BERLIN — A desperate city hunts for a child killer in the six-part drama series “M – A City Hunts a Murderer,” a modern-day interpretation of Fritz Lang’s iconic film which world premieres Feb. 12 as part of the Berlin Film Festival’s TV strand, Berlinale Series. The six-hour limited series is a Superfilm production by John […]
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Upon its premiere in late 2015, Netflix’s Making a Murderer became an instant phenomenon (and sparked a true-crime documentary renaissance) by bringing to national attention the plight of Manitowoc County, Wisconsin, residents Steven Avery and Brendan Dassey, who in 2005—shortly after Avery was released from prison after serving 18 years for a rape he didn’t commit—were charged with the murder of Teresa Halbach.
Filmed over the course of 10 years, during which time Avery and Dassey were convicted and sentenced to life in prison, Laura Ricciardi and Moira Demos’ series was an exhaustive examination of injustice, laying bare the devious motivations and tactics (including planting evidence and eliciting a false Dassey confession) used by state and law enforcement officials to put the men behind bars. Depressing and enraging in equal measure, it was an expert non-fiction exposé, as compulsively addictive as anything released during our modern binge-watching era.
Fans of Making a Murderer are thus thrilled by its return for an all-new 10-episode run—except, of course, that like its predecessor, the series continues to paint a portrait of the legal system that’s destined to infuriate. Charting Avery and Dassey’s attempts to exonerate themselves with the aid of new lawyers (famed attorney Kathleen Zellner for Avery; Center on Wrongful Convictions of Youth co-founders Laura Nirider and Steve Drizin for Dassey), Ricciardi and Demos’ follow-up affords a detailed look at the myriad obstacles of the post-conviction process, the amazing possibilities afforded by forensic science, and the dogged obstinacy of the state of Wisconsin, which continues to uphold Avery and Dassey’s convictions even in the face of contradictory evidence. Multifaceted, eye-opening and heartbreaking, it’s yet another must-see effort from the directors.