Cary Grant Style Secrets & How To Dress Like Him

A quintessential gentleman, a charismatic icon of timeless elegance and grace, Cary Grant will forever remain in our hearts and on our screens as one of the best-dressed men Hollywood has ever seen. Described as having a gracious manner, the debonair Grant always seemed to have everything in place. His hair was always coiffed, his cars shined and pristine and his attire could only be described as impeccably tailored and fit for a gentleman.

The History of Mr. Cary Grant

Cary Grant is one of those names that sticks with you. It’s a movie stars name, the name of the lead in a play or a character in a book. It has a ring to it, and that’s probably why Archibald “Archie” Leach chose it as his name in 1942.

Cary Grant = Archibald Alexander Leach

Born on January 18, 1904, Archibald Alexander Leach came into this world as the child of Elsie Maria Leach and Elias James Leach. His upbringing was anything but normal with his mother in and out of mental institutions for bouts of depression among other issues. He attended Bishop Road Primary School in Bristol, England where he grew up and on in the time his mother was sent away, his father Elias would tell him she was taking a long holiday. After a few bouts, Elias had her committed and told Grant she had died while traveling. It wasn’t until he was 31 years old that his father confessed she was mentally unstable and had not been on holiday, nor was she dead, but that he could find her alive in the sanitarium.

Abandoned As A Young Boy

By the time Leach was ten years old, his father had remarried and began a life with his new family that refused to include the young boy. To date, there is little known about how he was cared for, and by whom.

With his family troubles, Leach turned to mischief and was expelled from the Fairfield Grammar School in Bristol in 1918. He had always been very skilled in acrobatics and entertaining so he joined the Bob Pender Stage Troupe where he learned to walk on stilts. At the age of 16, he traveled with the vaudevillian troupe to United States on the RMS Olympic for a two year tour of the country. He, like many young men at that time was processed at Ellis Island on July 28, 1920.

Dietrich in sparkly tailcoat wtih Cary Grant wearing a single end bow tie with his white tie ensemble
Dietrich in sparkly tailcoat with Cary Grant wearing a single end bow tie with his white tie ensemble

America, The Land Of Grants Dreams

The young Leach was so enamored with the American dream and the lifestyle that he refused to return home at the end of the stay. Not having a father or mother who would miss him, he joined the American vaudeville acts and went on tour with Parker, Rand and Leach. For the first part of his career while on stage, he still performed under the name Archie Leach in shows such as Irene, Music in May, Rio Rita and the Street Singer. His experience with the acrobatic group gave him incredible strength, timing and grace and it wasn’t long before he would make the trip to Hollywood in the year 1931, playing on Broadway before hitting the big screen.

Archie Leach Becomes Cary Grant But He Was Almost Cary Lockwood

The name Archibald Leach would now be nothing but a distant memory filled with dread like a disease he had overcome.

Many have speculated where the name Cary Grant came from, but experts agree that according to witness testimony, Grant had originally proposed the name of Cary Lockwood, a character he enjoyed playing in the Broadway show Nikki. When he signed with Paramount Studios shortly before changing his name, he allegedly told producers and they found “Cary” acceptable but thought Lockwood was to similar to another actor’s last name. According to the history books, Paramount supplied the young man with a list of suitable names and he selected “Grant” because the initials “C.G.” had already proved very fortunate for men like Gary Cooper and Clark Gable.

Young Cary Grant in white tie, not the tiny bow tie knot and low profile rounded waistcoat tips
Young Cary Grant in white tie, not the tiny bow tie knot and low profile rounded waistcoat tips

Cary Grant Was An Instant Hit

From then on, Grant was an almost instant hit. With natural charm and a certain grace that few seemed to have, Cary Grant was a leading man who skyrocketed to fame as the star of Blonde Venus in 1932, followed by Mae West’s films She Done Him Wrong and I’m No Angel. A tremendous success at the box office, I’m No Angel was nominated for an Academy Award for Best Picture which saved Paramount at the time from declaring bankruptcy, but pushed Grant into a long series of unsuccessful film projects until 1936 when he signed with Columbia Pictures.

With his comedic timing from his years as an acrobat and stilt walker, he was picked to star in the 1937 comedy Topper which was distributed by MGM. Then The Awful Truth came out that same year which fully established Grant as a sophisticated leading man with a gentle comedic touch. It was rare in a time of masculine enforced male stars, but Grant used his gift of grace as a way to lighten things up and play various roles as opposed to being typecast simply as a good looking man.

Cary Grant with wide peak lapel tuxedo and butterfly bow tie and two shirt studs
Cary Grant with wide peak lapel tuxedo and butterfly bow tie and two shirt studs

“I pretended to be somebody I wanted to be and I finally became that person. Or he became me. Or we met at some point.”

Many argue that Grant was such a successful actor because of his upbringing. According to Grant, he was always pretending to be someone else. He once wrote “I pretended to be somebody I wanted to be and I finally became that person. Or he became me. Or we met at some point.”

Considering he had such a challenging upbringing, many attribute Grant’s style and manners as nothing short of miraculous, but Grant spent hours researching and watching men he admired in an effort to become more domesticated and less like the hooligan he once was, spouting off jazzy street talk instead of focusing on proper grammar. According to Grant of the pivotal moments for him in creating his “personality” was watching Leo McCarey, the director of The Awful Truth who had manners and a level of sophisticated grace like Grant had never seen before. His mannerisms and intonations resembled Grant’s, and he used McCarey as a learning tool to further his passion for savoir-vivre.

His performance in The Awful Truth was something The Atlantic called “the most spectacular run ever for an actor in American pictures” and for the next number of years, Grant went from hit to hit performing in romantic and screwball comedies.

A Casual Day for Cary Grant
A Casual Day for Cary Grant

His list of films became almost endless as he performed next to starlets such as Katharine Hepburn, Rosalind Russell, Rita Hayworth, Ingrid Bergman and Irene Dunne. It wasn’t long before every woman in America wanted him and every man wanted to be him. His style, his charm, his wit was unlike the world had seen. His sartorial flair for style was unprecedented and to top it off, he had the natural looks of a superstar. Many argue that men like Fred Astaire had similar traits, but Grant’s physical appearance was unmatched and he became a force in Hollywood.

Grant was liked. Both on and off screen he had a natural humbleness and graceful demeanor that made people swoon to him. Alfred Hitchcock once said Grant was “the only actor I ever loved in my whole life”.

British born actor Cary Grant (1904 - 1986) walking outdoors wearing a pinstripe jacket and a hat, 1940s.
British born actor Cary Grant (1904 – 1986) walking outdoors wearing a pinstripe jacket and a hat, 1940s.

By the mid 1950s, Grant opened up shop and started Granart Productions, which produced a number of films distributed by Universal including Operation Petticoat, That Touch of Mink with Doris Day, Indiscreet and Father Goose.

Then in 1963, my favorite day in movie history came when Cary Grant acted alongside my celebrity crush, Audrey Hepburn in Charade. Nothing truly noteworthy came of this and to be perfectly honest, there is no point in mentioning this in lieu of other movies he’s in. I just love Audrey Hepburn and since I’m writing this article, so long as my editor doesn’t delete this I can pretty much write whatever I want.

What is noteworthy however is what happened a year before. Cary Grant, in my opinion, is the perfect choice of every leading man ever to step foot in Hollywood to play James Bond. He never did though. Producers considered him for the role in 1962’s Dr. No, but decided against casting him since they were worried he wouldn’t stay tied down to just one picture. I know this is a first world problem but to me it’s devastating that he never played 007.

Cary Grant was a fan of pleats
Cary Grant was a fan of pleats

Throughout his career, Grant was nominated for two Academy Awards but lost both for Penny Serenade and None But The Lonely Heart. He retired still in demand at the age of 62 but received a special Academy Award for Lifetime Achievement in 1970. Peter Stone, the co-writer of Father Goose said while receiving an Oscar, “My thanks to Cary Grant, who keeps winning these things for other people.” And according to the people closest to him, that’s just what Grant did. He was one of the rare few who always put people ahead of himself. It was rare for him to deny an interview, say no to a child wanting an autograph, or pose for a picture with a teary-eyed fan. Grant was about making others feel more comfortable, possibly because he was never comfortable himself.

The Style of a Legend

Inside Grant was a hurt man. Disposed of by his parents, lied to about his mother’s death until his thirties and tragically avoided by his father when he adopted a new family. No man could withstand that level of distress without masking it somehow. And that’s just what Grant did. If he wasn’t put together on the inside, he would try to always be confident on the outside. As a young chap, his father once told him when he was wearing a combination with loud socks – “remember, it is you walking down the street, not your socks.”

Interestingly, he had arrived in the U.S. in 1920 on the same ocean liner as Douglas Fairbanks Sr. Even though they didn’t travel in the same class, he was able to catch a glimpse here or their and the timeless, classic and elegant style of Fairbanks made a huge impression on him. Even years later he was able to tell Ralph Lauren all about the intricacies of Fairbanks’ clothes and accessories, including fabrics types, lapel widths and buttonholes. Interestingly, up to his style icons and tried to imitate them until he became like them.

Cary Grant Style = clothes of a well dressed, sophisticated chap

In his own words, he favored the “clothes of a well dress, sophisticated chap”.

A huge fan of military uniforms, Grant recognized them as being the apex of mens fashion. He realized that soldiers always looked sharp and even when they were disheveled in war, they still had a raw masculinity to them because of the uniform. Grant decided to adopt that in his wardrobe and treated his attire, not as clothing, but as his uniform. It wasn’t that his tuxedo was made of the feathers of an eagle or the hair of a unicorn, it was no different from any other man’s dinner jacket, except that Grant ensured his fit him flawlessly and was always perfectly cleaned, crisply ironed and not a strand was out of place. Whether it was a dinner jacket or a pair of  jeans, he knew that clothes make the man.

1935:  British born actor Cary Grant (1904 - 1986), who starred in a number of classic comedies between the 1930s and 1960s.
1935: British born actor Cary Grant (1904 – 1986), who starred in a number of classic comedies between the 1930s and 1960s.

Because of his slim figure he was able to buy clothes off the rack such as trench coats from Aquascutum and country clothing from Abercrombie & Fitch (at that time, AF wasn’t what it is today but instead it was popular with gentlemen interested in the outdoors). In his early days he would often wear collar pins and knit ties, later he would wear 3-fold ties more often. He understood that even the least expensive items from a retail store still needed a hem here, a cuff there. Just as the army required their soldiers to keep their boots shined and pleats straight, Grant would spend countless hours and hire countless help to ensure his clothes were always immaculate. His suits and shirts were often custom tailored at Cifonelli in Rome or Dunhill in London and sometimes copied in Hong Kong. The copiers were so meticulous that they once even replicated the little fray on the collar of one of Grant’s favorite shirts!

Cary Grant in white tie
Cary Grant in white tie

One thing Cary Grant hated wearing was hats. Perhaps as Eva Marie Saint said he had “such a nice face”. He was striking and looked good in almost everything, except hats. He looked terrible in hats. He had this strong, assertive, perfectly framed face so why wear a hat and cover it up. Many men in that day like Humphrey Bogart made use of hats to reveal character traits, but Grant didn’t need it. He didn’t need it worth a damn. He could give a look or make an expression in one way or another that would reveal everything he wanted us to know, and for generations since, actors have tirelessly pursued that level of perfected acting.

Hats Rarely Looked Good on Cary Grant
Hats Rarely Looked Good on Cary Grant
Cary Grant Rarely Wore Hats
Cary Grant Rarely Wore Hats

The thing is that he really wasn’t the best actor around. Audiences were just so spellbound by his good looks and sense of style his awkward acting came across as a masculine form of aloofness. In that day and age, men who practiced style the way Grant did were thought to be homosexuals, but somehow, for some reason, many people looked past that with Grant.

“He had such fun in performing. He was so full of joy. You could see it in his body. You could see it in his face. He just let it all out”, said Eve Marie Saint.

In that day and age, male stars didn’t have the luxury of large wardrobes and often had to wear their own clothes. That’s one of the reasons they kept casting Grant was because he was damn elegant. The fourteen-gauge, mid-gray, worsted wool suits he wore in North by Northwest were his own; ones he had personally purchased from tailors on Savile Row.

Marlene Dietrich in Blone Venus 1932 in special white tie - note Cary Grant
Marlene Dietrich in Blone Venus 1932 in special white tie – note Cary Grant

His dress was certainly popular with the ladies and he had a few to his name. He was married five times to Virginia Cherril, Barbara Hutton, Betsy Drake, Dyan Cannon and Barbara Harris with many partners in between. Rumors have circulated that perhaps Grant was gay or bisexual but many women argue he was absolutely not. Regardless of who Grant was on the inside, to everyone else he was a legend. A man of timeless elegance who retired when his daughter Jennifer was born, so that she would have stability and fatherly love in her upbringing. Something he never had himself.

On the morning of November 29, 1986, when his wife left for a pharmacy in search of aspirin, Cary Grant suffered a cerebral hemmorage. He died at 11:22 that evening in St. Luke’s Hospital at the age of 82. The vast majority of his estate was left to his fifth wife, Barbara Harris, and his daughter, the true love of his life, Jennifer Grant.

“Permit me to suggest that you dress neatly and cleanly. A young person who dresses well usually behaves well. Good manners and a pleasant personality, even without a college education, will take you far.” – Cary Grant

Book

If you would like to learn more about Cary Grant’s style, you should buy a copy of Cary Grant: A Celebration of Style.

Cary Grants Thoughts on Clothing

Much has been written about Cary Grant’s style but he only wrote one article about his thoughts on clothing in style, which was published in a 5 part series in THIS WEEK in 1962. 5 years later, GQ picked it up and republished it. Here it is again:

I’m often asked for advice or an opinion about clothes, and I always try to answer the best I can, but I’m not inclined to regard myself as an authority on the subject. Many times during my years in films, some well-meaning group has selected me as best-dressed man of the year, but I’ve never understood why. The odd distinction surprises me: first, because I don’t consider myself especially well dressed, and, secondly, I’ve never, as far as I can compare the efforts of others with my own, gone to any special trouble to acquire clothes that could be regarded as noticeably fashionable or up-to-date.

Cary Grant in North by Northwest

Some of my suits are ten to twenty years old, many of them ready-made and reasonably priced. Those that were custom-tailored were made by many different tailors in many different cities: London, Hong Kong, New York and Los Angeles. I believe that American ready-made clothes are the best ready-made clothes in the world: that the well-dressed American man makes a better appearance than the well-dressed man of any other country.

No, it isn’t only money that determines how well a man dresses—it’s personal taste. Because of the demands of my work, I’ve purchased dozens of suits over the years and they all have one attribute in common: they are in the middle of fashion. By that I mean they’re not self-consciously fashionable or far out, nor are they overly conservative or dated. In other words, the lapels are neither too wide nor too narrow, the trousers neither too tight nor too loose, the coats neither too short nor too long. I’ve worn clothes of extreme style, but only in order to dress appropriately for the type of character I played in particular films. Otherwise, simplicity, to me, has always been the essence of good taste.

I believe men’s clothes—like women’s—should attract attention to the best lines of a man’s figure and distract from the worst. In all cases, the most reliable style is in the middle of the road—a thoughtful sensible position in any human behavior. Except perhaps on the freeway—but, even then, the middle lane, providing of course, it’s on your side of the road, usually gets you where you’re going more easily, comfortably, and less disturbingly. And so it should be with clothes. They should be undisturbing, easy and comfortable.

There are many established stores or haberdasheries in each city, and probably in your neighborhood. Look at the suits in the windows. See how they compare with those worn by men whose taste you respect and admire. Think about the practical, functional and long-wearing qualities as they apply to your particular job or social activities. It’s better to consider carefully before buying than to regret your purchases for months afterwards. Study the cut, the price.

And here, by the way, is a tip. If the sleeves seem disproportionately wider than customary, it indicates a very deep armhole. Don’t contemplate buying if you are of average or slim size—you’ll get a well-fitting back but an extremely loose-fitting front and sleeves that tend to ride up if you lift your arms. A deep armhole is popular with many manufacturers because each coat fits a wider range of customers.

Film star Cary Grant with fourth wife Dyan Cannon
Film star Cary Grant with fourth wife Dyan Cannon

How much on should pay depends on how much one has to spend. I’m reminded of a piece of advice my father gave me regarding shoes: it has stood me in good stead whenever my own finances were low. He said it’s better to buy one good pair of shoes than four cheap ones. One pair made of fine leather could outlast four inferior pairs, and, if well cared for, would continue to proclaim your good judgment and taste no matter how old they become. The same applies to suits, so permit me to suggest you buy the best you can afford even though it means buying less. Rather like the stock market: it is usually more sensible to buy just one share of blue chip than 150 shares of a one-dollar stock.

What should one buy? Well, if a man’s budget restricts him to only one suit, then I would choose something unobtrusive. A dark blue, almost black, of lightweight cloth, serviceable for both day and evening wear. I suggest lightweight because nowadays most restaurants, offices, shops and theaters are well heated during fall and winter. I found that so even, surprisingly, in Moscow. With such modern indoor comfort, one need only be concerned with cold weather while out-of-doors.

Which brings us to overcoats. I’ve learned to wear overcoats that button up to the neck yet still appear neat when left open. It mystifies me that some men wear heavy single-breasted and even double-breasted, overcoats to protect themselves from cold, yet expose the most vulnerable part of their chests with V-neck openings. By wearing an overcoat that buttons to the neck, there is no need for a scarf.

The topcoat I use for traveling can be worn spring or fall. It’s black and therefore not only less apt to show dirt and travel stains, but usable for both day and formal wear. It’s made of a gabardine-type waterproof material, with slash side pockets that enable one to reach through easily for change, or to carry a book, or something similar, protected from the rain. There is also a detachable lining that buttons inside for very wintery days. An all-purpose coat.

What about a second suit? Well, I think a grey worsted or flannel would be most serviceable. Not too light in color, not too dark. And, this time, of medium weight but not more than what is known as ten-ounce cloth. It might be advantageous to purchase an extra pair of trousers for wearing separately with a sweater or a sport shirt. A grey flannel suit, with or without extra trousers, together with a sport coat could, at a pinch, be sufficient for a weekend in the country.

A sport coat ought to be easy-fitting, its pattern neither loud nor flashy. If you’re unsure which plaid or check to choose, then one of those dark blue, single-breasted blazers that have been worn by all classes in England for years, and have since become popular here, is acceptable for most casual wear.Blazers that have been worn by all classes in England for years, and have since become popular here, is acceptable for most casual wear.

Cary Grant wearing an ascot in To Catch A Thief
Cary Grant wearing an ascot in To Catch A Thief

Except, of course, on very hot days. During summer I’ve taken to wearing light beige, washable poplin suits. They’re inexpensive and, if kept crisp and clean, acceptable almost anywhere at any time, even in the evening. Also, the coat can be worn with grey flannels at the seashore or in the country, and the trousers used separately with a sport shirt and moccasins, or a pair of those heavy-soled white canvas shoes that are popular with young college men.

Poplin or seersucker suits are the mark of no special social class or income group, but are worn by all. And, providing he is well-mannered, a young man wearing such a suit can confidently approach the other fellow’s girl, secure in knowing that his way of dress is no deterrent.

A cardigan coat sweater of lightweight wool and conservative color is a useful investment. It can be worn without a coat on many occasions, and has the advantage of being easily slipped on without those arm-raising contortions and the need to re-comb your hair.

How do I feel about ties? If I had only one to choose, then I think a black foulard, not too wide nor too narrow, is best, as it’s acceptable with most clothes. An expensive tie is not a luxury—the wrinkles fall out quicker and the knot will hold better. Personally, I wear ties of small, conservative pattern and color.

Shoes? I’ve already mentioned that good shoes look better and last longer. If a man must limit himself to only one pair of shoes for city wear, then they should be black. If two, then a brown pair of darkest chocolate color are useful with almost all suits and, if he has no moccasins, even with grey flannels. The moccasin type of shoe is, to me, almost essential and especially convenient when traveling, since they can be easily slipped off in the airplane or car.

If your pocket handkerchief is monogrammed, don’t wear it carefully folded to show the monogram peeking above your breast-pocket. That’s somehow ostentatious.

If your pocket handkerchief is monogrammed, don’t wear it carefully folded to show the monogram peeking above your breast-pocket. That’s somehow ostentatious.

Shirts should usually be white for the evening, but, in the city’s grime, it’s practical and permissible to wear a light blue or conservatively striped shirt during the day. The type of collar should suit the contours of the neck and face. As a younger man, I tried wearing a flared, too-high collar that, although modish amongst those I regarded as the sophisticates of that day, looked ridiculous on my 17 1/2- inch neck. Luckily, after the embarrassment of viewing myself from almost every angle on screen, that mistake was soon rectified. Button-cuffed shirts are simplest to manage, but if you wear cuff links, as I do, don’t, I beg you, wear those huge examples of badly designed, cheap modern jewelry. They, too, are not only ostentatious, but heavy and a menace to the enamel on your car and your girl friend’s eye.

Relaxed Cary Grant
Relaxed Cary Grant

Learn to dispense with accessories that don’t perform a necessary function. I use belts, for example, only with blue jeans, which I wear when riding, and content myself with side loops, that can be tightened at the waistband, on business suits.

A tip about trousers. Trouser cuffs seem to me unnecessary, and are apt to catch lint and dust. However, whether you prefer cuffs or not, ask the tailor to sew a strip of cloth of the same material, or a tape of similar color, on the inside at the bottom of the trouser leg where it rubs the heel of the shoe. It will keep your trouser-bottoms from fraying.

Do I have any special do’s and don’t’s about clothes? I can’t think of and rules about clothes, since there really aren’t any, but I suggest you buy trees to conform to the shape of your shoes, and keep your coats on curved hangers.

Take care of your clothes, keep them clean and in good repair. I suggest you avoid using heavily scented cologne or soaps. When I meet a man I like him to smell like a man, or not to smell at all; certainly he shouldn’t smell like a woman. Do see that your socks stay up. Nothing can spoil an otherwise well-groomed effect like sagging socks. Don’t stuff your pockets with heavy articles and bulging wallets filled with seldom-used cards. They ruin not only the neatness of your appearance but the actual tailoring of your suit.

Don’t be a snob about the way you dress. Snobbery is only a point in time. Be tolerant and helpful to the other fellow—he is yourself yesterday.

Don’t overbuy. When you contemplate an article, judge whether or not it harmonizes with items you already own. Again, avoid exaggeration of current fashions. It’s best to be inconspicuous. But inconspicuous does not mean dull. Extreme dullness can be conspicuous in itself. Just do the best you can.

Come to think of it, who knows how anything becomes bad or good taste? Who decides a standard of esthetics? If it’s the majority, then how is it the minority are the ones considered well dressed? Everything is only exactly what it is. If a man wears the kind of clothes that please him, then, providing they’re clean and don’t shock society, morals, and little children, what is the difference as long as that man is happy?

Yes. Somewhere I read that Harvard’s Professor Archibald MacLeish was asked by a student about to graduate into our highly competitive world what advice he could give him. Professor MacLeish’s answer was, “Wear your Sunday suit every day.” The inference, of course, being that the suit would give the young man such confidence in seeking positions that he would eventually own many Sunday suits, for any and all days.

Splendid advice even by itself, but it’s probable that the professor meant not only his Sunday or best suit, but also his Sunday or best smile, disposition, and behavior—knowing that each begets the other. So wear, not only your clothes, but yourself, well, with confidence. Confidence, too, is in the middle of the road, being neither aggressiveness nor timidity. Pride of new knowledge—including knowledge of clothes—continually adds to self-confidence.’


Gentleman’s Gazette

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Young and Healthy Community Health Grant

Like adults, children get stressed. But when children experience severe or prolonged adversity such as physical abuse or extreme poverty, the impact can damage their developing brains and harm their lifelong health and well-being.

Young and Healthy, a nonprofit that assists under-resourced children and families in Pasadena through prevention, education and enhanced health care services, is working to help reduce the toll of toxic stress. The organization will pilot a trauma-informed school model in the Pasadena Unified School District in which administrators, teachers, staff and parents are prepared to recognize, and respond to, those impacted by traumatic stress. In addition, students are provided with clear expectations and communication strategies to successfully guide them through stressful situations. The goal is not only to provide tools to cope with extreme situations, but also to create an underlying culture of respect and support.

“Relationship is key to the trauma-informed approach – having an adult who truly listens and finds a way to connect with that child can make all the difference.”

— Juliane Reynoso, assistant superintendent, elementary, Pasadena Unified School District

“Research indicates that the single most important aspect of healing the hurt of trauma in children is a positive, nurturing relationship with an adult,” said Mary Donnelly-Crocker, executive director, Young and Healthy. “Young and Healthy is committed to creating a healthy community by educating children, parents and educators on how to become more aware of, and sensitive to, those who have suffered trauma. In turn, Pasadena can become a trauma-informed community.”

An estimated one-third of the children living in greater Pasadena need the type of services Young and Healthy offers. Kaiser Permanente Southern California has partnered with the organization for more than 20 years on community health grants to help children and families access needed medical and dental care. More recently, Young and Healthy has expanded its focus to include addressing environmental, social and emotional factors that influence health. This past fall, Kaiser Permanente funded a $ 95,000, one-year grant to support Young and Healthy’s pilot program to launch the trauma-informed model within 10 Pasadena Unified School District campuses.

“This valuable project led by Young and Healthy will help reduce mental health stigma and build resilience in individuals, organizations and the community,” said Sandra Silva, director, community health, Kaiser Permanente Southern California. “By understanding and responding to trauma, school administrators, teachers and staff can help reduce its damaging impact, support critical learning and create a more positive school environment.”

Long-term impact of childhood trauma

The landmark Centers for Disease Control and Kaiser Permanente ACEs (Adverse Childhood Experiences) Study demonstrated the link between childhood trauma and the increased risk for chronic disease as an adult, as well as emotional and social difficulties.

Inspired by the ACEs Study, Young and Healthy has been working to decrease the effects of trauma. Efforts have ranged from collaborating with community partners to convene a Pasadena Trauma-Informed Care Initiative and conducting trauma-informed training for various organizations, to providing a mindfulness curriculum for young PUSD students. Creating and implementing a trauma-informed school model became a natural next step. The pilot program will include:

  • Providing training and technical assistance to leadership teams representing the participating schools to create and implement site-specific plans.
  • Developing a comprehensive report with project results, evaluation and recommendations as a tool for other Pasadena Unified School District schools to implement the model.
  • Formalizing a Trauma-Informed Care Committee to establish standards to identify as trauma-responsive agencies. The committee includes representatives from Pasadena Unified School District, City of Pasadena Public Health Department, Huntington Hospital, Head Start Pasadena, Pasadena Office of the Young Child and other community organizations.

“We are grateful for Kaiser Permanente’s partnership,” Donnelly-Crocker said. “They helped provide the seed money to start and continue our trauma-informed work that will help transform how our community recognizes and responds to people who have experienced trauma – ultimately improving the community’s health and well-being.”

To learn more about Kaiser Permanente Southern California’s work in the community, visit http://community.kp.org.

 

Main RSS Feed – Kaiser Permanente

NEW PARENT ESSENTIAL UPDATE:

Kaiser Permanente Hawaii Awards $164,000 in Grant Funding to Improve Public Health

HONOLULU — Kaiser Permanente has awarded $ 164,000 in community benefit grant funding to community health initiatives in Hawaii. The grant recipients are working to improve public health with a focus on serving low-income and vulnerable populations.

“At Kaiser Permanente of Hawaii, we’re committed to building healthier communities across the state,” said Dave Underriner, president of Kaiser Foundation Health Plan and Hospitals of Hawaii. “We’re proud to support organizations and initiatives working toward the same goal to improve public health and access to care for everyone in our community.”

Hawaii Appleseed Center for Law and Economic Justice received $ 50,000 to further establish the Hawaii Budget and Policy Center, a valuable community resource that provides state poverty reports and analyzes budget and tax policies that address poverty and inequity in the state. The center will research and analyze key policy issues, with specific focus on policies that address health and well-being for low- and moderate-income households, in order to improve efforts by service providers, lawmakers and government officials. The center’s work has the potential to impact more than 150,000 Hawaii residents living in poverty.

Boys & Girls Club Hawaii received $ 40,000 to provide comprehensive mentoring and community programming to promote healthy eating and active lifestyles. Through the grant, Boys & Girls Club Hawaii will partner with organizations to provide learning and leadership opportunities through sports clinics and leagues, culinary arts programs and even business training to 400 at-risk youth on Oahu.

Hawaii Primary Care Association received $ 40,000 to improve access to mental and behavioral health services within community health centers. The majority of patients served by community health centers live below the federal poverty level and 14 percent are uninsured. The grant will help build capacity for community health centers to screen, provide interventions and offer referrals to treat substance abuse and other behavioral health issues, giving more than 11,000 patients a network of support and services.

Waianae Coast Comprehensive Health Center received $ 34,000 to expand its school-based health services program. The grant will support two school-based health centers at Waianae High School and Waianae Intermediate School, which provide acute care, immunizations, physical exams and basic medications such as antibiotics to a large population of Native Hawaiian students, regardless of insurance status. School-based health centers also increase access to behavioral health services, addressing a critical need for greater support for adolescents facing bullying, stress, violence, depression and suicidal thoughts. More than 3,800 adolescents living in Waianae are expected to benefit.


About Kaiser Permanente
Kaiser Permanente is committed to helping shape the future of health care. We are recognized as one of America’s leading health care providers and not-for-profit health plans. Founded in 1945, Kaiser Permanente has a mission to provide high-quality, affordable health care services and to improve the health of our members and the communities we serve. We currently serve more than 12.2 million members in eight states and the District of Columbia. Care for members and patients is focused on their total health and guided by their personal Permanente Medical Group physicians, specialists and team of caregivers. Our expert and caring medical teams are empowered and supported by industry-leading technology advances and tools for health promotion, disease prevention, state-of-the-art care delivery and world-class chronic disease management. Kaiser Permanente is dedicated to care innovations, clinical research, health education and the support of community health. For more information, go to kp.org/share.

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Grant ‘Twiggy’ Baker Wins Big Wave Tour Nazaré Challenge

WSL PRESS RELEASE

NAZARÉ, Portugal (Friday, November 16, 2018) – Two-time Big Wave Tour Champion Grant ‘Twiggy’ Baker (ZAF) won the World Surf League (WSL) Big Wave Tour (BWT) Nazaré Challenge today in the incredible 25-to-40-foot surf at the infamous Portuguese big-wave venue of Praia do Norte, Nazaré.

The event launched early this morning in glassy conditions with 25-foot-plus wave-faces around the high tide mark and as the tide dropped conditions got heavier and heavier to culminate with large surf in the 35-to-40-foot range, with occasional larger sets. Mike Parsons, Big Wave Tour commissioner has granted this event a Silver coefficient, meaning results in Nazaré will carry a 10% increase in points (e.g. 11,000 points for the winner).

A relatively discrete surfer in the opening round and the Semifinal, advancing in third place in both heats, the South African from Durban peaked at the exact right time to pull off some of the most incredible drops and rides seen all day in Nazaré during the Final. The tall and powerful regular foot went both to his forehand and backhand in the Final to score an incredible 8.67 and 7.70 on his way to a first victory in Portugal.

Nazaré Challenge 2018
Grant Baker (ZAF) Winner of the Nazaré Challenge 2018

“I don’t believe it, this is insane,” Baker stated. “These kids were going so hard today and I can’t believe I’ve still got that in me. That 8.67 was the wave I’d been waiting for, it came right to me and I ended up being super late, it was a crazy big section. What a day, just perfect, perfect Nazaré, it’s a dream. Lucas (Chianca) was the man to beat and Natxo (Gonzalez) got that crazy barrel in the semis, somehow I got lucky and I got out on top!”

The 2013 and 2016 Big Wave Tour Champion, Baker has time and time again proven to be a threat in all conditions when the waves hit maximum heights. Today he came out on top of one of the best days of big wave professional surfing ever seen.

The Final got underway quickly with good rides from most surfers, but undoubtedly Lucas Chianca (BRA), the defending event champion in Nazaré, got the better of the early exchanges. The young Brasilian posted a 7.17 and 6.23 to take a strong lead early on and continued to play with the massive lefts he’d been dominating since early this morning. His ability to drop late into the steep walls impressed as he navigated some of the best waves of the day.

Baker answered with good lefts at first, going back up into the wall to score turns on the shoulders for his first two scores. He then switched to the rights, to pull two huge drops into shorter rides to continue to build momentum.

Natxo Gonzalez (EUK) waited 30 minutes to start on his first wave, but his patience paid off as he launched into one of the most critical rides of the Final to post an 8.17 and position himself in second position. João De Macedo (PRT), Russell Bierke (AUS) and Alex Botelho (PRT) had a slower start to their heat and kept chasing waves.

Gonzalez moved into the lead with a second left quickly after, but Baker replied with a huge wave on his backhand, threading the face in a perfect line to post an excellent 8.67 and move ahead of the Basque surfer, relegating Chianca to third. The Brasilian found an excellent wave of his own to move into second with an 8.07.

The last three surfers started getting better waves in the 6s and 7s to stay in fighting distance of the lead while Baker, Chianca and Gonzalez continued to surf their own heat. But as time ran out, the situation remained unchanged and Grant ‘Twiggy’ Baker walked away with the win, closely followed by Chianca and Gonzalez. Botelho claimed fourth place, De Macedo fourth and Bierke fifth in his first-ever Big Wave Tour event.

In his second year on the Big Wave Tour, Lucas ‘Chumbo’ Chianca (BRA) dominated his first two heats to qualify for the Final, and score the second-best single score of the day, a near-perfect 9.60 for a backhand barrel in Semifinal 1. Unfortunately the Brasilian couldn’t quite find the same opportunities for massive scores in the Final heat and placed runner-up behind Baker.

“I’m super stoked but I didn’t fully accomplished what I came here to do,” Chianca said. “It was a perfect day and everyone was stoked to see these waves break. It’s a great way to start the season and I’m incredibly excited about the rest of the season. Twiggy is such a legend and a real idol I’ve looked up to when I was younger so to compete with these guys now I’m stoked.”

Third place finisher Natxo Gonzalez (EUK) had previously ridden the wave of his life in Semifinal 2, locking in a deep barrel with a high line on an impressive lefthander that came up abruptly next to the cliffs. The Basque surfer is building himself a solid profile on the big wave scene and will be one to watch as he takes on his first full season on the tour.

“After getting that 10 my day was pretty much over, I didn’t really care about anything else to be honest,” Gonzalez said. “I got one of the best waves of my life, in front of thousands of people including my friends and family so things don’t get much better than that.”

Competition reached a climactic high in the Semifinals as waves started opening up, giving surfers a rare opportunity to get barreled at Nazaré when the waves are that big. Portuguese surfer João De Macedo was the first to capitalize with an impressive 9.20, Chianca followed with a 9.60 and Gonzalez pulled off the impossible with his perfect 10 point ride in the following heat.

Last year’s Big Wave Tour Champion Billy Kemper (HAW) bowed out in Semifinal 1 alongside compatriots Nathan Florence (HAW) and Ian Walsh (HAW).

2018/2019 Nazaré Challenge Final Results:
1 – Grant Baker (ZAF) 25.04
2 – Lucas Chianca (BRA) 23.31
3 – Natxo Gonzalez (EUK) 22.71
4 – Alex Botelho (PRT) 22.06
5 – Joao De Macedo (PRT) 20.87
6 – Russell Bierke (AUS) 18.89

2018/2019 Nazaré Challenge Semifinal Results:
SF 1: Lucas Chianca (BRA) 25.63, João De Macedo (PRT) 25.40, Russell Bierke (AUS) 21.47, Nathan Florence (HAW) 20.76, Billy Kemper (HAW) 18.23, Ian Walsh (HAW) 18.00
SF 2: Alex Botelho (PRT) 26.33, Natxo Gonzalez (EUK) 26.03, Grant Baker (ZAF) 21.60, Kai Lenny (HAW) 20.33, Nick Lamb (USA) 14.00, Jamie Mitchell (AUS) 2.50

2018/2019 Nazaré Challenge Round 1 Results:
Heat 1: Lucas Chianca (BRA) 22.31, Billy Kemper (HAW) 17.23, Nathan Florence (HAW) 16.91, Francisco Porcella (ITA) 14.63, Greg Long (USA) 13.77, Antonia Silva (PRT) 8.36
Heat 2: Ian Walsh (HAW) 24.34, Russell Bierke (AUS) 14.86, João De Macedo (PRT) 13.84, Tom Lowe (GBR) 12.16, Rodrigo Koxa (BRA) 9.36, Will Skudin (USA) 3.80
Heat 3: Jamie Mitchell (AUS) 19.57, Kai Lenny (HAW) 16.83, Natxo Gonzalez (EUK) 16.26, Jojo Roper (USA) 14.71, Pedro Calado (BRA) 14.20, Andrew Cotton (GBR) 13.73
Heat 4: Alex Botelho (PRT) 20.37, Nic Lamb (USA) 19.43, Grant Baker (ZAF) 18.13, Makuakai Rothman (HAW) 15.33, João Guedes (PRT) 10.16, Nic von Rupp (PRT) 9.70

The 2018/2019 Big Wave Tour hosts three events: the Nazaré Challenge, the Jaws Challenge, and the Mavericks Challenge. All holding periods for this season are now open and will await the biggest waves until the season’s close on March 31, 2019. For the Jaws Challenge and Mavericks Challenge, the world’s best male and female big wave surfers will await conditions that will produce waves in the 30-to-60-foot range. Once the decision is made to run the event, a “Green Alert” is issued and competitors will have 48 hours’ notice to be ready to compete.

The WSL Big Wave Tour is proudly supported by Surfline, and Corona, with a special thanks to Nazaré Challenge partners Jogos Santa Casa, Visit Portugal, Portuguese Waves, The City of Nazaré, MEO, Hertz, and Praia do Norte.

For more information, please visit WorldSurfLeague.com.

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