Google just launched the second version of Google Glass Enterprise Edition


Google Glass may have never become a fixture in regular people’s daily lives like Google may have hoped, but the wearable device keeps on trucking.

The tech giant launched a new version of Glass on Monday. As its name suggests, the Google Glass Enterprise Edition 2 builds upon the business-focused direction Google went in with the device in 2017. Glass EE 2 brings a new CPU and a host of other enhancements along with it.

First and foremost, the new glasses come packed with a Qualcomm Snapdragon XR1 chip. Google said the new tech powering Glass would enable more efficient power use, better performance and better machine learning capabilities. Read more…

More about Business, Google, Enterprise, Wearable Tech, and Google Glass



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Shattering the glass ceiling while coping with a lifelong tremor

When Alexandra Lebenthal was 3, the symptoms of essential tremor began appearing when her hands started to constantly shake. The now 55-year-old Upper East Sider wasn’t aware of the official name of her neurological condition until her early 40s. “I was very, very conscious of it as a child,” she says. “My dad had it,…
Living | New York Post


Raise a Glass! Harlem Haberdashery Owners Launch New Craft Spirits

The family behind Harlem Haberdashery, the legendary New York City boutique known for its custom designs and hip-hop collaborations, is helping you toast to the new year. In collaboration with AstraLuna Brands, they have launched HH Bespoke Spirits, starting with small-batch gin, vodka, and rum. The craft spirits are in beautifully designed bottles, of course.

“We customized out spirits to what our customers wanted,” says Harlem Haberdashery co-owner, Sharlene Wood. Take a look at the video for an in-depth view into the creation of Harlem-crafted spirits.


The post Raise a Glass! Harlem Haberdashery Owners Launch New Craft Spirits appeared first on Black Enterprise.

Lifestyle | Black Enterprise


M. Night Shyamalan’s ‘Glass’ Is No. 1 With $40.6m Debut

(Universal Pictures via AP)

NEW YORK (AP) — M. Night Shyamalan scored his fifth No. 1 movie as the director’s “Glass,” while not quite the blockbuster some expected, nevertheless dominated Martin Luther King Jr. holiday weekend at the box office with $ 40.6 million in ticket sales according to studio estimates Sunday.

Universal Pictures predicted that “Glass” will make about $ 47 million over the four-day holiday weekend. Some industry forecasts had gone as high as $ 75 million over four days. But poor reviews took some of the momentum away from “Glass,” Shyamalan’s final entry in a trilogy begun with 2000’s “Unbreakable” and followed up with 2017’s “Split.”

Shyamalan’s film registered a 35 percent “fresh” rating on Rotten Tomatoes. Audiences also gave it a mediocre B Cinema Score.

Yet the result still proved the renewed draw of Shyamalan, the “Sixth Sense” filmmaker synonymous with supernatural thrillers and unpredictable plot twists. “Split,” which greatly overshot expectations with a $ 40 million opening and $ 278.5 million worldwide, signaled Shyamalan’s return as a box-office force, now teamed up with horror factory Blumhouse Productions. Shyamalan, himself, put up the film’s approximately $ 20 million budget.

Jim Orr, president of domestic distribution for Universal, said any forecasts beyond how “Glass” performed were out of whack with the studio’s own expectations. Orr granted that better reviews might have meant a larger return and that the winter storm across the Midwest and Northeast may have dampened results.

But he said Universal was thrilled with the results. The four-day total ranks “Glass” as the third best MLK weekend openings ever, behind only “American Sniper” ($ 107.2 million) and “Ride Along” ($ 48.6 million). “Glass” also picked up $ 48.5 million overseas, where Disney had distribution rights.

“This came in at or above any reasonable industry expectations,” said Orr.

Last week’s top film, Kevin Hart’s “The Upside,” held especially well in its second weekend, sliding only 23 percent with $ 15.7 million. STX Entertainment estimated it will take $ 19.5 million over the four-day period, offering further proof that Hart’s fallout as Oscar host over past homophobic tweets hasn’t hurt his box office appeal.

But the weekend’s biggest surprise was the Japanese anime film “Dragon Ball Super: Broly,” which earned an estimated $ 8.7 million on the weekend from just 1,250 North American theaters, according to Comscore, and $ 19.5 million since opening Wednesday. (It grossed more than $ 7 million just on opening day.) The Funimation Films release, an animated martial arts fantasy, is the 20th film in the “Dragon Ball” franchise.

The result for “Dragon Ball Super: Broly” caught Hollywood off guard, prompting many to wonder: Just what is Dragon Ball? And who is Broly? (A nutty anime series created by Akira Toriyama, and the film’s warrior antagonist, respectively.)

“The enthusiasm for this movie was certainly reflected in these much bigger than expected numbers for a title that I don’t think anyone was that aware of, other than the true fans,” said Paul Dergarabedian, senior media analyst for Comscore. “If you ask the average moviegoer if they’ve ever heard of ‘Dragon Ball Super: Broly,’ they’d have absolutely no idea what you’re talking about.”

Shyamalan and Broly could do only so much for the overall marketplace. Other studios held back new wide releases to avoid going head-to-head with “Glass.” The box office was down 18.4 percent from the same weekend last year when “Jumanji: Welcome the Jungle” was still packing theaters, according to Comscore.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Where available, the latest international numbers for Friday through Sunday are also included. Final domestic figures will be released Monday.

1. “Glass,” $ 40.6 million ($ 48.5 million international).

2. “The Upside,” $ 15.7 million.

3. “Aquaman,” $ 10.3 million ($ 14.3 million international).

4. “Dragon Ball Super: Broly,” $ 8.7 million ($ 5.3 million international).

5. “Spider-Man: Into the Spider-Verse,” $ 7.3 million.

6. “A Dog’s Way Home,” $ 7.1 million ($ 2.8 million international).

7. “Escape Room,” $ 5.3 million ($ 9.5 million international).

8. “Mary Poppins,” $ 5.2 million ($ 6 million international).

9. “Bumblebee,” $ 4.7 million ($ 20.9 million international).

10. “On the Basis of Sex,” $ 4 million.

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Entertainment – Black America Web


Box Office: ‘Glass’ Dominates MLK Weekend With $47 Million

M. Night Shyamalan’s “Glass” topped box office charts over the Martin Luther King Jr. holiday, collecting $ 40 million over the weekend for a four-day sum of $ 47 million. If estimates hold, “Glass” will come in behind “American Sniper” ($ 107 million) and “Ride Along” ($ 48 million) as the third-best showing for both January and MLK holiday […]



All of the Hidden Unbreakable and Split References in Glass

Warning: This post contains spoilers for Unbreakable, Split and Glass.

When Split premiered in 2017, fans were shocked when director M. Night Shyamalan revealed in the final minutes of the film that it was actually a sequel to his 2000 film, Unbreakable. Shyamalan later confirmed in interviews that the plot of Split was originally written as the third act of Unbreakable. Now, Shyamalan is bringing all of his super-powered men together in Glass, the final entry in his realistic superhero trilogy. Fortunately for fans, Glass is filled with easter eggs and hidden connections to the two other films.

A quick recap for those who have forgotten what happened in the two previous movies: In Unbreakable, a man named David Dunn (Bruce Willis) survives a train crash and discovers that he has super strength and unbreakable bones. He can also see a person’s sins when he touches them.

David is skeptical of his powers until Elijah Price, a man with fragile bones who is obsessed with comic books, proves to David that he is indeed a superhero. Only once David has accepted his powers does Elijah reveal that he orchestrated the train derailment in hopes of revealing someone’s super powers. Elijah dubs himself Mr. Glass, a supervillain who is David’s perfect opposite, before he is institutionalized.

Bruce Willis as David in 'Glass'
Disney—Universal/Kobal/REX/ShutterstockBruce Willis as Davidin ‘Glass’

In Split, a mysterious man (James McAvoy) kidnaps three teenage girls. The teens eventually realize that the man has 24 personalities, including the Beast, a super-strong cannibal. The man, born Kevin Wendell Crumb, was abused as a child and a series of meetings with his therapist reveal that the personalities (including his most dangerous, the bulletproof Beast) emerged to protect Kevin.

The Beast eats two of the girls, saying that he gains power from them. He lets the third girl Casey (Anya Taylor Joy) go because she has suffered through sexual abuse at the hands of her uncle and, according to the Beast’s philosophy, those who suffer will inherit the earth.

Thus the scene is set for Glass, in which David, Kevin and Elijah are all thrown into a psychiatric hospital because of their superhero delusions. At the end of Glass, Elijah orchestrates a fight between the Beast and David outside the hospital and films the interaction to prove to the world that superheroes and supervillains are real. All three men are eventually killed by a secret cabal led by Dr. Ellie Staple (Sarah Paulson) whose mission it is to take out all super-powered people, good or evil, to protect the world.

The characters’ favorite colors

Throughout Unbreakable, David wears lots of green (the color of the poncho he wears while fighting crime), and Elijah wears purple. In Split, Kevin wears yellow when he transforms into the Beast. All three characters continue to wear those respective colors in Glass, while Dr. Staple wears a lot of pink.

Sarah Paulson as Dr. Ellie Staple in 'Glass'
Disney—Universal/Kobal/REX/ShutterstockSarah Paulson as Dr. Ellie Staple in ‘Glass’ Film

Shyamalan uses these colors palettes throughout the film. The shelves in the comic book store where David’s son, Joseph (Spencer Treat Clark), shops are painted both purple and green. And the room where Dr. Staple speaks to the three men together is pink, signaling perhaps that she is in control of the situation.

M. Night Shyamalan plays the same man in all three films

M. Night Shyalaman often makes cameo appearances in his movies. He plays two seemingly unrelated roles in Unbreakable and a landlord in Split, only to reveal in Glass that the two men were the same person.

Shyamalan plays one of David Dunn’s first targets in Unbreakable. David, a security guard at a football stadium, brushes by Shyamalan’s character and sees that he was carrying drugs and a gun. David shares his vision with Elijah. Elijah then follows the character to find out if he is, in fact, carrying a gun. He also uses this information to confirm that David has superpowers.

Shyamalan appears again in Split, this time as Dr. Karen Fletcher’s landlord. Dr. Fletcher asks the landlord to play footage from a security camera outside of her building for her. Watching it, she is able to confirm that the Hive has taken control of Kevin Wendell Crumb’s body. She later confronts the Hive and is killed.

In Glass, Shymalan reveals that his two cameos are related. He plays a man who visits David Dunn’s electronic store and talks about how he is a former drug dealer who “turned himself around” and became a super. He is buying surveillance equipment because one of his tenants (Dr. Fletcher) was recently murdered.

The train accident

All three movies revolve around the train derailment that takes place in the opening minutes of Unbreakable. David Dunn is the only person to survive the accident in that film, which Elijah later reveals that he caused.

In Split, Kevin must go to the train tracks in order to unleash his final personality, the Beast. In that movie, he explains to his therapist, Dr. Fletcher, that his father left on a train and never returned, leaving Kevin with his abusive mother.

In Glass, Joseph discovers that Kevin’s father was killed in the same train accident that David survived. Thus, Elijah created two superheroes with one catastrophe.

Casey’s coat from the zoo

Kevin Wendell Crumb kept the girls he kidnapped under the zoo in Split. A zookeeper discovers Casey, the lone survivor, at the end of the film and offers her his jacket. (At this point her shirt has been ripped in her fight with the Beast.) Casey dons the coat during a scene from Glass as she leaves the mental hospital after her meeting with Dr. Staple.

James McAvoy as Kevin Wendell Crumb/The Horde and Anya Taylor-Joy as Casey Cooke in 'Glass'
J Kourkounis—Universal/Kobal/REX/ShutterstockJames McAvoy as Kevin Wendell Crumb/The Horde and Anya Taylor-Joy as Casey Cooke in ‘Glass’

Kevin’s scars

When The Beast emerges, he reveals two scars on his torso where Casey shot him with a shotgun in Split.

The “Marvel” building

Elijah hints that he will stage the final showdown between David and the Beast at Philadelphia’s tallest building. He gets the idea from a magazine cover, which declares the tower a “marvel” in the headline. The phrase is a nod to the prolific comic book publisher.

But the fact that the building is associated at all with Marvel should have tipped audiences off to the fact that the heroes and villains of Glass would never fight there. Shyamalan has called Glass a realistic superhero movie. Fighting at the top of a tower, as Marvel superheroes would, defies realism. Instead, Elijah forces the final fight to take place outside the mental hospital, where he can secretly control all the cameras and leak the footage out to the world.

Entertainment – TIME


M. Night Shyamalan’s ‘Glass’ Is a Big Middle Finger to His Superhero Fans

Jessica Kourkounis/Universal Pictures

I stumbled out of Glass, the third film in the M. Night Shyamalan superhero trilogy that began with Unbreakable, suspicious that I’d just been punked. The movie’s final act, a spectacular implosion of incoherent twists and turns that hijack a functional thriller and drive it off a cliff—playing off the wreckage like a triumph, no less—felt like it had to be a prank. A morbid extension, maybe, of the movie’s meta attempts to deconstruct the superhero-movie machine that has consumed pop culture in the 19 years since Unbreakable. (“Comic books are an obsession!” a character shrieks at one point, while another narrates superhero clichés aloud as they happen, with all the grandeur and insight of lines like, “The collection of main characters!”) A fake-out for sure, pointless but preferable to the confused mess I’d seen, to be unveiled as the ultimate “twist” before the real movie hit theaters today.

But denial is just the first stage of grief and I’ve since cycled through to acceptance. This whole movie, including its catastrophic ending, is real, and they’re charging real money to see it. People who loved Shyamalan’s sterling 2000 film Unbreakable, tantalized by the surprise revelation at the end of 2017’s Split that both films take place in the same universe, will show up to see reluctant hero David Dunn (Bruce Willis), his mastermind arch-nemesis Elijah Price aka Mr. Glass (Samuel L. Jackson), and the amalgam of two-dozen split personalities known as the Horde (James McAvoy) together onscreen for the first (and last) time. Many will leave disgruntled, others bamboozled, eye-twitching and stupefied like the institution-bound title character. I left a conspiracy theorist.

Glass only muddles the ideas Unbreakable and Split surfaced about modern myth-making, trauma, and our minds’ capacities to manifest miracles. It takes its characters nowhere new. (It actively regresses one or two, in fact, insulting them before bowing out.) Shyamalan’s wicked humor, his knack for conjuring wonder and dread from the mundane, his stubborn commitment to zigging where you want him to zag—it’s all here. None of it saves Glass. It can’t seem to decide whether it’s a “fuck you” or a love letter to superhero movies and their audiences. It gestures vaguely at both, satisfying as neither. It does pull off a shock that might have been admirable as a stone-cold statement about IP-driven movie-making, except it’s executed with the lethargy of a deflating balloon, and just as devoid of meaning.

Read more at The Daily Beast.

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The Daily Beast — Entertainment


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“Split” was a surprise hit for director M. Night Shyamalan, but its most satisfying gambit came in unexpectedly setting up a sequel to his 2000 thriller “Unbreakable.” The result, “Glass,” isn’t a breakthrough, but proves just clever enough to come out on the right side of a split decision. – RSS Channel – Entertainment


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Fans of M. Night Shyamalan's groundbreaking super-powered movie Unbreakable were completely surprised when the ending of his 2016 thriller Split — spoiler warning — revealed itself to be an Unbreakable sequel. Shortly after the film debuted, M. Night announced that his next film would be one 18 years in the making — a third installment in the series, titled Glass, that would bring the central characters from both Unbreakable and Split together for an event film that would expand on the…

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