, from the two covers, shot by photographer David Vasiljevic under the creative direction of Dior makeup image director Peter Philips, to the 26 artist “letter” pages that make up the hefty 248-page tome.
The designer’s approach for the issue takes the form of an alphabet retracing his inspirations and eclectic circle of friends: Subjects range from “A” for Naomi Campbell’s Africa, “P” for punk with a photo shoot by Jackie Nickerson, and ending with “Z” for Amanda Lear, whose song “Alphabet” was one of the inspirations for the magazine.

Kim Jones and Naomi Campbell by Hugo Scott in A Magazine Curated By Kim Jones. 
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Other contributors include Japanese illustrator Hajime Sorayama, who imagined a portrait of model Bella Hadid in his signature futuristic style, photographers Brett Lloyd, Pierre-Ange Carlotti and Nick Knight, as well as U.S. artist Kaws, who submitted an artwork featuring Kate Moss cuddling his signature plush toys, surrounded by the Kaws bee illustration designed by the artist for

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How Grace Kelly Dressed Like a Princess in Christian Dior

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GRANVILLE, France—As a child, designer Christian Dior lived in a pretty pink house, overlooking long sandy beaches and the swell of the Atlantic in Normandy.

His family left for Paris when Dior was only five, and the home is one of the only fashion museums in France dedicated to a designer. Musée Christian Dior’s new exhibition Grace Kelly: Princess in Dior (to November 17) celebrates the Dior wardrobe of the Academy Award-winning actress turned Monaco royalty.

Alfred Hitchcock’s beloved muse worked a gig at the Cannes Film Festival in 1955 into a new day job as Princess of Monaco, after she met at the festival that year, Prince Rainier III of Monaco, who was to become her husband.

Read more at The Daily Beast.

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Dior Cruise 2020

MARRAKECH — Cultural appropriation is dead. Long live cultural appreciation!
That was the message of the Dior cruise show staged here on Monday night, which saw creative director Maria Grazia Chiuri collaborating with a host of guest designers from the African continent and beyond in a shared tribute to craftsmanship.
The location of the display, the remains of the magnificent El Badi Palace, spoke of ancient dynasties and rulers. The clothes themselves were a dialogue with the world of today, a celebration of globalization and inclusivity.
Celebrities including Jessica Alba, Shailene Woodley, Lupita Nyong’o and Diana Ross were among the roughly 800 guests who took in the mega-production, staged shortly after sunset around a water basin dotted with dozens of candles and seven flaming braziers.
To a hypnotic soundtrack of Jajouka musicians, accompanied by British electronic band The Orb, a diverse cast of models walked in more than 110 looks ranging from African wax separates to black evening gowns that carried a whiff of Yves Saint Laurent, the former Dior designer who considered Marrakech his second home.
Alba, flanked by her husband Cash Warren, was fresh off celebrating her 38th birthday the night before at a welcome dinner held at the neighboring Bahia Palace in a

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“Mr Dior? He was like family,” 1950s model recalls

Former fashion models reflect on the iconic designer Christian Dior, decades after his golden era. A major exhibition has opened at London’s V and A museum exploring his legacy. Anna Bevan reports.


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Jeffrey Scores With Dior Men Pop-up in Atlanta

Kim Jones‘ arrival in March as artistic director of ready-to-wear and accessories at Dior Men energized the luxury brand, just as Super Bowl LIII has energized the city of Atlanta. Jeffrey Kalinsky, founder and president of Jeffrey, on Thursday night capitalized on the fan-favorite brand with a Dior Men pop-up shop at his inaugural store in Atlanta.
“We’re feting Kim’s first collection,” Kalinsky said, citing guests such as Future, Young Thug, Gunna, SouthSide, Wheezy, Phaedra Parks, Lil Van, Bernice Burgos, Brielle and Ariana Biermann. “He’s a major talent and he’s infused so much energy into Dior Men. I don’t know how many hundreds of people were in the store last night. By 7 p.m. we were jamming. Everybody was talking about the traffic for private planes. There wasn’t a place to park.
“It’s just amazing the commerce around the Super Bowl,” Kalinsky said from Hartsfield-Jackson Atlanta Airport, where he was waiting for a flight to Miami, admitting that he may skip the Super Bowl. “It’s been wonderful for fashion in Atlanta. The last time the Super Bowl was in Atlanta 19 years ago and we got wonderful customers from all over the country.”
Kalinsky said that dynamic is magnified today because “you have all the

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This London Exhibit Shows How Christian Dior Changed Fashion Forever

Courtesy Adrien Dirand via Victoria & Albert Museum

LONDON—The rich and powerful have long delighted in wearing Dior. At the Victoria and Albert Museum’s blockbuster exhibition, Christian Dior: Designer of Dreams, you can see the dresses worn by Princess Margaret, ballet dancer Margot Fonteyn, and several more recent designs shown off on the red carpet by actresses including Jennifer Lawrence.

“Christian Dior only designed for his ‘maison’ for ten years (owing to his sudden death in 1957),” said Oriole Cullen, the curator of the V&A’s biggest fashion exhibition since its blockbuster Alexander McQueen show, Savage Beauty, in 2015.

“Still, his name is known all over the world, speaking to the legacy of the six talented designers that have carried the name forward,” she added, referring to the half-dozen artistic directors that have succeeded Dior, including Yves Saint Laurent, Marc Bohan, Raf Simons, Gianfranco Ferre, and, most strikingly, John Galliano, who was fired from Dior in 2011, after being caught on film shouting “I love Hitler,” and anti-Semitic slurs. (He is now creative director of Maison Margiela.)

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Dior gowns that made headlines star in London exhibition

From Princess Margaret’s 21st birthday gown to Oscar winner Jennifer Lawrence’s red carpet dress, Christian Dior outfits that have made headlines go on show in a London exhibition dedicated to the French fashion house.


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Kate Moss, Lily Allen Attend Dior Men Show

LOCATION LOCATION: Lily Allen was in mock casting-agent mode arriving at the Dior Men show on Friday, with her tell-all, best-selling memoir, “My Thoughts Exactly,” set to be made into a film or TV series.
Sporting a silver leopard-print anorak accessorized with a diamond cannabis-shaped necklace she picked up at Icebox in Atlanta, Allen, who is also working on a second book, her fifth album and two musicals, had inadvertently matched her black lipstick to the color of the venue, a sprawling ephemeral structure set on the Champ-de-Mars opposite the École Militaire, with the Eiffel Tower looming in the near distance.
When asked who should play her, the singer, who said the format for the adaptation has not yet been decided, shrugged, surveyed the space, and jokingly pointed to the nearest fellow front-rower: Christina Ricci.
An unassuming Ricci, a friend of Dior Men creative director Kim Jones who had flown from Los Angeles to support his sophomore outing for the house, was taking in the space. “It’s very impressive to see this big Brutalist tent set against the beauty and elegance of Paris,” she said.
Other high-profile guests attending the event included Kate Moss, joined by her beau Count Nikolai von Bismarck; Robert Pattinson and Naomi Campbell.
“You’re

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Kim Jones Debuts Dior Men’s Spring Collection at Tokyo Pop-Up

BUZZING INTO TOKYO: Roughly 100 customers lined up outside Isetan’s men’s building in Shinjuku on Wednesday morning, waiting for the doors to open so they could get their hands on the spring 2019 men’s capsule collection that Kim Jones designed for Dior. It is the first offering released by the designer since he took over as artistic director.
For the capsule, Jones tapped New York-based artist Brian Donnelly, known professionally as Kaws, to reimagine the brand’s classic bee motif, as well as to create a new Dior logo specially for the collection.
At the pop-up, customers can purchase T-shirts to be customized in front of them with a spray gun that dispenses permanent ink in the chosen design. They are also printed with the date and the number of their purchase.
Exclusive to the Tokyo store are items that feature the Kaws bee in pink rather than yellow, including T-shirts, sweatshirts and small leather goods. Also available are Japanese selvedge denim jeans embroidered with the traditional boro method, and the iconic Dior Saddle bag, which Jones has reinterpreted for men for the first time.
Sunglasses and belts with buckles designed by Matthew Williams of Alyx and jewelry by Yoon Ahn complete the offering.
The Tokyo

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Jennifer Lawrence and Dior are being accused of ripping off Mexican culture

Jennifer Lawrence and Dior are being accused of ripping off Mexican culture


Jennifer Lawrence and Dior are being accused of ripping off Mexican culture

Jennifer Lawrence and Dior are in the news for all the wrong reasons. Scratch that, for one reason: cultural appropriation. The actress is the new face of the fashion house’s latest collection. So why is that problematic? Dior’s collection is entirely inspired by Mexican culture. To be more specific, the pieces in the line are heavily influenced by escaramuza charra.

To give you some backstory, escaramuza is a Mexican sport, almost like a rodeo, which features a group of women (usually 10 to 16) on horseback. They choreograph dance routines with their horses, which makes for a one-of-a-kind experience. Most consider escaramuza attire a form of art, similar to ballet folklorico, so it’s not surprising that Dior would be enamored by it.

The problem with Lawrence being the face of this specific collection is obvious: She’s not Mexican (or Latina for that matter). This collection directly takes silhouettes, patterns, and designs that are so ingrained in Mexican culture that Lawrence’s casting has struck a chord in the Mexican community. If anything, it’s sad that Dior didn’t cast a Mexican artist (whether an actress, singer, or model) as the face of their new collection.

It’s not like the fashion house hasn’t thought to highlight Mexican women before. Back in May, Dior’s creative director Maria Grazia Chiuri (who is Italian) presented the collection in a respectful way: Remezcla reports that the fashion house flew in an eight-woman team from Mexico who each wore the latest pieces from the collection. As models walked down the runway, they rode in unison. It’s sad that the brand would make an effort to highlight these women during their show but forget about them during the ad campaigns.

In a behind-the-scenes video posted to Instagram, Dior shared Lawrence’s experience shooting the campaign. The actress said:

“One of the main inspirations of this collection is the traditional women riders of Mexico. I’m really excited that this collection is looking at and celebrating these women’s heritage through such a modern lens.”

Many people on social media quickly pointed out the cultural appropriation, and the thoughtlessness of Lawrence’s comments.

Even 2 Dope Queens actress Phoebe Robinson took to Instagram to share her thoughts on the brand’s blatant cultural appropriation:

“#Dior & #JenniferLawrence wanna celebrate traditional Mexican women riders thru a ‘modern lens’…by having a rich white woman named Jennifer be the face of this campaign? And like they couldn’t think of a better landscape to shoot than in California?! “Hmm, I dunno, maybe…like…shoot…in…Mexico…with…a…Mexican…actress like Salma Hayek, Karla Souza, Jessica Alba, Selena Gomez, Eva Longoria, or many others. But I guess they were all unavailable, so you had to go with Jennifer Lawrence.”

It’s true—there are many people Dior could have made the face of the collection. Aside from the actresses Robinson listed, there is also Kate del Castillo (who is pretty much Mexican royalty), Eiza González, and Netflix’s Made in Mexico star and model, Columba Díaz. That’s just scratching the surface. It’s disappointing that despite the inclusive options available, Dior chose someone who is “marketable” rather than to respect the culture they lifted ideas from.

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