Bud Konheim, Nicole Miller’s Chief Executive Officer, Dies at 84 After Biking Fall

Nicole Miller’s longtime business partner Bud Konheim died Saturday, after injuries sustained from a bicycle accident in Connecticut.
Konheim, chief executive officer of Nicole Miller Inc, died at the age of 84 at Norwalk Hospital in Norwalk, Conn., Saturday. The cause of death was not immediately known, Miller said.
Services will be held Friday at the Frank E. Campbell Funeral Chapel in New York City.
Konheim and Miller have been one of the fashion industry’s longest-standing power couples, having worked together for more than 40 years. “He always said, ‘I’ve never had a bad day.’ He loved life and he loved his job.” Miller said. “He just always had this positive attitude. He just loved what he did. He loved the business.”
The irrepressible straight talker Konheim was a big picture thinker who examined the fashion industry from a mile-high perspective. Rather than talk up his own company’s success or most recent news, Konheim was more inclined to first discuss at great length why old-school retail models and other aging business practices weren’t working. Rather than bemoan the state of things, Konheim would fire off a litany of possible solutions. An early adopter of technology for a variety of elements of sales and design,

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The Enduring Legacy of Frank Miller’s ‘Batman: Year One’

Questionable directorial ventures aside (he directed a poorly received version of Will Eisner’s comic book, The Spiritand the big-screen follow-up to Sin City), nobody can dispute the huge mark left by legendary writer Frank Miller on the world of pop culture. Not only did he bring Marvel’s Daredevil back from the brink when he created Elektra, and go on to define his noir style of comic-book storytelling through series such as Sin City, The Spirit, and Ronin, but he is also the man largely responsible for transforming DC’s Caped Crusader into the stoic, Kevin Conroy-voiced defender that’s become so iconic today.

You see, throughout the 1950s and 1960s, Batman had started to drift away from stark vigilantism into more colourful territory. It wasn’t until 1986 that he finally returned to his darker, more serious roots in Frank Miller’s The Dark Knight Returns, a four-issue miniseries. Centring on an alternate-universe Batman who is much older and closer to losing his sense of honour and morality, this grim tale proved so successful that one year later, Frank Miller treated readers to another run — one that is now considered a classic.

Batman: Year One is the story that soft-rebooted the world’s greatest detective for a whole new generation of comic book fans. Many were familiar with the events of Crime Alley and Bruce Wayne’s general reasons for donning the cowl, sure — but we were yet to see those early, difficult years of his career as Batman. Miller wanted to take the character in a new, grounded direction. This gritty tone has proven so influential, it continues to inspire the Batman mythos across multiple media today.

The Dark Knight Trilogy – the Gordon/Batman Relationship


You could almost rename Nolan’s first movie ‘Bromance Begins’.

Part of what made Batman: Year One so revolutionary was Frank Miller’s decision to explore Batman’s beginnings in parallel to James Gordon‘s origins. A relocated detective who’s yet to become the police commissioner dedicated to uprooting the city’s deeply ingrained crime epidemic, Jim Gordon’s bond with Wayne develops across a period of 12 months as the duo learns that Gotham needs a special kind of approach if it is to be saved.

This dynamic is central to Christopher Nolan’s entire Dark Knight trilogy, but is perhaps most prevalent in 2005’s Batman Begins. Screenwriter David S. Goyer lifted the story of Bruce Wayne’s long absence from Gotham following his parents’ death directly from Batman: Year One, allowing the film to explore just how corrupt the police force becomes during this time. The eye-to-eye relationship between Gordon and Batman subtly bubbles to the surface as the fearsome twosome begin their crusade against crime. It comes to fruition during the emotional conclusion of The Dark Knight Riseswhere Gordon’s influence on Batman in his pursuit of justice is deliberately and calculatedly reinforced.

Batman: Zero Year – Vigilantism in the Early Years


Scott Snyder’s Zero Year featured a younger Batman that looked and moved differently than ever before.

Scott Snyder’s tenure writing Batman – epically brought to life by Greg Capullo’s illustrative efforts – is full of memorable storylines and deconstructs the character’s history. How do you follow up the game-changing Court of Owls storyline, though? Seemingly, by doing as Frank Miller did, and going back to the time when The Dark Knight was first starting out. Zero Year is a clear nod to Year One’s title and treatment of Batman. This 2013 comic book arc has since replaced Year One as Batman’s in-continuity origin, but respectfully so by flipping specific elements on their heads.

Spread across three specific segments in Secret City, Dark City, and Savage City, Batman: Zero Year follows the Caped Crusader during his time without the cape – where he was more ‘rough and tumble’ in his fight against ground-level criminals like the Red Hood gang and a pre-riddle obsessed Edward Nygma. Contradictory to Miller’s original series, however, is how Gotham itself is depicted. Far from the dank, gothic structures we’re so used to seeing in Batman media, in Zero Year, Capullo envisions it as a bright and vibrant metropolis worth saving.

From here we get to see plenty of quiet, introspective moments in which Bruce is forced — convincingly — to consider the risks in taking up the Batman mantle, as well as come to terms with the trauma of his parents’ death for the first time since his return to Gotham. Zero Year is a smart retelling of the Batman origin story that heightens almost every event that happens thereafter. So much so that certain elements are set to be adapted for the forthcoming fifth season of Gotham.

Batman: Arkham Origins – First Encounters with Notable Villains


Arkham Origins let Batman wreak havoc on enemies who were unaware he existed.

Faced with the tough task of developing a follow-up to Rocksteady’s acclaimed 2011 video game Batman: Arkham City, the new team at WB Games Montreal saw the sense in going back to Batman’s early timeline to progress the series. Set several years prior to the events of the original Batman: Arkham Asylum, the aptly named Arkham Origins was proposed as a “year two” game that would centre on The Dark Knight’s early days, acting almost as a companion piece to Batman: Year One, despite being set in the game-specific Arkham-verse continuity.

Batman: Arkham Origins never directly references Frank Miller’s run, but its presence is most definitely felt; whether it’s in the initial mistrust between Batman and James Gordon, or how it uses the opportunity to depict Batman’s first interactions with some of the most celebrated comic book villains in Bane, Deathstroke, and The Joker. The developers also took the chance to shed light on some of the lesser-known members of the Bat’s rogues’ gallery, those that would never dare get the chance to shine on the big screen — like Firefly, Copperhead, and Black Mask.

While certainly capable of thwarting the eight assassins chasing him down for the bounty placed on his head throughout the game’s main campaign, Arkham Origins’ younger, inexperienced, and slightly more vulnerable Batman can be traced back to Frank Miller’s classic comic book tale.

5 Times Dystopian TV and Film Fiction Became Real-Life Dystopian Fact

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‘Daily Show’s’ Trevor Noah Roasts Stephen Miller’s Hair ‘Migration’

This past weekend, White House senior adviser Stephen Miller made a lot of outrageous arguments about border security and a possible government shutdown on Face the Nation. But all anyone seemed to want to talk about was whatever was happening on top of his head.

“Did you guys catch that?” The Daily Show host Trevor Noah asked his audience Monday night. “Not the stuff about the southern border, I’m talking about the new border, up here. What’s going on over there? A bit of a migration happening…”

“All weekend, people were wondering what the hell happened with Stephen Miller’s hair,” Noah continued, putting up side-by-side photos that demonstrated how his hairline had evolved. “And I get why. It’s like someone said, ‘Who here hates immigrants?’ and his hair was like, ‘This guy!’”

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‘Daily Show’s’ Trevor Noah Roasts Stephen Miller’s Hair ‘Migration’

This past weekend, White House senior adviser Stephen Miller made a lot of outrageous arguments about border security and a possible government shutdown on Face the Nation. But all anyone seemed to want to talk about was whatever was happening on top of his head.

“Did you guys catch that?” The Daily Show host Trevor Noah asked his audience Monday night. “Not the stuff about the southern border, I’m talking about the new border, up here. What’s going on over there? A bit of a migration happening…”

“All weekend, people were wondering what the hell happened with Stephen Miller’s hair,” Noah continued, putting up side-by-side photos that demonstrated how his hairline had evolved. “And I get why. It’s like someone said, ‘Who here hates immigrants?’ and his hair was like, ‘This guy!’”

Read more at The Daily Beast.

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Ezra Miller’s Puffer Coat Dress Shows How Exciting Gender-Neutral Clothing Can Be

Photo Illustration by Elizabeth Brockway/The Daily Beast

From the moment Ezra Miller stepped onto the red carpet for the premiere of Fantastic Beasts: The Crimes of Grindelwald last week, the actor’s Moncler puffer jacket became a sartorial Rorschach test.

Some said Miller’s ribbed black cocoon turned him into a human sex toy. Dr. Who fans saw a dapper Dalek in Miller. A case could be made for Miller looking like robot actor at a fitting for a futuristic production of Henry VIII. Or even a slightly styled-up Handmaid.

One tweet perhaps summed it up best: “Ezra Miller dressed like a sassy sleeping bag last night & somehow managed to pull it off.”

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