Zuck used to be good kid.
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Zuck used to be good kid.
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Jessie J is not here for your comparisons. The “Domino” singer addressed the attention she’s received as of late from fans who would liken her to boyfriend Channing Tatum’s ex, Jenna Dewan, on social media.
“I rarely, but sometimes see that my name is involved in stories online that I do not agree to,” the Singer 2018 winner, 30, began a lengthy Instagram post on Friday, November 16. “I often ignore them at 99% of the time it is something that doesn’t serve any positivity to speak on. However there is a story I have seen be written over and over again in the past few weeks that talks about myself being directly compared to another beautiful woman regarding our looks and people picking who they think is prettier. I am here to talk about the headline and the way the story has been written, I have continuously tried to find something positive from this article … I am yet to.”
She continued, “Who feels good from this story? I know I don’t … Is picking who is prettier and then continuing to say why a good activity for women to participate in? No … I am so disappointed and embarrassed that my name is even involved. It’s not something I stand for, at all.”
The musician shared why the comments bothered her so much, adding, “I spent so much of my childhood trying to be comfortable in my skin just like so many other little girls … I am a woman that supports ALL Women. I am a woman that loves ALL women and will not stand quietly when the media is teaching young girls to constantly compare who they think is prettier.”
“Be sensitive with your words. Be kind with your words. You have no idea what they can do to someone,” she wrote in closing.”
Dewan, 37, also made her thoughts on the matter known, responding to her ex’s paramour in an Instagram Story on Friday. “Amen Jessie! Yes!!!!” she wrote. “Women Women for women all the way. No need for negativity. Let’s live in a world where we support each other and lift each other up. Like I said before, positive vibes all the way. Nothing but respect.”
Us Weekly exclusively broke the news that Jessie J was dating Tatum, 38, in October. “It’s new, casual and they’re having fun together,” a source told Us at the time.
The Magic Mike star gushed over his lady love publicly for the first time after her concert at Royal Albert Hall in London on Tuesday, November 13.
“This woman just poured her heart out on stage at the Royal Albert Hall,” he wrote on Instagram. “Whoever was there got to witness something special. Wow.”
Earlier Friday, Jessie also made it clear that she doesn’t care what others think of her personal decisions with an Instagram Story. “I have noticed. Some people convince themselves I’m failing, or making the wrong decisions ect by the expectation they have for me, or what they would do if they were me,” she wrote. “You are not me. I often don’t want what you want for me for me. Lol.”
“I am happy with where I am,” she continued. “Who I am. What I am doing and how I am learning You are actually creating your own disappointment through something I never said I wanted. Let me live. Focus on you.”
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Oh, what a frustrating time it is to be a DC Extended Universe fan. Or Worlds of DC to use the newly coined title. Just when it seems like all the pieces are finally in place for our heroes to push forward into a brave new era of screen adventures following the conclusion of 2017’s Justice League, we’re hit with the news that the solo Flash outing is indefinitely delayed. Not to mention the fact that discussions for Henry Cavill’s next appearance as Superman have broken down. If there’s one thing the DC movies have been lacking, it’s consistency — something the MCU has championed for so long. And it doesn’t look to be arriving any time soon.
While the live-action universe’s overall trajectory remains uncertain, there is an avenue where DC fans can get a reliable, respectful fix of the comic-book giant’s most beloved characters. And that’s the DC Animated Universe. A continuing series of direct-to-video film projects originally intended for mature audiences, these animated features are well-directed, often standalone, and are generally more aligned with the comic book stories readers will be familiar with – all while pushing them in new directions.
Some of the most notable comic arcs translated so far include: Flashpoint Paradox, Gotham by Gaslight, and even The Dark Knight Returns in a fully fledged two-part epic. These stories, and some new ones, are treated with the love and care they deserve, free of the need to waste time setting up undercooked plot threads that will likely never happen. Forget the universe formerly known as the DCEU, here’s why DC’s animated movies pack the biggest punch.
Quite understandably, blockbuster interpretations like Batman v Superman and Suicide Squad aren’t likely to take any real creative risks. Especially in the latter’s case; even in a film fronted by a ragtag team of supervillains we’re expected to believe that they’re merely misunderstood – rather than seriously disturbed – individuals sure to see the value of good before eventually fighting off ‘true evil’. They’re written and filmed to appeal to a broad audience of cinema-goers, after all, thus making any big-screen representation of DC’s strong character slate pretty cut and dried. Or worse, watered down.
The DC Animated Universe stories are the opposite of this, by comparison, going so far as to explore characters like Green Lantern, Wonder Woman, and The Flash in much more depth than their straight-laced, silver-screen versions. Take Justice League: Gods and Monsters, for example. It’s an entirely original and unique storyline that riffs off the origin stories of Superman and the gang, presenting a universe where Batman is a pseudo-vampire, Wonder Woman is a god willing to kill, and Son of Zod, rather than Kal-El, was the baby exiled to Earth following the destruction of Krypton.
Even when universe lore is kept classic, very rarely do these animated features waste time explaining characters’ backstory or origins, unless it’s crucial to the central story about to unfold. Remaining confident that viewers will have a basic understanding of these heroes that have been ingrained in pop culture for 70+ years now, DC animated movies like Batman: Assault on Arkham – in which the Dark Knight largely takes a backseat – can be the perfect jumping in point for newcomers as well as die-hard DC fans not wanting to be pandered to.
Whereas the Marvel Cinematic Universe has shown bravery in letting its lesser-known characters come to the fore in eponymous movies such as Ant-Man, Guardians of the Galaxy, Doctor Strange, the Worlds of DC probably hasn’t established itself well enough yet to get quite as wacky. The DC animated films, however, have done a great job at highlighting the stranger side of superheroes. Released with little fanfare on store shelves last year, Justice League Dark is the perfect example of this.
In it, we follow Batman as he recruits the DC universe’s supernatural slate of characters, with John Constantine, Swamp Thing, Deadman, and more coming to the fore in order to stop a mystical force threatening the world. These characters make sense in a story that is noticeably darker than what the light and bright members of the Justice League world normally face – in a world where mythology and mystery are woven together. Hollywood director Doug Liman was allegedly developing a live-action version of Justice League Dark, but as with most Worlds of DC projects announced these days, it wouldn’t see the light of day.
So far, we’ve explained how the DC Animated Universe does right by comic-book fans looking for something slightly off-kilter and new. However, every so often, the folks spearheading this animation arm of DC Entertainment see fit to adapt an established comic book arc – with a welcome twist. The animated interpretation of Gotham by Gaslight, for example, dreams up an entirely different identity for the Jack the Ripper that Batman has been chasing. Batman vs Robin, on the other hand, takes elements from Scott Snyder’s celebrated Court of Owls storyline before choosing to delve deeper into the relationship between Bruce and his estranged son Damian Wayne.
In lifting these much-beloved DC one-shots off the page though, the risk is that they aren’t always done justice. Take 2015’s animated adaptation of The Killing Joke. The original Alan Moore graphic novel works out at a perfectly paced 50-or-so pages. This wasn’t enough material for a 100-minute home video feature, meaning that creative liberty was taken by way of a new prologue. Many took against this change – proving that, despite best intentions, in animated form, it’s still possible to get things wrong.
Occasional hiccups like this don’t take away from the runaway success of so many of the entries in the DC Animated Universe, which for the most part explore far more interesting territory than DC’s big-screen offerings likely ever will. While seeing our favourite characters and stories done right on the big screen can be a thrilling experience, it’s in the DC Animated Universe where the truly great stuff is happening.
The post Disappointed By Big-Screen DC? Their Animated Movies Pack the Biggest Punch appeared first on FANDOM.
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‘I think it will be really interesting to see people’s reactions, but for me reading the script it was just like heartbreaking.’
Any Game of Thrones fan by now will know that the HBO fantasy will never give you what you want. A happy family unit? For a few episodes, then your wife and kids will be forced to watch your public execution. True love? Sure, for a second, before somebody murders your pregnant wife in front of you in cold blood. And now that the series is drawing to an end, apparently the show’s grand finale is going to be a divisive one too and GoT’s Sophie Turner thinks it’s not going to please anyone.
Sophie Turner, who plays Sansa Stark, spoke to IGN about the anticipated final series next year and was pressed on the end of the entire show. She said, ‘I think a lot of fans will be disappointed and a lot of fans will be over the moon.’
There’s a lot to unpack here. You can take this a few ways: does this mean we’ll get a miserable ending that makes total sense for Game of Thrones, but keeps all our favourite characters from true happiness?
Or, does this mean that we’ll get a happy ending that would make no sense because joy and closure are things that don’t exist in Westeros? If we were betting people, we’d put our money on the first TBH – especially after what she said next.
Sophie said there were ‘a lot of tears’ and continued, ‘I think it will be really interesting to see people’s reactions, but for me reading the script it was just like heartbreaking.’
Okay, now we’re really worried. Heartbreaking?! We had steeled ourselves for the death of at least one of our favourite characters, but now we’re prepping to have joint memorial services for everyone in the show.
Even if she thinks the ending will be divisive, Sophie’s pretty happy with the way it all turned out. She said, ‘As an actor it was really satisfying. I think for everyone, everyone’s storylines — to be able to act out the way that it all ends. It was really satisfying for us. Who knows if it will be satisfying for the fans.’
Well, there’s only one way to find out and it’s a long, hard few months away. The next and final seven-episode series of Game of Thrones is set to drop next year, though no exact release date has been announced yet. We know that the show’s motto is Valar Morghulis, a.k.a. ‘All men must die’, but we really hope they don’t double down on that in 2019.
The post Sophie Turner thinks Game of Thrones fans ‘will be disappointed’ or ‘over the moon’ about the finale appeared first on Marie Claire.
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