Lumber Liquidators lied to investors and the public when it denied that its laminate flooring contained high levels of formaldehyde following an explosive “6o Minutes” undercover sting, federal prosecutors said Tuesday. The Toano, Va., company was charged with fraud and slapped with $ 33 million in fines and penalties as part of a deal that also… Business | New York Post
PARIS (AP) — Louis Vuitton’s designer Virgil Abloh transported celebrity guests at Paris Fashion Week to the graffitied streets of New York in a dramatic menswear ode to Michael Jackson.
Abloh, the first African-American to head a major European fashion house, used his unique platform Thursday to celebrate one of America’s most globally recognized and celebrated black performers.
Here are some highlights of Thursday’s fall-winter shows.
LOUIS VUITTON GOES OFF THE WALL
Model Naomi Campbell and actors Timothee Chalamet and Joel Edgerton seemed amazed to discover a reconstructed cityscape that evoked the King of Pop’s famed music videos, all inside the Tuileries Gardens.
A young, skinny actor resembling the late Jackson as a boy drew applause as he ran and danced across the impressive set of a poor New York neighborhood.
No detail was spared.
Guests clutched their show invites that comprised a single bejeweled white glove, as their eyes were led past a Chinese business store, New York street signs, sidewalks littered with dead leaves, and a barber shop ending at a saxophonist playing on the street.
Campbell nodded to the beat of the soundtrack — an infectious checklist of Jackson’s greatest hits that had some humming well after the show had ended.
“It’s Michael Jackson. My hero,” she exclaimed.
VUITTON’S ABLOH REVISITS JACKSON
It was the flamboyance of Michael Jackson as seen through the classical prism of Louis Vuitton.
The silhouettes of some of the late star’s most eye-popping looks were taken by Abloh and revisited in a slightly more pared-down style.
A military jacket and large sash — that might have come across overly showy — were designed in a tasteful pearl-gray monochrome cashmere.
Elsewhere, a giant cropped jacket with stiff padded lapels was saved from excess with soft charcoal flannel twill.
The signature layering of the singer, who died in 2009, was ubiquitous in the 64-piece parade that went from the subtle to the not so subtle toward the end.
An overlaid silver parka coat in aluminum foil leather and a silver safety vest were among the most literal of the Jackson odes and recalled some of his most spectacular concert performances, as did the models who wore jeweled gloves.
Later in the show, Abloh made a series of prints based on a cartoon in Jackson’s 1978 film “The Wiz” that became a cult classic among black audiences.
Abloh called his hero, Jackson, “the universal symbol of unity on the planet.” Though touching, the collection could have perhaps done without the scarf shirts fashioned out of global flags that came across as a tad busy and somewhat obvious.
RICK OWENS BLOWS A KISS
A brooding and saucy mood overtook lauded American designer Rick Owens in a 70s-style collection Thursday.
The show was entitled “Larry,” after U.S. designer Larry LeGaspi, whose silver and black space looks were worn by rock groups such as Kiss.
The fall-winter show was very much an homage to the bombastic styles of LeGaspi, about whom Owens has written a book.
Tan, sienna, deep vermillion and lashings of black in the clothes were highlighted by sensually dappled lighting.
Excess was simply everywhere.
Enveloping retro shades, peaked shoulders, oversized sleeves, flares and David Bowie-style tight waists set the time-dial very much to the era of Glam Rock.
As if that weren’t enough, Owens pushed the envelope further with painted white faces and inset leather appliques that resembled women’s genitals. They contrasted purity with provocation.
LeGaspi “helped set a lot of kids like me free with his mix of art-deco sexual ambiguity,” Owens said.
ISSEY MIYAKE BRINGS THE WIND
The Franco-Japanese house of Issey Miyake put on a collection in homage to the wind.
In the fall-winter silhouettes, it was not the wind of an angry storm at work, but more a gentle breeze that served to curve and soften the clothes’ shapes.
The result was a low-key affair by designer Yoshiyuki Miyamae.
A welcome sharpness did appear in the collection via its print detailing, but its power was diluted by the rounded shapes.
For instance, some jagged yellow diagonal motifs evoked the strong movement of wind — but the looseness of the suits and coats on which they appeared lessened the effect.
The prints were conceived by an Asian wax resistant dyeing technique called batik that the house frequently uses. Issey Miyake is one house that cannot be faulted for its use of cutting-edge fashion-making methods.
Elsewhere, another Asian technique, ikat — a sort of tie-dye — was employed to produce the collection’s strongest pieces.
A silk-wool series sported beautifully defused white horizontal bands across icy blue-gray pants and shimmering coats.
Tyler Perry is already in the holiday spirit. TMZ reported that the film mogul has paid off over $ 400,000 in Walmart shoppers’ layaway debt —paying off $ 178,000 at one store in Atlanta and another $ 256,000 at a Walmart in nearby Douglasville, part of the Atlanta Metro Area.
According to TMZ, “all the customers have to do to collect their outstanding items is pay a penny at pickup.”
Perry is not only generous with his money but as a successful filmmaker and entrepreneur, he finds time to dole out advice to aspiring creatives and entrepreneurs. At a recent event, the Goldman Sachs 10,000 Small Businesses Summit, Perry took part in a panel discussion dropping various gems of wisdom. Some of his tips for entrepreneurs included:
Stay creative, fresh, and relevant
Serve and then super-serve your audience
Focus intensively on your core/niche
Show them how special they are
Show them that you appreciate them
Treat them with as much respect and sincerity as you would anyone else
Perry also advised those in attendance of the importance of having a good team in place to achieve your dreams, acknowledging that it’s extremely challenging to identify and formulate a good team.
ATLANTIC CITY, N.J. — Roll in dough, Tide! FanDuel sportsbook is paying out bets from people who picked Alabama to win the college football national championship — over a month before the game will be played. The company announced Friday night it is treating the top-ranked Crimson Tide as the winners already, and paid out… Sports | New York Post
When it comes to Halloween costumes, nobody does it better than Beyoncé. She proved that over the years with some very interesting looks. In the past, she, Jay, Blue Ivy and her Mom, Tina, have channeled Michael Jackson, Salt N Pepa, and the Coming to America cast among others.
This year, the 37-year-old entertainer has decided to emulate Toni Braxton … circa 1993 for her Halloween costume this year. She shared snaps of her Halloween look with her fans on Instagram. And to no one’s surprise, everyone is loving it!
Specifically, Bey recreated Braxton’s self-titled album cover, Toni Braxton, by wearing a short pixie wig, a fitted white tank, light wash, high-waisted jeans, a leather jacket and chain belt which was identical to the R&B singer’s cover look.
The only change? Instead of words “Toni Braxton” on the album cover, Beyoncé got creative and changed the lettering to “Phoni Braxton” on her recreations of all three of Braxton’s iconic cover shots.
The “Put A Ring on it” singer also wrote a heartfelt message to Braxton in the caption of her first photo:
Sending love and adoration to one of our talented legends. Thank you for the countless bops. Your tone, your beauty, your range, and your God-given talent is treasured. Loving you always. Have a Happy Halloween my Kings and Queens,” Beyoncé said.
Apparently Toni Braxton herself couldn’t have been more thrilled with Bey’s creativity.
“Phoni Braxton!? NEVER!!! How do you look better than me on MY album cover? I LOVE IT, Such a superstar! Thanks for the love sis! Happy Halloween,” Braxton tweeted.
Phoni Braxton!? NEVER!!! How do you look better than me on MY album cover? I LOVE IT, Such a superstar! Thanks for the love sis! Happy Halloween Who run the world…GIRLS! GIRLS! @Beyoncepic.twitter.com/dFSbBrQV8Y
She collapsed and died after four days of heroin withdrawal in jail. ABC News: Health
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Alex Cora continues to win the chess match with Aaron Boone and it has the Yankees in an early hole with their season on the line. Cora replaced Game 3 hero Brock Holt with Ian Kinsler at second base and put Eduardo Nunez at third instead of Rafael Devers to face CC Sabathia in Game… Sports | New York Post
Tisha Campbell-Martin has reportedly reached a deal to buy back the rights to collect her royalties that she relinquished as part of her bankruptcy case.
According to court documents obtained by The Blast, Tisha and her estranged husband Duane Martin have reached a settlement with the trustee. She will reportedly pay $ 115,000 in two installments in order to obtain her residual rights. Martin will pay $ 60,000 in one installment and $ 55,000 in another within 90 days of a court’s approval of the settlement.
The former couple have been battling over the residuals for months and, as noted in the report, since the bankruptcy was filed, the trustee has collected $ 300,000 in royalties.
The docs state, “Since December 2017, the debtors have been in the process of ending their marriage and in February 2018, Ms. Campbell filed for divorce from Mr. Martin … In connection with that process and Ms. Campbell’s stated attempt to unravel a long history of Mr. Martin’s control over their joint finances, Ms. Campbell engaged new representation with regard to the dispute described in the Agreement.”
The actress previously accused her ex of hiding money from her during their marriage. She also told the trustee that during their marriage, Duane was responsible for managing all their financials, including collecting her residuals.
Campbell-Martin filed for divorce earlier this year after 20 years of marriage. She and Duane were reportedly legally separated in December 2016.