Tina: The Tina Turner Musical
Adrienne Warren is so good in Tina: The Tina Turner Musical, such a fabulous force of musical nature, that any fan of Turner (actually, even if you’re not) should head to Broadway’s Lunt-Fontanne Theatre (booking to June 7, 2020) and prepare to be ecstatically blown away.
Warren—her voice, presence, her crackling, energetic, emphatic ownership of the role of Turner herself—is the thrumming whole of this show. It makes up for the book, which—as so many biopics can be on stage and screen—is scattered and unfocused. It makes up for subsidiary characters, who we want to hear more from and do not. Warren’s voice and command of the stage—really, how does she do this, eight shows a week?—reigns supreme.
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