Best Posts of 2018 – Spring Fling and a Mixed Bag

Last week we recognized the Best Affordable Style of 2018, focusing on the top products pumped out by the retail establishment. This week we’re taking a look back at the best (at least what WE consider the best) of what Dappered had to offer in 2018. Not trying to toot our own horn here. Consider this more of an exercise in recognizing what was popular with the Dappered readers, so we continue to create informative content in the New Year. And by the way, to those Dappered readers: thanks.

 

10 Men’s Style Things to Change Up for Spring / Summer

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Hey, you know what’s less than 3 months away? The first day of spring. For those of you that would choose warm weather over cold, and prefer fewer layers, let this bring you some solace. We’ll be able to use the advice in this post before you know it.

 

Style Scenario: Spring Temptation – On the Casual Side

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And to put a little more pep in your winter doldrums step, this Style Scenario was assembled utilizing picks from Spring Temptation: New Affordable Men’s Style Arrivals for 2018. We also put together a Middle Ground and Dressed Up look from the same batch of goods. Snow may still be flying, but we’ll be seeing spring retail arrivals before we know it.

 

Happy WIWT Stereotypical Dappered™ Look Day…

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If imitation is the best form of flattery, we were pretty flattered around these parts when a group of guys on Threads decided to create a Stereotypical Dappered Look Day. As can be seen on the WIWT thread, several readers dressed the part, and even found (or built) brick walls to pose in front of. We thought that was pretty damn cool.

 

In Review

Dappered.com

Over the years Dappered has reviewed a lot of offerings in the affordable men’s style arena, and 2018 saw the addition of several reviews, including the Target Goodfellow Keanu single monk (as seen above), selvedge denim from Amazon, a Timex x Todd Snyder collaboration, the Flight Bag from Saddleback, and more. We hope you guys find these reviews informative, and if you ever have an idea for a review send an email to joe@dappered.com.

 

This is my bag of buttons.

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Leave it to Joe to find existential meaning in one small bag of buttons.

 

Style Scenario: Spring/Summer Dad Style!

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The best part about this Style Scenario was that some guys on social media actually thought we were serious about this. You know who you are.

That wraps it up fellas. Once again, thank you so much for your readership of this site. Uncle Dappered wants you to know that without you he’d feel as useless as a button relegated to a bag of eternal inertia. Or something.


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YUMI KIM IS SEEKING Spring / Summer 2019 DESIGN, WHOLESALE & MARKETING INTERNS IN NEW YORK

Organization: Yumi KimWeb Site: http://www.yumikim.com Yumi Kim, a growing contemporary women’s brand based out of Soho, is looking for enthusiastic undergraduate and graduate interns for this Spring / Summer 2019 to assist in our corporate office. Design/production, wholesale, ecommerce, …

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ICYMI: Skin-Care Tools, Top Fashion Schools & Uniqlo U Spring 2019

Sure, we’re all glued to our phones/tablets/laptops/watches that barely tell time, but even the best of us miss out on some important #content from time to time. That’s why, in case you missed it, we’ve rounded up our most popular stories of the week to help you stay in the loop. No need to thank …

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AVENUE Q Will Close After 15 Years in NYC This Spring

AVENUE Q winner of three 2004 Tony Awards including Best Musical will conclude its celebrated 15 year run in New York on April 28, 2019, it has been announced by the show’s producers. Produced by Kevin McCollum, Robyn Goodman, Jeffrey Seller, Vineyard Theatre and The New Group, AVENUE Q will have played a total of 6537 performances upon closing from its first Broadway preview on July 14, 2003 to its final performance at New World Stages 340 W. 50 St. on April 28 next year.
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Kim Jones Debuts Dior Men’s Spring Collection at Tokyo Pop-Up

BUZZING INTO TOKYO: Roughly 100 customers lined up outside Isetan’s men’s building in Shinjuku on Wednesday morning, waiting for the doors to open so they could get their hands on the spring 2019 men’s capsule collection that Kim Jones designed for Dior. It is the first offering released by the designer since he took over as artistic director.
For the capsule, Jones tapped New York-based artist Brian Donnelly, known professionally as Kaws, to reimagine the brand’s classic bee motif, as well as to create a new Dior logo specially for the collection.
At the pop-up, customers can purchase T-shirts to be customized in front of them with a spray gun that dispenses permanent ink in the chosen design. They are also printed with the date and the number of their purchase.
Exclusive to the Tokyo store are items that feature the Kaws bee in pink rather than yellow, including T-shirts, sweatshirts and small leather goods. Also available are Japanese selvedge denim jeans embroidered with the traditional boro method, and the iconic Dior Saddle bag, which Jones has reinterpreted for men for the first time.
Sunglasses and belts with buckles designed by Matthew Williams of Alyx and jewelry by Yoon Ahn complete the offering.
The Tokyo

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Mistergentleman Men’s Spring 2019

Takeshi Osumi and Yuichi Yoshii’s shows have come to be known as a highlight of Tokyo Fashion Week, and this season was no different. Since they began staging runway shows, they have honed their style so that each collection is fun and uplifting, and stylish with a hint of humor. The theme for spring was “vibrant,” which was clearly illustrated through their diverse color palette.
The designers layered sheer T-shirts over solid ones, sheer bomber jackets over button-down shirts, and sheer shorts over khaki ones. Bright neon trim appeared on the cuffs of dress shirts and at the back of trenchcoats, and panels of contrasting fabric were added to moto jackets and short-sleeved shirts. A series of color-blocked leggings and body-hugging jumpsuits in mixed prints were worn under more formal pieces such as blazers and toggle coats.
From socks with sporty drawcord tops to bags made by Outdoor Products, Karrimor and Speedo, the accessories rounded out the collection with fun and function.

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Rabd Men’s Spring 2019

Name: Rabd
Main message: According to its profile, this brand aims to make “clothing that adds colors and [an] uplifting feeling for everyday life,” but you would never guess it from its spring collection. Designer Kanya Miki, a former assistant to John Galliano, showed a severe collection in shades of black, white and gray. He paired wide-legged, extralong pants with motorcycle jackets or a variety of T-shirts, some with asymmetric lines. While designed for men, the offering was shown on models of both genders to demonstrate its versatility.
The result: Rabd’s first runway outing showed a cohesive and consistent collection, but the looks were so similar that it often seemed they were being repeated over and over.

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Memuse RTW Spring 2019

Name: Memuse
Main message: Risa Aizawa evoked a child’s dress-up party with her latest show, seating a group of models in nude undergarments, neutral colored heels and blonde bob wigs on the floor in the center of her runway. Around them walked more models, who wore her fairytale-esque designs. With sweet, girly looks such as tulle or lace dresses covered in bows, frills and ruffles shown alongside more casual, real-world pieces including see-through raincoats and an oversize, gathered T-shirt dress printed with a cartoon character with eyes in her hair, it was like a modern-day “Alice in Wonderland.” Aizawa’s pastel palette and opulent textures, which included velour and jacquard, were contrasted by an out-of-place ankle-length, frilled frock in bright magenta, yellow, orange, blue and green.
The result: Considering her background working in a “maid café” and as a Japanese pop star, it’s not surprising that Aizawa’s design sensibility draws heavily from Tokyo subculture. And while the collection is unlikely to garner a widespread following, it’s sure to appeal to her fans and target audience.

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Berluti Men’s Spring 2019

While fellow designers Kim Jones at Dior and Virgil Abloh at Louis Vuitton were making splashy runway debuts in June, Kris Van Assche was quietly unveiling his first collection for Berluti to buyers in showroom appointments.
Editors discovered the collection this week, when it was presented in a temporary glass-walled pavilion designed by Jean Prouvé, set up on the Place de la Concorde in Paris to coincide with the FIAC contemporary art fair.
Designed as a prologue to his first runway show, scheduled for January, the capsule line reflected the mix of tailoring and sportswear that has been a trademark of Van Assche’s previous work, both at Dior men’s and for his own label.
Cropped-leg suits and white shirts, some with black leather patches, rubbed shoulders with smart cashmere blousons and hoodies, including one in paper-thin red lamb leather.
Van Assche used the Scritto, an 18th-century manuscript motif that normally appears on Berluti shoes, in a variety of guises: as a graphic black print on a white T-shirt, a multicolored pattern on a black shirt, or tone-on-tone jacquard accents on a cream tuxedo.
The house’s trademark patina appeared as a blue and red colorway deployed across clothing — such as a cashmere and silk crewneck

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Figue RTW Spring 2019

Stephanie von Watzdorf was awash in the afterglow of the Meghan Markle effect when presenting her spring Figue collection. The Duchess of Sussex wore a floral dress from the collection for her first speech on the royal tour in Fiji earlier this week. “She’s in Fiji, which is one of my dream destinations, and she’s talking about women’s empowerment and education, which is so on my radar, aside from animals and outfits,” said von Watzdorf, adding that Markle’s effect on sales is real.
As for the spring collection, von Watzdorf titled it Nomad Love. She culled decorative elements — stripes, beading, florals, embroidery — from nomadic tribes the world over and coalesced them into pajama tops and bottoms, silk and cotton caftans, peasant tops and robes that fit the bill for pretty, bohemian style whether you’re wandering the globe or going about your everyday life and want something that telegraphs “summer.” What felt newest were airy, voluminous cotton dresses in polka dots, a quilted ikat robe and a great pearl and evil eye jewelry collaboration with Beck Jewels.

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Tory Sport RTW Spring 2019

Two-and-a-half years after Tory Burch launched Tory Sport, the brand’s performance results are coming in. “It’s interesting to start to see what the business is coming to,” Burch said last week during a preview of the spring collection. “We’re starting to see what makes sense, less is more, and what is working for us.” The collection is not just cute, colorful and branded, although it is definitively all of those things — it’s also become a viable player in terms of performance wear. Yoga and running, particularly the seamless pieces, are doing well, as is golf.
For spring, Burch amped up the color with the Bauhaus principles of form and function in mind, working in fuchsia, red, green, blue and white in graphic stripes and lots of chevron. The clothes she wore to play sports in high school in the Seventies were on her mind, so chevron track jackets and silky soccer jerseys were updated in lightweight, breathable, moisture-wicking fabrics as opposed to the pure polyester the vintage styles came in. Weatherproof outerwear stood out, as did a few fabulous chunky hand knit cotton sweaters that fell into Tory Sport’s “coming and going” category. There was a new tennis skort and

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Shohei RTW Spring 2019

Name: Shohei
Main message: Austrian designer Lisa Pek lived in Japan for two years, designing for a Japanese company. Not only did she meet her Japanese husband during this time, but the experience also shaped her design sensibility. She focuses on unique materials, including both sustainable fabrics and innovative performance textiles “in order to create fashion with a dynamic attitude.” In her debut Tokyo show, she used tech fabrics to craft color-blocked parkas, shorts and tube tops in navy, black, beige and orange. While Pek designs for both genders, the men’s offerings mimicked the designs for women, including jackets with zip-off sleeves and pants that unzipped to create shorts. Asymmetrical cutting and folding techniques added an edge to athleisure-style tube tops and dresses with drawstring details, while shirting fabrics were layered with jersey and other textiles to create deconstructed blouses.
The result: Pek’s European interpretation of Japanese style was an interesting addition to Tokyo Fashion Week, and demonstrated that the designer has potential to succeed both at home and abroad.

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The Top Spring 2019 Fashion Trends From the Runways

From New York and London to Milan and Paris, designers have dictated the top spring fashion trends. The trends ranged from voluminous drama to insta-ready bike shorts. See below and click through the gallery above for WWD’s analysis of the overall strong season.
Here, a look at WWD’s top nine fashion trends from the spring runways.
 
BIKE SHORTS: The spring runways gave a new spin to traditional bike shorts through sartorial styling, updated fabrics and even a few unitard silhouettes.
COCKTAIL SHAKERS: WWD’s genre of the short, sexy dresses, garnished with ample sass and retro feel.
CRAFT FAIR: Artisanal flourishes lent an artful aura to the spring collections. Craft elements such as patchwork, fringing, fabric bundles and hand-painting infused the clothes with personality and emotion.
PASTELS: Gentle pastels were everywhere for spring. While frothy dresses worked the expected side of a gentle palette, designers also drew from it to infuse sporty and street looks with an offbeat prettiness.
PICTORIALS: Pictorials were all over the spring runways in jacquards, intarsias and a multitude of prints. Interpretations ranged from beachside imagery and outdoor scenery at Etro and Prada to Jeremy Scott’s Polaroid self-portraits with edge.
PLEATS: These aren’t your typical folds. Designers pushed their creative juices to make this season’s standout

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St. John RTW Spring 2019

St. John presented a more streamlined and sleek collection during an intimate cocktail presentation in place of a showroom appointment for spring 2019. The brand felt even more elevated with mostly mannequins dressed in neutrals at the forefront of the floor-to-ceiling walls of the Glass Houses penthouse venue.
“We thought highlighting black, navy and white just sort of synthesized and streamlined it to the silhouette and form — to highlight slacks, jackets, dresses. There’s tons more color as well though,” explained Tom Jarrold, the brand’s senior vice president of marketing, branding and communications.
The silhouettes were light and easy: a long caftan continued from resort was updated in white, but also offered short and in fiery red. Transparencies made for important details in the collection on dresses and blazers. The brand is making due diligence to keep new collections close to its core DNA — continuing long line and tweed jackets, a wide array of “New Standard” basics, and dresses — while maintaining a less embellished, tightly edited and focused approach going forward.

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Anton Belinskiy RTW Spring 2019

Ukrainian designer Anton Belinskiy’s first fashion show had religious airs. Incense burned on the steps inside the Palais de Tokyo, while some models sported wimples.
Belinskiy explored the concept of belief, whether religious or just as a way of giving meaning to life. He relied on the imagery of the Orthodox Church, in reference to his mother’s faith and his own trips to the local church in Kiev. Religious nods were given a pop-culture spin: tiny icons were printed on simple cotton T-shirts, while a rainbow-hued circular icon was depicted on a pink beaded crop top.
Models, both male and female, carried big sports bags. “When people retreat into religion, they pack up all their belongings and disappear,” explained the designer, who founded his brand in 2009. Film stills from “Adam and Eve” were printed on leggings, skirts and trousers. Some models wore seashell necklaces, other carried ceramic donation baskets.
The show was fast-paced and youthful, but the looks were a bit all over the place. An orange shiny jumpsuit was followed by a denim leotard worn with colorful leggings, then a Hawaiian shirt, finally a black deconstructed bustier dress. Despite this, the whole offering was energetic and exciting. The finalist for the

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Pihakapi RTW Spring 2019

Canadian designer Vejas Kruszewski, who won the LVMH Prix Spécial prize in 2016, chose to put his namesake brand on hold to focus on a new project. Now in its second season, Pihakapi, a brand developed in partnership with Italian leather manufacturer Pellemoda, blends high-quality leather with the 21-year-old-designer’s radical vision.
“Because the brand is leather-focused, I like to build the collection around the outerwear,” said Kruszewski at the presentation of his spring collection (the first offering was shown during men’s fashion week, Pihakapi being a unisex brand.)
A black leather trenchcoat featured details from this season’s key inspirations: mini leather horns recalling the anatomy of the stag beetle on the sleeves and a flame shaped cowboy collar. The same details were reworked on denim and jersey, as well as on a side-slit black slipdress, a welcome update to the wardrobe staple.
“I was really interested in reworking Western wear,” said the designer, gesturing to a white linen skirt with a black leather holster detail. He also created a pair of “refined chaps,” playing on the dichotomy between leather and fabric. The chocolate-colored leather added texture and serious flair to a pair of well-cut black trousers. Throwing in a couple of Grecian draped

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Kolor RTW Spring 2019

A campaign video filmed in Hollywood and a tacky karaoke bar on the outskirts of Tokyo served as the perfect backdrop for this fun, crafty collection, with the models sped up and slowed down.
The signature inventiveness of Junichi Abe, an experienced patternmaker, was in fine form with offbeat touches like an accumulation of fabric textures on a skirt, the haphazard embroidery on lace collars of sweaters, and lines of tape used to join layers to garments — including a red tulle layer on a black T-shirt — or rework volumes, giving a DIY spin.
A series of triple-layered hi-tech anoraks mixing colors and materials to create depth were terrific. More cute in mood were the colored marled knits with contrast lace accents.
The designer also revisited traditional checks in polyester on neo-geek shirts, with oversized shapes used throughout the collection.

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Inès de la Fressange RTW Spring 2019

The collection, presented in a salon at the Ritz Paris, was strangely wrinkled. Not to worry — it was all part of Inès de la Fressange’s vision of Parisian chic. “People are scared of linen and see it as a difficult fabric,” said the designer. “But I wanted to show that things needn’t be perfectly ironed. It gives the feeling that you’re still on holiday.”
Nevertheless the effect was scruffy, and diverted the attention from the stronger points of the collection. There was a pair of “new denim” straight leg trousers in dark blue linen, created in reaction to the Parisian heat wave; a cowboy style red shirt — “because you can look Parisian wearing a shirt from Texas” — and an elegant two-piece beige checked suit, that de la Fressange herself was wearing.
Masculine-inspired tailoring was as efficient as always, but the designer seemed tired of churning out the same old “Parisienne” ideal. “People always think that chic has to be conventional, when there isn’t necessarily a link between the two things,” she said. “I’m bored with conventionalism.”
In reaction to that, the collection went full Seventies, with colorful printed silk shirts and flared trousers. The whole offering seemed to miss the

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Faces are officially out for spring, according to fashion

Apparently, nothing says spring 2019 like covering a runway model’s face. Catwalks across Europe have been filled with eye-catching, eyebrow-raising face coverings, from veiled beekeeper headwear to balaclavas. In London, avant garde designer Gareth Pugh paid homage to his late mentor, punk stylist Judy Blame, sending models down the runway wearing red-and-black printed masks with…
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Sacai RTW Spring 2019

Chitose Abe does what she does and she does it incredibly well. The colors, the patterns, the references change from season to season but the template remains the same — hybrid dressing. She makes it look easy. She makes it wearable. Keeping it current is a matter of her impeccable taste and exacting eye.
For spring, she cast her gaze on crisp white cottons, tuxedo shirts, fisherman jackets, florescent colors, trenchcoat khaki, denim, madras, polo shirts and painterly collages. That’s a lot of ground to cover and material blend without making a mess. Abe has pared down from her earlier collections. The volumes are more controlled, the number of garments fused together limited so a woman can break out a piece and work it into her wardrobe without fear of looking like a clown.
To list off all the looks in the spring lineup would be exhausting. The whites were worn with white. Trenches were fused with denim jackets. Polos merged into the painterly. It all made sense, if it didn’t warrant much in terms of critical assessment. It is what it is. It’s very good. How will it advance? It very well might not.

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