Phoebe English Shows Fall 2019 Collection in Exhibition Alongside 30 Marionettes

EXHIBITIONIST: Phoebe English showcased pieces from her fall 2019 women’s wear offering at the Morley Gallery in South London at an exhibition called “Inanimate, Animate. (Only) Half the Reflection,” a show in two parts, the second of which features 30 charming marionettes wearing to-scale pieces from her archive.
The person-sized clothes, which made their debut during the men’s shows last month in a presentation, were suspended from the ceiling on rotating mechanisms that afforded close-up inspection of the intricate techniques that have earned her a loyal following.
There was a black pinafore dress with T-shaped cuts outlined with wide satin stitch embroidery, and a delicate white mesh harness.
“We call this coat, ‘The Coat of Dreams (and of Nightmares)’,” said English, fondly nodding to a black topper made from a great many patches of recycled black fabric, each piece encased in fine silk tulle. The kind of deceptively simple, thing that a cursory glance sets the mind to thinking, “Right, black coat” but an up-close eye-ball reveals all its complexities.
The space was scented by Timothy Han, who used the aromas of birch tar and dry wheat from his “On the Road” fragrance to emphasize English’s focus on natural sustainable fabrics, and Johanna Burnheart performed

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Tracey Emin delivers an ’emotional timebomb’ in London exhibition

British artist Tracey Emin is unleashing an “emotional timebomb” at her latest exhibition, homing in on what is important to her as she faces what she calls the third stage of her life.


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In Mosul exhibition, Iraqi artists process brutal rule of Islamic State

A raven perched on the shoulder of a woman with flaming hair is Iraqi artist Marwan Fathi’s symbol for the terrible events he and his home city Mosul have had to endure.


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Dior gowns that made headlines star in London exhibition

From Princess Margaret’s 21st birthday gown to Oscar winner Jennifer Lawrence’s red carpet dress, Christian Dior outfits that have made headlines go on show in a London exhibition dedicated to the French fashion house.


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Olivier Theyskens to Stage Exhibition at Calais Lace Museum

FOR THE LOVE OF LACE: Belgian fashion designer Olivier Theyskens is the latest fashion name to hold an exhibition at the Museum of Lace and Fashion in Calais, in the North of France.
Following designers Hubert de Givenchy, Cristóbal Balenciaga and Iris van Herpen, Theyskens’ exhibition marks the 10th anniversary of the cultural institution, which was created in 2009 to celebrate the region’s heritage of lace manufacturing.
Named “In Praesentia,” it will run from June 15, 2019 to Jan. 13, 2020.
The Belgian designer was given complete “carte blanche” for the exhibition, for which he delved into the museum’s historical textile collections and picked out unique pieces to build a dialogue with his own creations.
Curated by fashion historian Lydia Kamitsis, “In Praesentia” is voluntarily non-chronological, focusing instead on shared details, colors and textures between Theyskens’ silhouettes and the museum’s archives.
After studying at Brussels-based fashion school La Cambre, Theyskens launched his label in 1997. He went on to join Rochas in 2002, before becoming creative director at Nina Ricci from 2006 to 2009 and at Theory from 2010 to 2015. In 2016, he returned to Paris fashion week with his namesake brand.
It’s the designer’s second exhibition: the first, a retrospective of his 20-year career,

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Saint Laurent Launches Art Project With Daido Moriyama Exhibition

SELF PORTRAIT: Just in time for the Paris Photo fair, Saint Laurent is launching Self, an art project celebrating the various facets of the brand’s identity, with an exhibition by Daido Moriyama.
Moriyama’s works will be in show from Nov. 9 to 11 in a light installation accessible to the public in the Galerie d’Orléans courtyard in front of the Palais-Royal garden.
The Japanese photographer is the first in a series of artists and filmmakers selected by Saint Laurent creative director Anthony Vaccarello to participate in the project. “This project is an artistic commentary on society while emphasizing the core values of Saint Laurent,” the brand said in a statement.
The title, Self, refers to the concept of personality and also includes the brand’s initials. Further chapters will be disclosed with different formats depending on the content and the location in which they are unveiled, a spokeswoman for the house said.
The Saint Laurent brand has a long history of dialogue with the arts. Some of founder Yves Saint Laurent’s haute couture creations referenced works by the likes of Piet Mondrian, Vincent Van Gogh and Pablo Picasso.

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Depop Turns Up the Volume With Nineties Rave Culture Exhibition

BACK IN TIME: A Spice Girls reunion — minus Victoria Beckham — has signaled the Nineties are here to stay and Depop, the online marketplace aimed at Gen Z, is celebrating the flip side of the decade’s music scene with a one–night–only exhibition on Wednesday dedicated to rave culture.
Depop has partnered with Youth Club, a nonprofit organization that preserves youth culture, and London’s NTS radio for the exhibition, called “Wear the Movement.” “Depop and Youth Club are both about youth culture and the importance of self-expression and acceptance is at the core of Depop,” said Maria Raga, chief executive officer of Depop.
The event will be held at Corsica Studios in south London and there will be imagery, vintage clothing and accessories on display, which have been sourced by Depop’s community of vintage dealers and sellers.
Clothing items, including vintage Moschino, Kappa and Adidas, on show and for sale, are exact matches of pieces shown in archival photos provided by Youth Culture.
The Depop community is made up of more than 10 million users, who are “overwhelmingly” Gen Z, said Raga. “But they are very interested in all things Nineties, from both the buyer and the seller side.”
She added that Nineties rave culture was

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Djokovic, Nadal Should Reconsider Exhibition in Saudi Arabia After Jamal Khashoggi’s Killing

After the killing of journalist Jamal Khashoggi, Novak Djokovic and Rafael Nadal should reconsider their Saudi government-sponsored match in Jeddah. 

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Tree Flowers And Shadows: Bruce McLean’s upcoming exhibition at artrepublic

Discover the abstract work of one of British Conceptualism’s leading figures at artrepublic Brighton.

Red Garden Path by Bruce McLean

We’d be lying if we said we didn’t have a bit of a soft spot for rebellious artists at artrepublic, which is why we decided that it’s time for those of you who aren’t already familiar with the work of Bruce McLean to be properly introduced.… with an exhibition of his work at our Brighton gallery this October.

Don’t know much about the Glasgow-born artist? Here are the Cliffs Notes. Since upending the status quo of sculpture as a young artist in the Sixties, by using his own body to consider the value and purpose of the plinth and creating sculptural forms from rubbish and impermanent materials, Scottish sculptor Bruce McLean has continued to produce work that challenges some of the art world’s most commonly held beliefs. For instance, the idea that an artist only works in one realm, choosing his tools and mediums from the same checklist created (and used) by those who have gone before.

Lindleimer's Bee Blossom by Bruce McLean

Refusing to buy in to the art world’s long-accepted concept of the Seven Arts, McLean considers everything he produces – film-, photography- or paint-based – to be a form of sculpture. By working across disciplines, travelling back and forth between mediums that include (but are not restricted to) performance art, printmaking, painting, film installations and ceramics, he’s produced a vast body of forward-thinking work that is always evolving and changing. Approaching everything with inquiry, the result is a series of artworks that are packed with energy; organic lines bounce off block colours or solid structures within a given space, like an endless conversation between two figures with different points of view.

But maybe we should pause for a moment, before we get as abstract as some of McLean’s creations (which you may have seen in the collections at the Tate, the V&A, or even in our own Brighton gallery – we’re in good company aren’t we?) and return to the point. Our forthcoming Bruce McLean exhibition.

Running from 18 October – 12 November, Tree Flowers And Shadows features 40 new and archival pieces by the artist, and covers everything from limited edition prints and ceramics to a film installation. Many of the artist’s new works are influenced by his garden in Spain called Son Caragol which means Snail. ‘The latest prints are directly related to paintings I made 10 years ago,’ says McLean. ‘I’m interested in the dark shadows and how points of light appear as the sun moves around and flickers, I’m attempting to create beautiful, lush, vibrant works as a direct response to this lush, flickering environment.’

Experience McLean’s take on this environment for yourself, and hear more about the artist and his work at the Tree Flowers And Shadows Private View on 18 October, when he’ll be giving a 30-minute talk as well as unveiling the show. Spaces are limited, so please RSVP.  

 

Keep an eye out on the artrepublic Brighton gallery page for our interview with Bruce McLean, as well as details of other upcoming events at artrepublic Brighton.

For more news stories and events visit our Brighton Gallery page

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