‘The Haunting of Sharon Tate’: Inside the Crazy Hilary Duff Movie That Desecrates the Dead

Saban Films

The Haunting of Sharon Tate is a movie about fate. Tate, played by Hilary Duff, is kept awake at night by visions of her impending death. Just like the Haunting audience, Tate knows that her murder is inevitable. It happened years ago—a semi-random, terrible slaughter orchestrated by Charles Manson and his cult family. What Manson conceived of at the time as deliberate chaos is now just history—a horrible thing that happened because an evil person willed it into being. Sharon Tate’s death did not usher in the apocalypse, and Charles Manson died in prison. It’s a tragic, pointless story, and it’s the one that Sharon Tate will always be remembered for. The Haunting of Sharon Tate imagines a world in which the actress’s death, and therefore her legacy, was narrowly avoided, imbuing the star with the foresight and agency to predict and prevent her own murder.

Director Daniel Farrands’ conceit reportedly traces back to a tabloid’s claim that Tate had a premonition that she would die a full year before the Manson family invasion. The image of an ill-fated starlet plagued by visions of a disturbing future is a vivid one, but one that a basic sense of courtesy and propriety would prohibit most people from converting into a feature-length film. It’s a thought experiment best suited for private contemplation: a young Sharon Tate pregnant with premonition, bewildered and terrified, as a vision of Lizzie McGuire star Hilary Duff playing her in a poorly written 2019 snuff film flashes before her eyes.

Throughout the film, Tate repeatedly wonders if fate can be tampered with, or if we’re all “slaves to our own destiny.” The Haunting of Sharon Tate marks a fate so strange, unpredictable, and cruel that no one ever could have seen it coming—but someone probably could have, and should have, stopped it.

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‘The Haunting of Sharon Tate’: Inside the Crazy Hilary Duff Movie That Desecrates the Dead

Saban Films

The Haunting of Sharon Tate is a movie about fate. Tate, played by Hilary Duff, is kept awake at night by visions of her impending death. Just like the Haunting audience, Tate knows that her murder is inevitable. It happened years ago—a semi-random, terrible slaughter orchestrated by Charles Manson and his cult family. What Manson conceived of at the time as deliberate chaos is now just history—a horrible thing that happened because an evil person willed it into being. Sharon Tate’s death did not usher in the apocalypse, and Charles Manson died in prison. It’s a tragic, pointless story, and it’s the one that Sharon Tate will always be remembered for. The Haunting of Sharon Tate imagines a world in which the actress’s death, and therefore her legacy, was narrowly avoided, imbuing the star with the foresight and agency to predict and prevent her own murder.

Director Daniel Farrands’ conceit reportedly traces back to a tabloid’s claim that Tate had a premonition that she would die a full year before the Manson family invasion. The image of an ill-fated starlet plagued by visions of a disturbing future is a vivid one, but one that a basic sense of courtesy and propriety would prohibit most people from converting into a feature-length film. It’s a thought experiment best suited for private contemplation: a young Sharon Tate pregnant with premonition, bewildered and terrified, as a vision of Lizzie McGuire star Hilary Duff playing her in a poorly written 2019 snuff film flashes before her eyes.

Throughout the film, Tate repeatedly wonders if fate can be tampered with, or if we’re all “slaves to our own destiny.” The Haunting of Sharon Tate marks a fate so strange, unpredictable, and cruel that no one ever could have seen it coming—but someone probably could have, and should have, stopped it.

Read more at The Daily Beast.

Got a tip? Send it to The Daily Beast here

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Emmerdale’s Kim Tate to return next month as she takes revenge on the Dingles for trying to kill her

KIM Tate’s return date to Emmerdale has been revealed.

The original soap superbitch – who is played by actress Claire King in the ITV soap – will make her village comeback at the end of next month.

Kim Tate is set to make a permanent return to Emmerdale in 2019
Kim will return to the village at the end of February or beginning of March

The actress tweeted fans to tell them she would be back filming this month and back on-screen from the end of February and the beginning of March.

It will be six months since Kim was sent back to prison for driving without insurance on a public highway.

She was left injured after being attacked by Faith Dingle and pushed through a balcony and onto a table full of champagne.

She is bound to take revenge on the family when she discovers who it was who brutally attacked her.

She clashed with the Dingles and will have revenge on her mind
Kim Tate was pushed off the balcony at the masquerade ball in Emmerdale
Kim will also want revenge for the attack on her life
ITV

Viewers watched in horror as Kim ordered the murder of her step-grandson Joe Tate after he fell in love with Debbie Dingle so killing them wouldn’t be

The Dingles aren’t the only ones who should fear Kim’s return.

Graham Foster has recently embarked on a relationship with Megan Macey which will put her in the firing line of the villainous multi-millionaire.

And while Graham has been secretly drinking he has failed to notice Nicola King and Robert Sugden’s scheme to take control of Kim’s business empire and millions.


And it has been revealed Kim won’t be the only Tate at Home Farm for long.

Before she was sent back to prison Kim told Graham to find her estranged son James Tate and bring him to her.


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